Hurvin Anderson
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- Bu səhifədəki naviqasiya:
- Solo Exhibitions 2013
- 2001 Break Down , CA Store, Marble Arch, London 2000 Handjobs (with Gillian Wearing), Approach Gallery, London 1999
- 1995 Multiples: Editions from Scrapheap Services , Ridinghouse Editions, London Scrapheap Services , Tate Gallery, London 1993
- G roup Exhibitions 2012
- 2003 LAir du Temps
- 2 001 Out of line: Drawings from the Arts Council Collection
- 1999 Sensation: Young British artists from The Saatchi Collection, Brooklyn Museum, New York Waste Management
- 1996 Acel: Arts Council Collection New Purchases
- Awards
- 2004 Michael Landy: Semi-detached, exhibition catalogue, Tate Publishing, London (includes essays by Judith Nesbitt and John Slyce) 2003
- 1994 Installation Art , Michael Archer (text): Thames and Hudson, London 1993
Michael Landy Selected Biography Born in London, 1963 Lives and works in London Education Goldsmith's College, London, 1985-88 Solo Exhibitions 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London Saints Alive, National Gallery, London Michael Landy: Four Walls, Whitworth Art Gallery, Manchester 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney Acts of Kindness, Art on the Underground, London Art World Portraits, National Portrait Gallery, London 2010 Art Bin, South London Gallery, London 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris 2008 Thomas Dane Gallery, London In your face, Galerie Paul Andriesse, Amsterdam Three-piece, Sabine Knust, Munich 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney H.2.N.Y, Alexander and Bonin, New York 2004 Welcome To My World built with you in mind, Thomas Dane, London Semi-detached, Tate Britain, London 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich 2002 Nourishment, Maureen Paley/Interim Art, London 2001 Break Down, C&A Store, Marble Arch, London 2000 Handjobs (with Gillian Wearing), Approach Gallery, London 1999 Michael Landy at Home, 7 Fashion Street, London 1996 T Scrapheap Services, Chisenhale Gallery, London; Electric Press Building, Leeds (organised by the HenryMoore Institute) 1995 Multiples: Editions from Scrapheap Services, Ridinghouse Editions, London Scrapheap Services, Tate Gallery, London 1993 Warning Signs, Karsten Schubert, London 1992 Closing Down Sale, Karsten Schubert, London 1991 Appropriations 1-4, Karsten Schubert, London 1990 Market, Building One, London Galerie Tanja Grunert, Cologne Studio Marconi, Milan
Karsten Schubert, London Sovereign, Projects for the windows of the Grey Art Gallery and Study Center, New York University. Group Exhibitions 2012 Edgelands - Prints by George Shaw and Michael Landy, The Fitzwilliam Museum, Cambridge Summer Exhibition 2012, Royal Academy of Arts, London On the Edge of the World, Selected works from the British Council Collection, Oriel Myrddin Gallery, Carmarthen, UK 2011 Faster and Slower Lines, From the Collection of Pétur Arason and Ragna Róbertsdóttir, Listasafn Reykjavikur, Reykjavík Art Museum, Reykjavik Made in Britain: Contemporary Art from the British Council Collection 1980–2010, Hong Kong Heritage Museum, Hong Kong, SAR Under Destruction II, SI Swiss Institute, New York City, NY Drawing 2011, Biennial Fundraiser, The Drawing Room, London Under Destruction, SI Swiss Institute, New York City, NY 2010 Fresh Hell, Palais de Tokyo, Paris 2009 Projections, Carré d’Art, Nîmes Museum of Contemporary Art Joyous Machines: Michael Landy and Jean Tinguely, Tate Liverpool, Liverpool Sicilia 1968/2008: The Spirit of Time, Riso, Museo d’Arte Contemporanea della Sicilia, Italy Comisariada, MasArt Galeria, Barcelona The Third Dimension, Whitechapel Gallery, London 2008 Safe as Houses, Karsten Schubert, London Art, Price and Value, Fondazione Palazzo Strozzi, Florence To Burn Oneself with Oneself: The Romantic Damage Show, de Appel, Amsterdam, Netherlands 2007 To Burn Oneself with Oneself: The Romantic Damage Show, de Appel, Amsterdam Selected Works by Gallery Artists, Alexander and Bonin, New York 2004 Bad Behaviour, an