Deeper Insights into the Illuminati Formula

Page 44 ...

which is based on the apple. The real thing to deal with for therapists is the apple. If the castle is returned to its original image of being an apple seed, and the rest of the apple-and its tree imagery dealt with, then some progress can be made. Unfortunately, not being aware of the original imagery, the therapists have been frustrating themselves with the superficial imagery rather than the foundational imagery.

Another script for teaching the young 2 to 4 year old slaves simple visualization is to have the child close his or her eyes and imagine that they are looking at a white wall or blank screen. Then they practice visualizing simple geometric shapes, and then visualize the screen in different colors, and then finally visualize the objects changing colors.

MAGICAL TRAINING ON THE STARLIGHT LEVEL

The Illuminati begin training the child victim to work at the starlight level. This is called magical training. The child’s abilities to relax, visualize, concentrate and project are then harnessed in the alpha state by "MAGICKAL TRAINING" which opens up the STARLIGHT CONSCIOUSNESS. Starlight consciousness is the other way of knowing that which belongs to the right hemisphere, and it allows the victim to make contact with the "DIVINE WITHIN". The Divine within the victim is actually the generational spirits, which are placed in during the Moon Child ceremonies described in detail in Vol. 2.

The generational spirits are laid in to help build the programming and to guard it. However, as in so much spiritual work, the victim’s (technically speaking, the alter’s) will & thoughts work hand in hand with the spirits. The child must learn to visualize and participate in the mental building of the internal worlds, structures, etc. However, the demons will be strategically placed to protect the structures once the programming is built into the mind. (For more understanding of this see Cisco’ s section on "Programming, foundational, destruction of’.)

FINETUNING

The child victim’s mind is FINETUNED. This means that the child can function excellently at visualization, relaxation, concentration, projection, while in the alpha state and can work with their subconscious mind. The mental work done in the subconscious can not be retrieved easily. Only through outside assistance or special training can most people access what is done at the starlight level of the mind. The programmers are using the child’s abilities with its 5 acute senses to develop the 6th sense (which is its ability to work in the Starlight consciousness, which includes such mental activity such as psychic abilities--which will be discussed in other locations in this book.) Enhancing the mind so that it can work in the subconscious area called the starlight consciousness is referred to by many insiders as astral.

THE MONARCH PROGRAMMING SCRIPT FOR OVER THE RAINBOW

One of the most important concepts of the programmers is having slaves "go over the rainbow." Although in recent years other methods have been substituted for this, there are many hundreds of thousands of slaves for whom "going over the rainbow" is part of their programming. What is the script for programming this?

The PROGRAMMING SCRIPT FOR GOING OVER THE RAINBOW

(Three dots in this script do not indicate missing parts, but rather pauses. In other words, pauses are indicated by three dots.)

INDUCTION TRAINING SCRIPT

"BREATHE DEEP --- YOU ARE FLOATING DOWN ... DOWN ... ON A BEAUTIFUL RED CLOUD, AND YOUR WHOLE BODY IS RED -- AS YOU GO DRIFTING AND FLOATING .... ROCKING GENTLY ... DEEPER ... AND

Page 45 ...

DEEPER ... DOWN ... [this repeated, one time, for each color of cloud-orange, yellow, green, blue, and violet clouds.] "LAND VERY GENTLY ... VERY SOFTLY ... IN THE CENTER OF A ROUND, BLACK PEARL. SEE IT GLOWING, SOFTLY, GENTLY ... NOW TURN AND FACE THE EAST ... AND THEN THE SOUTH ... AND THEN THE WEST ... AND THEN THE NORTH OPEN ALL OF YOUR INNER SENSES." [The rainbow gives the much abused victim of mind-control and trauma, a safe mental place to travel to; and this serves as a "home base" for the mind to return to when things get difficult. If the programming begins to be destroyed and a deeper alter experiences real life--its coping mechanism to face the harsher realities of life will be a knee-jerk reaction to go to safety over the rainbow.]

