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2016
5540.
Teatr və multikulturalizm: IV Bakı Beynəlxalq Teatr konfransı:
7-8 noyabr 2016-cı il = IV Baku International Theatre Conference 7-8
november 2016 = IV Бакинская Международная Театральная
Конференция 7-8 ноября 2016 г. /ön söz Ə.Qarayev.- Bakı: [s.n.], 2016.-
484 s.
Contents: Abulfas Garayev. Dear conference participants, Distinguished
Guests, Ladies and gentlemen; Asli Kislal (Austria). Theses for a best-practice
work (diver Citylab-a Perfeormance and Theater laboratory); Aydin
Talibzadeh (Azerbaijan). Theatre and festival; Ilham Rahimli (Azerbaijan).
translated plays on the Azerbaijani stage; Maryam Alizade (Azerbaijan). The
Azerbaijan Theatre in the system of multicultural values; Narmina Aghayeva
(Azerbaijan). Multicultural values and intercultural dialogue; Vidadi Gafarov
(Azerbaijan). Sociology ogf the contemporary Azerbaijani theatre in the mirror
of multiculturalism values; Rajab Mammadov (Azerbaijan). Professional
circus art of Azerbaijan as a conduit of multiculturalism values; Elchin Jafarov
(Azerbaijan). Yugh theatre a Western paradox on the east; Mohammad Israfil
(Bangladesh). Story telling; Saulus Varnas (Belarus). Theatre and crisis of
belief in man in XXI century; Hristo Stoichev(Bulgaria). Multiculturalism and
theatre, or letter on the meaning of theatrical square; Dima Dimov (Bulgaria).
Interaction of methodologies in theatrical heritage of Lyuben Groys; Yinan Li
(China). Abstracts; Leo Vukelic (Croatia). Theatre for children and young
people in the former Yugoslavian countries today/Multiculturalism, as the view
and need from republic of Croatia;Abdel Al Hamissy (Egypt). On democracy
of theatre multiculturalism and cultural identity; Zurab Pkhakadze (Georgia).
Multiculturalism and theatre; Elene Javalidze (Georgia). The principles of
dialectic materialism in the works of Nazim Hikmet; Ermile Meskhia
(Georgia). Contemporary challenges of management and personnel training for
the multicultural society; Lasha Chkhartishvilli (Georgia). Khanuma a symbol
of multicultiralism in the Caucasus; Lela Ochiauri (Georgia). Azerbaijan
theatre in Tbilisi history, present, perspectives and future; Peter P.Pachi
(Germany). Bayreuth and Baku-Rhine gold and pure oil. Innovation on the
bayreuth Festival Stage (“Der Ring des Nibelungen” staged by Frank Castorf);
Savvas Patsalidis (Greece). Multiculturalism and the flirt with third space:
reality or just another marketable utopia?; Aniko B. Nagy(Hungary). Caliban‟s
epilogue. Arun Naik (India). Multiculturalism and modern Marathi theatre
(extended abstract). Ashish Ghosh (India). Tya in Multicultural context: a pers-
pective from India; Deepmala Tiwari (India). Multiculturalism in contempora-
ry theatre; Ishu Kumar (India). Multiculturalism contemporary theatre (This
report covers multiculturalism in theatre in a broad sense); Priyanka
Chatterjee (India). The dynamics of intraculturalism: waiting for godot in