Arts Council Collection exhibition touring from the Hayward Gallery, London Touring Exhibitions from the Hayward Gallery, London to Longside Gallery-Yorkshire Sculpture Park, Aberystwyth Arts Centre, Swansea-Glynn Vivian Art Gallery, The Hatton Gallery- University of Newcastle (2005 to Carlisle-Tullie House) 2003 L'Air du Temps, Bloomberg Space, London Shopping: Art and Consumer Culture, Kunstverein Frankfurt and Tate Liverpool Micro/Macro: British Art 1996-2002, Mucsarnok Kunsthalle, Budapest For the Record: Drawing Contemporary Life, Vancouver Art Gallery 2002/3 From Blast To Frieze: A Century of British Art, Kunstmuseum Wolfsburg and Les Abattoirs, Toulouse 2002 Face/Off, Kettle’s Yard, Cambridge XXIV Bienal de São Paulo2  001
Out of line: Drawings from the Arts Council Collection, Hayward Gallery: York City Art Gallery, York and tour Century City, Tate Modern, London Field Day: Sculpture from Britain, organized by the Taipei Fine Arts Museum and the British Council La Otra Britania, Centro Cultural Tecla Sala, Barcelona 2000 British Art Show 5, Edinburgh; Cardiff; Birmingham Diary, Cornerhouse Gallery, Manchester Puerile 69, Living Art Museum, Reykjavik 1999 Sensation: Young British artists from The Saatchi Collection, Brooklyn Museum, New York Waste Management, Art Gallery of Ontario, Toronto Trace and Art Lovers, The Liverpool Biennial of Contemporary Art Flower Show, Fruitmarket Gallery, Edinburgh Brooklyn Museum, Brooklyn 1998 Sensation: Young British artists from The Saatchi Collection, Hamburger Bahnhof-Museum für Gegenwart, Berlin London Now, Saks Fifth Avenue, New York Interactive: An Exhibition of Contemporary British Sculpture, Amerada Hess Limited, London Feeringbury VIII, Cultivated, Feeringbury Manor, Minories Art Gallery, Colchester XXIV Bienal de São Paulo 1997 Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts London Material Culture: The Object in British Art of the 1980s and 90s’, Hayward Gallery, London Dimensions Variable: New Works for the British Council Collection, British Council exhibition, Helsinki Art Museum; touring Europe Follow Me: British Art on the Lower Elbe, organized by Landschaftsverband Stade; billboard at Kaemmererplatz, Cuxhaven Contemporary British Drawing, Sandra Gering Gallery, New York 1996 Acel: Arts Council Collection New Purchases, Arts Council; Hatton Gallery, Newcastle upon Tyne; Harris Museum and Art Gallery, Preston; Oldham Art Gallery, Sheffield; Angel Row Gallery, Nottingham; Ormeau Baths Gallery, Belfast; Arnolfini Gallery, Bristol
Bristol
Brilliant: New Art from Britain, Walker Art Center, Minneapolis; Contemporary Arts Museum, Houston
12th International Biennial of Small Sculpture, Murska Sobota, Slovenia Here and Now, Serpentine Gallery, London Contemporary British Art in Print, Scottish National Gallery of Modern Art, Edinburgh; Yale Center for British Art, New Haven, CT B rilliant (drawings), Montgomery Glasoe Fine Art, Minneapolis
LA International, Shoshana Wayne Gallery, Santa Monica 1 994
Not Self-Portrait: Larry Clark, Angus Fairhurst, Gilbert and George, Gary Hume, Michael Landy, Abigail Lane, Sarah Lucas, Marc Quinn, Cindy Sherman, Mark Wallinger, Gillian Wearing, Karsten Schubert, London
You’ve Seen the Rest Now Try the Best: Keith Coventry, Michael Landy, Mark Wallinger, City Racing Gallery, London Five Works: Keith Conventry, Michael Landy, Bridget Riley, Rachel Whiteread and Alison Wilding, Karsten Schubert, London Visione Britannica, Valentina Moncada and Pino Casagrande, Rome Karsten Schubert at Aurel Scheibler: Keith Coventry, Angus Fairhurst, Michael Landy, Bridget Riley, Rachel Whitehead, Galerie Aurel Scheibler, Cologne Restaurant, curated by Marc Jancou, La Bocca, Paris The Two Hundred and Twenty-Fifth Royal Academy Summer Exhibition, Royal Academy of Art Unfair, Cologne 1992 Instructions Received by Liam Gillick: Angela Bulloch, AdamChodzko, Matthew Collings, Jeremy Deller, Douglas Gordon, Gary Hume, Michael Landy, Jonathon Monk, Simon Patterson, Brendan Quick, Phillip Riley, Caroline Russel, Giorgio