BRINGING THE SLAVE OUT OF TRANCE (Switching to the FRONT PERSONALITIES after programming)

After the slave has been switched to deeper personalities who are in trance in order to have the slave a. be programmed b. be programmed & carry out a mission, c. go to a ritual, then it is important that the programmer takes time to get the slave to emerge slowly and gently from their altered state. The induction process is reversed. The repetition of trances will reinforce the depth of the trance state, and keep the undetectable slavery operating smoothly:

"IN THE PEARL, PREPARE TO AWAKEN. WHEN YOU AWAKE, YOU WILL FEEL REFRESHED, ALERT, RENEWED, AND FILLED WITH ENERGY. YOU WILL REMEMBER ALL THAT YOU HAVE EXPERIENCED. NOW TURN AND FACE THE EAST ... THEN THE SOUTH ... THEN THE WEST ... THEN THE NORTH. [this helps the slave orient themselves internally]

TAKE A DEEP BREATH ... INHALE ... EXHALE ...

"YOU ARE FLOATING UP ... UP ... ON A BEAUTIFUL VIOLET CLOUD, AND YOUR WHOLE BODY IS VIOLET AS YOU DRIFT GENTLY UPWARD ... "ON A BEAUTIFUL BLUE

CLOUD ... UP ... UP ... AND YOUR WHOLE BODY IS BLUE AND YOU ARE BEGINNING TO AWAKEN GENTLY AND YOU DRIFT GENTLY UP ... ON A BEAUTIFUL GREEN CLOUD ... AND YOUR WHOLE BODY IS GREEN ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL YELLOW CLOUD ... GETTING MORE AND MORE AWAKE ... AND YOUR WHOLE BODY IS YELLOW ... AS YOU DRIFT GENTLY ... UP ... UP ...

"ON A BEAUTIFUL ORANGE CLOUD ... FILLED WITH ENERGY AND VITALITY ... YOUR WHOLE BODY IS ORANGE ... AS YOU FLOAT UP GENTLY ... "ON A BEAUTIFUL RED

CLOUD ... ALMOST FULLY AWAKE NOW ... AND YOUR WHOLE BODY IS RED AS YOU FLOAT GENTLY ...

"STAY ON THE RAINBOW ... [at this point the script for the slave’s programming or mission or ritual will be placed into the mind].

After the programming session, the mission, or the ritual the handler/or programmer finishes...

"LEAVING THE MEMORY IN THE BLACK PEARL AND CLOSING AND SEALING THE BLACK PEARL. YOU WILL REMEMBER ONLY THOSE DETAILS THAT I TELL YOU TO REMEMBER. AND IN A MOMENT YOU WILL COUNT TO TEN AND GO BACK INTO YOUR

Page 46 ...

SPACE, AND RED 2001-A [whatever the code is for the alter] WILL RETURN."

DEEP TRANCE PROGRAMMING

If we rate trance depths on a scale of 1 to 13, then the deep trance that is being described here is 7-10. At this 7-10 depth, the person must be constantly watched. The victim is turned on his side so that the victim will continue to breathe. If the person monitoring has doubts whether the slave is alive, the programming staff will poke the lungs and neck. The person’s breathing will be encouraged by the programmer breathing along with the person being programmed as he says "BREATHE ... BREATHE ... BREATHE". This is important because at this level the slave is so tranced their body can forget to breathe.

COLOR PROGRAMMING

While we are still on the subject of the rainbow and its colors, and before we continue onto other parts of the hypnotic programming process, let’s deal with color programming. When Illuminati slaves are being programmed as little children, they usually will get music and color programming. Most readers are like this author, in that they are not interested in learning magic. However, because this author (Fritz Springmeier) was interested in helping victims understand what’s been done to them, it was important to dive into trying to understand the thinking of the occult world in regards to colors. If I write that the occult world views yellow as a healing color, and blue as a relaxing color, and purple (violet) as a spiritually enlightened color, that is not because I want to teach that as a doctrine, but so that therapists can begin to understand the hidden mannerisms & thought patterns of these powerful generational occult families, who believe in such odd practices as child sacrifice. In the 1940’s, as the Illuminati were applying scientific investigation to their ancient skills in mind-control, a number of researchers investigated color psychology. Cecil Stokes’ color research on the influence of colors on the mind led to the Auratone films, which were used to treat the "mentally ill". Walt Disney Studios produced one of the best occult attempts to free associate color, light and music in their movie Fantasia, especially Fantasia’s opening selection of Stokowski’s adaption of Bach’s "Toccata and Fugue in D minor". Walt Disney also used selections of music from the Satanist composer Igor Stravinsky in Fantasia. Igor Stravinsky is an anarchy-espousing satanist. Fantasia was a long labor of occult devotion for Walt Disney and his studios. It took many years to create the film, and when it was finished, it was used as a programming foundation for alter systems. (Chapter 5 will have more on Disney. Chapter 5 will also give a very detailed script for HOW Fantasia has been used as the primary foundation programming tool.) Disney’s Dick Tracy movie is also a classic example of how color is employed in a movie which is used covertly for mind-control programming.