Sadoti, Gavin Turk, Gillian Wearing, Galleria Gio Marconi, Milan Commissions and Collaborations: the BBC Billboard Project, Mills and Allen, London Group Show: Nayland Blake, Harald Braun, Meg Cranston, Peter Fend, Beate Gunther, Tobias Hauser, Lisa Hein, Gary Hume, Michael Landy, Abigail Lane, Thomas Lawson, Thomas Locher,Sarah Lucas, Raimund Luckwald, Dan Peterman, Andrej Roiter, Julio Rondo, Joe Scanlan, Thomas Stimm, Rudolph Stingel, Rolf Walz, Peter Weibel, Kevin Wolff, Iskender Yediler, Peter Zimmermann, Galerie Tanja Grunert, Cologne Summer Group Show: Robert Barry, Keith Coventry, Angus Fairhurst, Michael Landy, Stephen Prina, Bridget Riley, Rachel Whiteread and Alison Wilding, Karsten Schubert London Portfolio: Dominic Denis, Angus Fairhurst, Damien Hirst, Langlands and Bell, Michael Landy, Nicholas May, Marc Quinn, Marcus Taylor, Garvin Turk, Rachel Whiteread and Craig Wood, Karsten Schubert, London Fifth Anniversary Exhibition, Karsten Schubert, London. Mat Collishaw, Keith Coventry, Tobias Eyferth, Nicholas Fudge and Sarah Lucas, curated by Michael Landy, Karsten Schubert, London 1991 Confrontaciones, Palacio de Velasquez, Madrid We’ve Lost ET but the Boy’s Coming Back: Peter Cain, Michael Jenkins and Michael Landy, Karsten Schubert, London Centenary Exhibition: Michael Craig-Martin, Michael Landy and Julian Opie, Goldsmiths’ Gallery, London
Broken English: Angela Bulloch, Ian Davenport, Anya Gallaccio, Damien Hirst, Gary Hume, Michael Landy, Sarah Staton and Rachel Whiteread, Serpentine Gallery, London Michael Landy, Chrsitian Marclay, Peter Nagy, Andreas Schon and Steve Wolfe, Jay Gorney Modern Art, New York Unknown Europe, Miedzyhardow e Stowarzysznenie Krytykow Sztuki, Krakow, Poland 1990 East Country Yard Show, London A Group Show, Karsten Schubert, London Multiples, Hirschl & Adler Modern, New York Supply: The Köln Show, Galerie Jablonka, Cologne Artificial Nature, Deste Foundation for Contemporary Art, Athens 1 989
Young British Art Show: Angela Bulloch, Michael Landy, Gary Hume, Esther Schipper, Cologne Home Truths, Castello di Rivara, Turin La Biennal de Barcelona, Spain Dan Flavin, Michael Landy, Thomas Locher, Karsten Schubert, London 1988 That Which Appears is Good, That Which is Good Appears, Galerie Tanja Grunert, Cologne Ian Davenport, Gary Hume & Michael Landy, Karsten Schubert, London Freeze, London Articles and Reviews 2010 Adrian Searle, “Hell in a hoodie”, The Guardian G2, 30 November 2010 Gilda Williams, Artforum, May 2010, p.260 Sheryl Garratt, “Luxury Break”, The Telegraph Magazine, 22 May 2010 Sasha Watson, “Were Bad Art Goes to Die”, the Daily Beast 11 February 2010 Fisun Guner, The Arts Desk, 1 February 2010 Arifa Akbar, Independent, 29th January 2010
Carter, Imogen, , ‘When an Artist Faces the Facts’, The Observer, 12 October, 2008 Casavecchia, Barbara, ‘40 CM Di Nuda Verita’, Donna de La Repubblica, 13 December, 2008 p.154-155 Garnett, Rose, ‘The World of Michael Landy, Artist’, Telegraph Magazine, 4 October, 2008 p.15 Rouse, Rose, ‘Who He?: Michael Landy’, The Londonpaper, 28 October, 2008, p.11
Smee, Sebastian, ‘Ghost in the Machine’, Weekend Australian, 4 – 5 August, 2007, p.18 Meacham, Steve, ‘Life destroyed, mum in tears, job well done,’ The Sydney Morning Herald, 19 August, 2007, p.14 Dowling, Julie, ‘History revived and destroyed’, The Sydney Morning Herald, 11-12 August, 2007, p.16-17 Slyce, John, Art Monthly, April (ill)
O’Reilly, Sally, Time Out London, 19 January p12 (ill) Wedderburn, Sarah, Times 2, 5 January (4 ills) Gleadell, Colin, Telegraph, 17 January 2004 Smith, Arthur: ‘Criticism Trouvé’, Tate Etc, Issue 2, Autumn, pp.102-3 (4 ills) Lubbock, Tom: ‘House and Garden’, The Independent Review, 8 June, pp.12-13 Graham-Dixon, Andrew, ‘Up and Down Many Garden Paths’, The Sunday Telegraph, 6 June, p.10 (2 ills) Januszcak, Waldemar: ‘Unsafe as Houses’, The Sunday Times, 6 June, pp.8-9 (2 ills) Gregory, Rob: ‘Home Front and Home Back’, The Architectural Review, June, p.29 (3 ills) Garnett, Daisy: ‘House Master’, Vogue, June, pp. 51-4 (4 ills) Roe, Nicholas: ‘Making an exhibition of itself’, The DailyTelegraph, 29 May Acharya, Urmi; ‘House is Real Work of Art’, Ilford Recorder, 27 May, p.91 (2 ills) Darwent, Charles: ‘Simply streets ahead of the Rest’, The Independent on Sunday, 23 May, pp.16-17 (ill) Kent, Sarah: ‘House Arrest’, Time Out, 19-26 May, p.53 (ill) Burn, Gordon: ‘Outdoors indoors’, The Guardian, 19 May, pp.12-13 (3 ills) Dorment, Richard: ‘Moving House’, The Daily Telegraph, 19 May, p.19 (ill) Rogers, Paul: ‘Home is where the art is at the Tate’, The Times, 18 May Kennedy Maev: ‘Home from home’, The Guardian, 18 May Akbar, Arifa: ‘Artist’s semi-detached view of father’s life’, The Independent, 18 May, p.9 (ill) Reynolds, Nigel: ‘Essex man’s home truths put on show’, The Daily Telegraph, 18 May, p.8 Leitch, Luke: ‘Location, Location’, Evening Standard, 17 May, p.7 (2 ills) Ward, Ostan: ‘Home From Home’, The Observer, 16 May, p.8 (ill) Treneman, Ann: ‘Home Truths’, The Times, pp.4-7 McKee, Gareth: ‘Britpack packs a punch for art’, The Budapest Sun
Buck, Louisa, ‘Champion of the urban weed,’ The Art Newspaper, December Stallabrass, Julian, ‘An artist after Break Down,’ Evening Standard,17 December Gleadell, Colin: ‘Contemporary Market’, The Daily Telegraph, 25 November Hunter-Tilney, Ludovic: ‘The Books That Matter to Michael Landy’, The Financial Times Magazine, 3 July, p.46 (ill) Sotiriadi, Tina: ‘Michael Landy at Maureen Paley/Interim Art,’ Art in America, June 2003 (ill) pp. 133-4 Rowe, Dan: ‘Deconstruction involves destroying 7,000 personal items’, The Vancouver Sun, 30 June, p.C1 Gili, Jaime: ‘Break Down en Oxford Street’, Revista Copiz, May, no. 172, pp.34-5 (5 ills) ‘Michael Landy’, Tema Celeste, March/April, p.84-5 (3 ills) ‘Michael Landy: Nourishment’, Modern Painters, Spring, pp.114-5 Kent, Sarah: 'Michael Landy, Interim Art', Time Out, 8-15 January p.50 Behrman, Pryle: 'The Return of Michael Landy', Galleries, January 2003 Matthew Sweet: ‘Wild at Heart’, Independent on Saturday, Magazine, Februrary 22, pp.16-19 (ill) Janke, Claudia: ‘Wild at Heart’, The Independent Magazine, 22 February, p.18-19 (3 ills) Heidi Reitmeier: ‘Hello Weed’ Tate Magazine, January/February, issue 3, pp. 60-70 (illustrated) and cover Stallabrass, Julian: ‘An artist after Break Down’, The Evening Standard, 17 December, p. 39 (ill) Mullins, Charlotte: ‘The tailor who created the emperor’s new clothes’, The Independent Review, 11 December, p.5 Searle, Adrian: ‘Build it up, knock it down’, The Guardian, 28 November, pp.8-9 2001 Treneman, Ann: ‘I Who Have Nothing’, The Times, 19 December Wright, Michael: ‘What to give the man who wants nothing?’ The Daily Telegraph’, 18 December, p.15 (ill) Searle, Adrian: ‘Build it up, knock it down’: The Guardian, 28 November, pp.8-9 (4 ills) Steir, Judith E.: ‘Michael Landy at C&A Store on Oxford Street’, Art in America, June, pp.137-8 (ill) Withers, Rachel: ‘Michael Landy: Artangel, C&A, Oxford Street’, Artforum, May, p.189 (ill) Shone, Richard: ‘London: Opie; Landy’, The Burlington Magazine, April, pp. 235-6 (2 ills) Bishop, Claire: ‘Rubbish. Claire Bishop on Michael Landy and Julian Opie,’ Untitled Magazine, Spring, pp. 72-77 (ill) Appleyard, Bryan: ‘Things ain’t what the used to be’, The Sunday Times, 11 March, (ill) pp.16-17 Hanson, Michele: ‘When are we going to get the art?’ The Guardian, 5 March ‘Learning the ancient lesson that you aren’t what you own’, Scotland on Sunday, 4 March Snomon, Deborah: ‘Letting Go: Michael Landy Explains His Latest London Installation’, NYTimes, 4 March (ill) Marrin, Minette: ‘Dishonesty of minimalism – less is not always more’, The Daily Telegraph, 3 March, p.24 (ill) ‘Break Down Inventory, Michael Landy’, …and? Magazine, Issue no.1, March, pp.44-5 Beech, David: ‘Michael Landy’, Art Monthly, March, (ill) pp.30-31 Vukosa, Wendy: ‘One Saab, a widescreen TV, a computer, modern works of art – and even a cuddly toy – all reduced to this…’, Metro, 26 February, (2 ills) Kent, Sarah: ‘Break Down’, Time Out, 21-28 February, (ill) Arnold, Sue: ‘Never mind the fire, what about