The five primary areas of occult thinking that were investigated by this author in terms of color programming were 1. witchcraft books such as Raymond Buckland’s Practical Color Magick, 2. an extensive study of several New Age Groups such as the I AM Movement, and Church Universal & Triumphant (CUT) using hundreds of documents that ex-insiders of these groups provided, 3. masonic & rosicrucian sources, such as Manly P. Hall’s book The Secret Teachings of All Ages, and 4. Metaphysical books in general such as the excellent The Rainbow Book being a collection of essays & illustrations devoted to Rainbows in particular & Spectral Sequences in general focusing on the meaning of color (physical & metaphysically) from Ancient to Modem Times. The Rainbow Book was done by the Fine Arts Museums of San Francisco in assoc. with Shambhala of

Page 47 ...

Berkeley & London, 1975. And finally, the last primary source -but not least- was interviews with an ex-programmer. What did I find out? After lots of weeding, I have some siftings from these sources to share. In Buckland’s Practical Color Magick, we learn about a type of Voodoo called Poppet dolls. These dolls are made according to the color that is appropriate for the person’s problem. For instance, they make a green poppet doll if the person needs help with finances. The name of the person is written on the doll according to the color that corresponds to their astrological birthdate. For instance, Leo is orange, and Pisces is Indigo. Those who need success are advised by Buckland to make a "Color Treasure Map" which is simply a collage of the things they want, making sure that the pictures are bright colors. This is another example of color magic. Buckland provides a Color-Number Code as follows:

1 = Red; 2 = Orange; 3= Yellow; 4 = Green; 5=Blue; 6=Indigo; 7=Violet; 8=Rose; 9 = Gold

The letters of the alphabet then are corresponded to these 9 numbers and by adding up the numbers in someone’s name (numerology), Buckland tells us we can get the name’s Color from such a process.

What did I learn of value from Buckland? some tips on how occultists assign colors to numbers and objects. For the average person these witchcraft teachings are simply trite imaginations. Even so, the fact remains for those of us confronting Occult mind-control, colors are important to total-mind-control programmers of the Illuminati. Colors are important to their world-view. A programmer who knew color magic would likely use color magic in their programming, programming scripts and codes. Now, both you and I know some more about how to second guess the programmer’s mind. (By the way, Color programming was dealt with in a major way in Vol. 2, but the tips in this chapter may also be useful.)

THE ASSOCIATION OF COLORFUL SIGHTS, SOUNDS, RHYTHM & DANCE.

Dance has been associated with color from ancient times, to greek and medieval courts up to modern times with the use of colored floodlights. Keys in music have been associated with colors by many famous musicians. Beethoven referred to B minor as the black key. Schubert compared E minor to a "girl robed in white with a rose-red bow on her breast". Rimsley-Korsakov interpreted the keys of C, D, A, F, & F# major as white, yellow, rosy, green, and grayish-green. Handel had his own idea of how the keys related to the colors. The brighter hues of a color have been associated by some with the major scale, and the more subdued hues of a color with the minor. Goethe stated that a painting of powerful effect was like a piece of music with a sharp key, while a painting with a muted effect was like music in a flat key.

Certain colors have been associated with violin music. In Wassily Kandinsky’s book The Art of Spiritual Harmony, we learn a great deal about color and music. The following comes from Kandinsky’s observations, and may relate to Mengele’s programming. The ringing notes of a violin have been associated with a cool red. The largo of an old violin is associated with orange. The placid middle tones of the violin are associated with absolute green. A dark blue is like a cello. White is like the pauses in music that temporarily break the melody. Black represents "the final pauses, after which any continuation of melody see the dawn of another world."