the lighter?’, The Independent, 24 February MacRitchie, Lynn: ‘The creative process of destruction’, Financial Times, 21 February Wood, Gaby: ‘Going for broke’, The Observer Review, 18 February, p.3 (3 ills) McLaren, Duncan: ‘Everything I own – and it’s going into the mincer’, The Independent on Sunday, 18 February, p.4 (ill) Januszczak, Waldemar: ‘Everything must go?’, The Sunday Times, 18 February, pp. 6-7, (2 ills) Prain, Susannah: ‘My Week, interview: Michael Landy’, The Weekend Review, Independent, 17 February, (ill) Cumming, Tim: ‘The happiest day of my life’, The Guardian, 17 February, (ill) p.5 Prain, Susannah: ‘My Week: Michael Landy’, The Independent, 17 February, p.20 (ill) Play: ‘Richard Cork’s five best London exhibitions’, The Times, 17 February, p.25, (ill) Exhibitions: ‘Time to take stock’, West End Extra, 16 February, (ill) Smith, Arthur: ‘Arts’, The Guardian, 15 February, p.11 Dorment, Richard: ‘A Deconstructed Life’, The Daily Telegraph, 14 February, (2 ills) ‘Michael Landy’s Breakdown’, Art Critic London, 14 February Tanis, Taylor: ‘Art Review, Michael Landy: Break Down’, Metro,13 February, (ill) p.22 Cumming, Tim: ‘Stuff and Nonsense’, The Guardian, 13 February, p.12 (2 ills) Hdez Velasco, Irene: ‘To crumble, to pulverize, to disintegrate’, El Mundo, 12 Feburary News: ‘Imagine no possessions…it’s easy if you shred them to bits’, The Independent on Sunday, 11 February (ill) Main section: ‘Michael Landy’, Glasgow Sunday Herald, 11 February, p.15 Play: ‘Richard Cork’s choice: Break Down’, The Times, 10 February, (ill) Main section: ‘Artist’s break with the past as life possessions crushed’, The Birmingham Post, 10 February Weekend Review: Comment: ‘Trash art’, The Independent, 10 February Stuart, Julia: ‘Tearing yourself to shreds – but all in the name of art’, The Independent, 10 February, (ill) Cork, Richard: ‘A brutal end to all worldly possessions’, The Times, 10 February, p.22 Evans, Martin: ‘Art Break – I’m smashing up all my worldly goods’, 10 February, p.15, (ill) Metro Life: ‘Michael Landy break down’, Metro, 9 February (ill) Leventhal & Black: ‘The art of destruction’, The Express, 9 February, p.35 (3 ills) Ratnum, Niru: ‘The dust brother’, The Face, February, (4 ills) p.242 Coomer, Martin: ‘The degeneration game’, Time Out, 7-14 February Treneman, Ann: ‘The eve of distruction’ , The Times, 6 February, (3 ills) pp. 4-5 Tuesday Review: ‘Nothing to declare but genius’, The Independent, 6 February Sumpter, Helen: ‘The disassembly line’, The Big Issue, 5 February, p.35 (ill) Buck, Louisa: ‘The broken artist’, The Art Newspaper, February p.28 Seen: ‘Break Down on Oxford street’, Creative Review, February, (4 ills) Wright, Stuart: ‘breakdown & recovery’, Flux Magazine, February/March, pp.34-5 (3 ills) ‘Nothing to Declare but my Genius’, The Independent, 6 February, p.7 ‘The artist who’s pulping his art’, The Week, 3 February, p.22 (ill) The List (Edinburgh & Glasgow): ‘The first winner’ Artbeat, 1 February, p.81 Wright, Michael: ‘Madman at C&A’, The Evening Standard, 1February, p.36 (2 ills) Chilvers, Mark: ‘C&A’s Swan Song’, The Independent on Sunday, 28 January (ill) Milner, Catherine: ‘Artist on mission to destroy his possesions’, The Sunday Telegraph, 28 January (ill) MacRitchie, Lynn: ‘The creative process of destruction’, The Financial Times, 21 February (ill) 2001 Wilson, John: ‘Everything Must Go’, "http://www.bbc.co.uk/arts/news-" www.bbc.co.uk/arts/news-comment/weekinfocus/landy.shtml Lydiate, Henry: ‘The Right to Destroy Artwork’ "http://www.artquest.org.uk/" www.artquest.org.uk/ Artlaw/articles/therighttodestry.htm 2000 ‘Everything Must Go’, http://www.frieze.com 21 November 1998 Ward, Ossian: ‘Who makes happenings happen’, The Art Newspaper, December, p.23 (ill) ‘Consumer breakdown’, Tate Magazine, Issue 23, Winter Cork, Richard: ‘If property is theft, is he crimewatch?’, The Times, 16 October Margot Heller: ‘Diary’ (exhibition catalogue), Cornerhouse Publications, Manchester Herbert, Martin: 'Michael Landy at Home', Time Out Magazine, no.1492 (March 