The Rainbow Book is definitely the most comprehensive book this author has seen on the significance of color both physically and metaphysically. An interesting chart is given on page 125, which examines the relationship of the frequencies of electromagnetic waves in the visible light spectrum with an octave of music just above middle C. In order to make the

Page 48 ...

comparison (which is charted below) the light frequencies which are 1012 are written without the powers of ten and taken down 40 to match the note octaves. This gives us a chart which we will arrange by:

COLOR/ORIG. FREK - 40 // OCTAVE FREK/NOTE

Using this arrangement we get:

Very dark red/391 .3 = 392/G NOTE darkish red/418 = 415/G# note

Orangish red/445 440/A note light orange/464 = 466/A # note yellow green/495 = 494/B note green/ 523 = 523/ C note

Bluish green/555 = 553/ C# note Indigo/573-600 = 587/D note

Indigo violet-light violet/618-627 = D# note

Dark violet/655-673 = 659/E note

Very dark violet/682 = 698/F note

Although there is no single one-to-one correspondence between music and color, because there are different patterns to consider and the role of association is such a complex issue, there are several things that naturally suggest themselves: an increase in pitch does seem to suggest an increase in brightness. An increase in brightness also is suggested by an increase in tempo. Colors also fit the mood of a piece of music. A mass of color can suggest the musical ground. Musical intervals have also been related by the ancients to the orbits of the planets. This began with the spherical theory of the cosmos by Pythagoras, where the different astrological bodies made different sounds. Another correspondence with merit is to associate colors with "properties", & then associate with music intervals, then assoc. with related cords, and related planets, and then associate with other things. For instance, Orange would be associated with the Sun, Energy, Glory, and Power. In turn, it would be associated with Re (pronounced "Ray" in music, the whole tone, D). Its related cord would be minor, and its related planet would be the Sun "Apollo." Violet would be death, separation, advanced spirituality. It would be associated with Ti ("Tee") in music, the Maj. 7th, B, and its related planet would be the moon "Diana". There is no way all the different associations can be reviewed here. The chinese have had a number of music-color association schemes, as well as the Hindis, the Tibetans, and others. Is this section on color going somewhere with these associations? Yes, Joseph Mengele, the original Dr. Green (the name Green got passed on to a least one of his proteges), played the violin and piano while doing the color programming to slaves. He was the original master at associating both a tone or chord with a particular color or color scheme. He loved using Fantasia for programming.

LIGHT & COLOR

According to Hilton Hotema’s book Ancient Sun God (Mokelumne Hill, CA: Health Research, 1956), light & fire are associated with Sun worship. "Pyra" is Greek for fire, and "Midos" means measure. Pyramid is a combination of the greek words pyra and midos, which together meant "light-measures". In other words, the pyramid was the eternal ascending flame, the spark returning to its maker. The eternal flame of Prometheus is a recurrent theme within all the modern revolutions (which by the way were all created secretly by the occult hierarchy). The Tower of Babel most likely followed the pattern which the ancient babylonian cylinders say was used by the Babylonians in building their temples. Each level was dedicated to one of the 7 planets, and was built in that color. In other words the Tower of Babel looked like a rainbow. The lowest was to Saturn and was black. The next was to Jupiter and was orange. The next was to Mars and was red. The fourth was the sun and was yellow. The fifth was Venus and was green. The sixth was Mercury and was blue, and the top or seventh level would be white.

Page 49 ...

A good example of color programming and a New Age group which is involved with Illuminati/govemment mind-control is Church Universal & Triumphant. In the Covert Action Information Bulletin, No. 30, Summer, 1988, Church Universal & Triumphant was exposed as a conduit of CIA funds. Another clue as to how CUT connects in is that Elizabeth Clare Prophet, CUT’s prophetess, speaks in Masonic emples. E.C. Prophet claims she is Marie Antoinette. (One of the first Illuminati programs that this author ran into when working with programmed multiples was Marie Antoinette programming.) Another obvious CIA asset (who is not part of CUT) has been directing implant victims to go to CUT and solve their implant problem by seeking the "I AM force" within them. (The I AM is a system programmed into slaves.) Initiates into CUT have received a letter, "Keeper of the Flame: the need for harmony and love between all the master’s servants united in a common effort cannot be overemphasized. Working and serving together, we form a mandala of light through which the masters of the Great White Brotherhood will awaken humanity." (Quote from a letter by CUT Chairman of the Outreach Committee Michael Veys to CUT’s Fraternity of the Keepers of the Flame, c. 1980.) Elizabeth Claire Prophet’s "Fraternity of Keepers of the Flame" as she calls her initiates learn such things as astrology, crystals, white magic, color magic, Hinduism (reincarnation, karma, meditation, chakra points), how to decree, how to dress (for instance what color to where at what time), and how to become divine at Summit University.

Elizabeth Clare Prophet (that’s the name she wanted) established Summit University, and CUT’s headquarters in Colorado Springs, a house in Santa Barbara, and an underground fortress for the end times in a valley in Montana. Details about Elizabeth Clare Prophet and her organization are hard to come by. If a person gets serious about being part of her organization, they are expected to make a once in a life-time gift of everything they have to the CUT and its head Elizabeth Clare Prophet. (Sources: Notes, Summit University Student and Confidential Interview.) After that they are expected to tithe (one-tenth). Church Universal and Triumphant Tenets, Colorado Springs, CO: 1975, p.12 under Art. XII Law of the Tithe. In return, they are initiated into what I call "the supreme Grand Flattery", "You shall become an enlightened God." One of the programming tricks by the Mind-control programmers is to have some of the alters, incl. front alters believe that they are divine gods. Although members are told they are divine, when people on E.C. Prophet’s staff got revelations from the Ascended Masters that she channels, she threatened to expel them if they talked about their revelations. E.C. Prophet does not want any one else to prophecy in her organization. CUT makes their mind-controlled slaves think that they are too smart and intuitive to ever be deceived. In this way, they use New Age ideas and the person’s pride to blind them to the fact the person is a mind-controlled slave who is fooled much of the time. When students are invited onto staff it is a commitment. They are told, "Your life will never be your own again, but was it ever your own?" They have already been taught "Ascension Keys". Elizabeth Clare Prophet tells her students that to Ascend to Godhead is their birthright, the divine right of every person. (see Pearls of Wisdom, Vol. X, No. 23, June 4, 1967, The Summit Lighthouse, p. 41 -"...has robbed men of the birthright of their Ascension...") This matches what the Illuminati teach their people. See also Pearls of Wisdom, Vol. X, No. 19, (May 7, 1967), The Summit Lighthouse, p. 24 - "The Divine Right is the Immortal Plan...Inherent pattern of unique Christ manifestation..." In the Ascension Dossier of Serapis Bey

Page 50 ...

initiates are told "The capacity of the externalized self must be given in toto." Also-"You must abandon your past to God." In Lanello’s Message(a channeled message), 4/20/73 the students are told, "You do not have to wait for the carnal mind to evolve, for the carnal mind will never evolve. It must be put off and cast into the Flame." (See Lanello 4/20/73 in the Pearls of Wisdom, Vol. 16, #32, 8/12/1973.)

After emptying themselves of all their past and of what they knew, the initiates are then restructured by CUT. In Serapis, Ascension Class they are told, "The Ascension Flame is the Flame of Mother."

SPECIAL COLORS

It can’t be overemphasized that Green is the highest color in Satanism--it is Satan’s color. It is not by accident that green has been used in uniforms, although the decision also was dictated by its advantage in camouflage. In the Omega computer programming a CODE GREEN for many victims means "self-destruct", the ultimate sacrifice for one’s satanic programming. Interviews with witches, as well as a person in witchcraft who the Masons tried to recruit, and an ex-member of CUT, and an ex-member of similar New Age group called the I AM movement reveals that they all wear special colors of clothes on certain days. Due to the large influx of new converts, it has been difficult for CUT to keep up the teachings on wearing different colored clothing during different times of the day, and for different days. Newer converts may be unaware of this teaching. The colors of purple and white are especially esteemed. The magical properties that Masons & New Agers believe are intrinsic to purple is why the 33rd degree has written books using purple, and several New Agers have published books on purple paper. The programmers also manipulate such things so that child alters believe that color "magic" has accomplished things.

HEALING BY CORRECT VIBRATIONS & RAYS

Masonic Sources match CUT teachings-

· "The second method of healing was by vibration. The inharmonies of the bodies were neutralized by chanting spells and intoning the sacred names or by playing upon musical instruments and singing. Sometimes articles of various colors were exposed to the sight of the sick, for the ancients recognized, at least in part, the principle of color therapeutics, now in the process of rediscovery." Masonic Hermetic Qabbalistic & Rosicrucian Symbolical Philosophy, p. CXI

· "50. "The force of the obligation is therefore in the obligation and not in the reason. As a matter of fact, the real reason is scientific to the last analysis; scientific to a degree beyond the penetration, up to the present time, of the ‘radiant matter’ of the Roentgen Ray of Modern Science. The Word concerns the science of rhythmic vibrations, and is the key to the equilibrium of all forces and to the harmony of Eternal Nature." Ancient Mystic Oriental Masonry, p.48.