24-31) MacRitchie, Lynn: 'Rude Britannia', Art in America, April, pp.36-39 Collings, Matthew: '"Sensation", Artforum International, January, pp.94-95 1997 Lewison, Jeremy: ‘Michael Landy, Scrapeheap Services (1995)’ Tate Magazine, Winter Stringer, Robin: 'Christmas tree? It's a load of rubbish', The Evening Standard, p.7 Reynolds, Nigel: 'Tate's Christmas tree exhibit ends up in the bin', The Daily Telegraph, 13 December, p.13 Woolf, Marie: 'Cleaners spare garbage in the name of art', The Times, 12 December, p.5 Glaister, Dan: 'Rubbish? No, it's a wheelie clever still life on a Christmas theme', The Guardian, 12 December, p.26 Acton, Matthew: 'What a load of tubbish', The Daily Star, 12 December, p.19 'Art? It's a load of rubbish, The Express, 12 December, p.30 'Rubbish bin that's Tate of art', The Daily Mail, 12 December, p.5 Alberge, Dalya: 'Christmas message? A load of rubbish', The Times, 6 December, p.1 Pierini, Esther: 'Michael Landy: Chisenhale', Flash Art, Vol. XXIX, no.191, November/December, p.108 'It's a Sensation! But is it Art?' Time Out (Special Edition), no.1412, 10-17 September 1996 Pierini, Esther: “Michael Landy. Chisenhale,” Flash Art International, Nov/Dec, p 108 (ill) 'A brush with genius: Michael Landy on Gustav Metzger's auto-destructive art', The Guardian, 5 November, p.10 Wilson, Andrew: 'Michael Landy: Bin it for Britain', Art & Text, no.55, October, pp.72-77 Freedman, Carl: 'Some Drawings: From London', Frieze, no.30, September/October, pp.87-88 Collings, Matthew: 'The New Establishment', The Independent on Sunday, 31 August, pp.9-14 Lyttelton, Ceilia: 'Artist of the Month', Tatler, vol.291, no.4, p.24 Feaver, William: 'Plight of the paper people', The Observer, 21 July,p.11 Cork, Richard: 'Cutting mankind up to size', The Times, 16 July Lambirth, Andrew: 'Michael Landy: Chisenhale Gallery', What's On in London, 10-17 July Graham-Dixon, Andrew: 'Thrown on the scrapheap', The Independent, 9 July 'On the scrapheap', Hackney Gazette, 4 July Kent, Sarah: 'Paradise infernal: Sarah Kent on Michael Landy', TimeOut, 3-10 July, p.45 Hilton, Tim: 'Little people and big ideas', The Independent on Sunday, 30 June Dorment, Richard: 'But who ends up on the scrapheap?', The Daily Telegraph, 26 June Beal, Heather: 'Art when you least expect it', National Forum (PhiKappa Phi Journal), vol.76, no.2, Spring, pp.10-11 MacRitchie, Lynn: 'Their Brilliant Careers', Art in America, April, pp.80-85, 132 Bonetti, David: ''Brilliant!'', The San Francisco Examiner, 7 April Wilson, Andrew: '"Brilliant" - New Art from London', Art & Text, no.53, p.87 Cooke, Lynne: 'Brilliant New Art from London', The Burlington Magazine, March, p. 217 Dewan, Shaila: 'England's Edge', The Houston Press, 21-27 March, p.35 Anspon, Catherine D.: '"brilliant" engages, energizes at the CAM', Public News (Houston), 6 March, pp.8,10 Johnson, Patricia C.: 'British exhibit shows attitude, some brilliance', The Houston Chronicle, 15 February, pp.1,6 Dannatt, Adrian: 'Brillliant!', Flash Art, no.186, January-February, pp.96-97 Murphy, Fiona: 'Monumental art or monumental rubbish', The Weekend Guardian, 13 January, pp.32-33 Hall, James: 'Teapot Tempest', Artforum International, January, p.30 1995 Kastner, Jeffrey: 'Brilliant?', Art Monthly, no.192, December-January, pp.10-15 Collings, Matthew: 'Welcome to our Repartee', Modern Painters, Vol.8, no.4, Winter, pp.24-28 Wakefield, Neville: 'Quite Brilliant', Tate: The Art Magazine, Issue 7, Winter, p.31 MacRitchie, Lynn: 'Begging for Scraps', The Guardian, December 'Smashing!', Frieze, November-December, pp.32-36 Kastner, Jeffrey: 'Where's the Scene?', Art Monthly, no.172, December-January, pp.14-17 Lillington, David: 'Keith Coventry, Michael Landy and Mark Wallinger at City Racing', Time Out, no.1211, 3-10 November, p.47 Alberge, Dalya: 'Still Flogging a Dead Cow?', The Independent, 13 July, p.15 Hewison, Robert: 'The New Orthodoxy', The Sunday Times, June Lillington, David: 'The 225th Summer Exhibition', Time Out, no.1191, 16-23 June, p.52 Alberge, Dalya: 'All Quiet on the Modern Front', The Independent, 10 June Margolis, Jonathon: 'The Hanging Debate', The Sunday Times (Culture), 6 June McEwen, John: 'Old Pearls and the Purley Wastes', The Sunday Telegraph, 6 June Auty, Giles: 'Minimal Efforts', The Independent (Diary), 6 June Feaver, William: 'Mass Rally in Piccadilly', The Observer, 6 June, p.5 Dorment, Richard: 'Something to Shout About' (The Royal Academy 225th Summer Exhibition), The Daily Telegraph, 3 June, p.17 Johnson, Angella: 'Royal Academy Flower Show is Game for a Laugh', The Guardian, 2 June, p.5 Myerson, Clifford: Untitled, Vol.1, no.1, April, p.19 Bernard, Kate: 'Tempera Fugit', Harpers & Queen, March, pp.150-153, 194 Searle, Adrian: 'Meg Cranston, Michael Landy', Time Out, no.1175, 24 February - 3 March, p.37 Bevan, Roger: 'Minimal and Conceptual Art at Large', The Art Newspaper, Vol.IV, no.25, February, p.27 'Pick of the Year', Arts Review, Vol.XLV, January, pp.18-19
Graham-Dixon, Andrew: 'Art after the Deluge', The Independent, 29 December, p.12 'Oh You Pretty Things... The Loss of the Goldsmiths Touch', Casablanca, Vol.1, no.1, October, pp.24-25 Jacobson, Bernard: 'A Joke Too Far', The Independent, 4 August, p.11 Bullard, Bret: 'Michael Landy at Karsten Schubert', G-Spot, Issue 3, August Archer, Michael: 'Interview with Michael Landy', Audio Arts, Vol. XII, no.1, August 'Welcome to the Great British Bazaar', Inform, no.12, Summer, pp.3-4, 9 and cover Eshun, Ekow: 'Art Attack', The Face, no.46, July, pp.88-93 Barker, Godfrey: 'Who'd Marry an Art Dealer', Harpers & Queen, Vol.92, no.7, July, pp.104-109
Myerson, Clifford: 'Michael Landy and the Great Sale', Art Monthly, no.157, June, p.17 and cover Feaver, William: 'Art for Our Sake', (British) Vogue, June, p.26 Auty, Giles: 'Madly contextual (Michael Landy: Closing Down Sale)', The Spectator, 23 May, pp.44-47 Dutt, Robin: 'Michael Landy: Karsten Schubert', What's On, Vol.26, no.44, 20-27 May, p.30 Kent, Sarah: 'Prices Splashed: Sarah Kent on Michael Landy and Keith Coventry at Karsten Schubert', Time Out, no.1134, 13-20 May, p.39 Graham-Dixon, Andrew: 'Beyond price: Michael Landy at Karsten Schubert', The Independent, 12 May, p.16 Norman, Geraldine: 'Recession Claims Leading Gallery as Latest Victim', The Independent, 11 May, p.2 'Michael Landy at Karsten Schubert ', Arts Review, May, p.155 Bevan, Roger: 'Michael Landy', Galleries, vol.IX, no.12, May, p.23 Harvey, Will: 'Michael Landy: Closing Down Sale', City Limits, 30 April, p.20 Hall, James: 'In praise of idleness', The Guardian, 24 April, p.32 Bussmann, Tom: 'Zeitgeist: Gold Top', The Weekend Guardian, 11 April, p.4 Alberge, Dalya: 'Ideas with Roots in the Potting Shed', The Independent, 6 April, p.4 Bevan, Roger: 'Schubert Holds "Closing Down Sale" of Michael Landy', The Art Newspaper, Vol.III, no.18, April, p.21 'Fifth Anniversary Exhibition at Karsten Schubert', Royal AcademyMagazine, no.34, Spring, p.67 Renton, Andrew: 'Group Show at Karsten Schubert', Flash Art, Vol.XXV, no.163, March-April, p.149 Cooper, Emmanuel: 'Karsten Couch', Time Out, no.1125, 11-18 March, p.39 Norman, Geraldine: 'Minimalist Show puts High Price on Water', The Independent, 9 March, p.2
Francis, Mary Anne: 'Goldsmiths Gallery/Saatchi Collection/ Quinn/ Gallaccio', Art Monthly, no.152, December January, pp.16-18 Collings, Matthew: 'The Turner Prize at the Tate Gallery and We've Lost ET but the Boy's Coming Back at Karsten Schubert', City Limits, no.529, 21-28 November, p.18 Feaver, William: 'Are We Audience or Nuisance?', The Observer, 17 November, p.61 'Exhibition Diary', World of Interiors, November, p.147 Decter, Joshua: 'New York in Review', Arts Magazine, October, p.95 Park, Stephen: 'Goldsmiths and all that...', Frieze, no.1, October, p.48 Stock, Jon: 'Acclaim for Class of 88', The Daily Telegraph, 29 August, p.15 Collings, Matthew: 'New Contemporaries at the ICA and Broken English at the Serpentine', City Limits, no.515, 15-22 August, p.18 Kent, Sarah: 'Breaking Ground', Time Out, no.1095, 14-21 August, p.39 Hilton, Tim: 'Composition with Old Hat', The Guardian, 14 August, p.30 Gale, Iain: 'Broken English', The Independent, 13 August, p.13 Hall, Charles: 'Tests of raw nerves', The Sunday Times, 10 August, p.V10 Sewell, Brian: 'Putting on the zits', The Evening Standard, 8 August, p.21 Packer, William: 'The diminishing value of novelty', The Financial Times, 6 August, p.21 Bernard, Bruce: 'Salvage From The Wreck', The Independent Magazine, 3 August, pp.36-39 Renton, Andrew, Michael Craig-Martin and Karsten Schubert: 'A New Internationalism' (interview), Frieze, Summer, pp.16-20 Gillick, Liam: 'The Placebo Effect', Arts Magazine, May, pp.56-59 Hall, James: 'Artists Explore the Nature of Power', Art International, Spring/Summer, pp.71-73 Santa Caterina, Stella: 'Michael Landy At Building One', Tema Celeste, no.29, January-February, pp.91-92 Khosla, Kiron: 'Michael Landy: Building One', Artscribe, no.85, January-February, pp.77-78 McGowen, Martin: 'Michael Landy: Building One', Art Press, no.154, January, pp.94-95 1990 Renton, Andrew: Blitz, no.96, December, p.34 Craddock, Sasha: ‘Show and Tell’, The Guardian, 19 December Koether, Jutta, et al: 'It's a Maggot Farm: The B-Boys and Fly Girls of British Art: Five Statements and a Conversation', Artscribe, no.84, November-December, pp.56-62 Shone, Richard: 'Landy at Building One', The Burlington Magazine, Vol.CXXXII, no.1052, November, pp.804-5 Graham-Dixon, Andrew: 'Young Turks and Old Masters', ARTnews, November, pp.124-126 Graham-Dixon, Andrew: 'Exercise of the object', The Independent, 23 October Milton, Cathy: 'Enterprising artist cashes in', The Independent, 11 October , p.1 Kent, Sarah: 'Michael Landy: Building One', Time Out, 10-17 October, pp.7, 38
Hall, James: 'Turning art into dominoes', The Sunday Correspondent, 7 October, p.41 Feaver, William: 'Prize wake for timeless values', The Observer, 7 October Renton, Andrew: 'East Country Yard Show', Flash Art, Vol.XXIII, no.154, October, p.191 Anonymous: Private Eye, no. 751, 28 September Renton, Andrew: 'Michael Landy. Tanja Grunert, Cologne', Flash Art, Vol.XXIII, no.154, October, p.160 White, Tony: 'East Country Yard Show', Performance, October, pp.61-62 White, Tony: 'East Country Yard Show', Artists Newsletter, October, p.37 Burn, Gordon: 'Playing to the Galleries', The Sunday Times, 30 September, pp.138-150 Craddock, Sasha: ‘ “Freeze,” The Fast Dockland train to Simplicity’, The Guardian, 13 September Rubinstein, Meyer Raphael: 'The Koln Show', ARTnews, September, p.179 Brooks, Liz: 'Spacier and spacier (East Country Yard Show)', Artscribe, no.83, September-October, p.16 Carter, Miranda: 'The Tote Gallery', Harpers & Queen, August, pp.66-69 Renton, Andrew, Blitz, no.80, August, p.82 Graham-Dixon, Andrew: 'The Midas Touch?: The East Country Yard Show', The Independent, 31 July Renton, Andrew: 'art' (The Köln Show), Blitz, no.91, July 'Köln Show', Artscribe, no.82, Summer, p.13 Ciavoliello, Giulio: 'Michael Landy. Studio Marconi 17 (Milan)', Italian Flash Art, no.156, June-July, p.163 Cornall, John: 'East Country Yard Show', City Limits, 28 June-5 July Renton, Andrew: 'Birth of the Cool', Blitz, June, pp.54-56 Dannatt, Adrian: ‘Interim Jeune 1’, Time Out, 4-7 June Jeffett, William: 'Contemporary Art Fair Strategies', Apollo, May, pp. 323-329 Dannatt, Adrian: 'Eastside Story', Flash Art, January-February, p.94 Koether, Jutta: 'Three From England: Esther Schipper', Flash Art, January-February, p.138 Kent, Sarah: ‘Show and Tell’, Time Out, January Currah, Mark: ‘Show and Tell’, City Limits, 5-12 January 1989 Bullock, Angela: 'Freeze', Art & Design, Vol.V, no.3/4, pp.52-53 Currah, Mark: 'The Gold Rush', City Limits, 23-30 November, pp.14-15 Dannatt, Adrian: 'Interim Jeune 1', Flash Art, no.148, October, p.139 Currah, Mark: City Limits, 14-21 September , pp.54-55 Renton, Andrew: 'art', Blitz, no.80, August, p.82 Currah, Mark: 'Interim Jeune', City Limits, 8-15 June Lillington, David, 'Interim Jeune 1', Time Out, 7-14 June Hilton, Tim: 'Interim Jeune 1', The Guardian, 31 May Gillick, Liam: 'Grenville Davey, Gary Hume, Michael Landy', New Art International, May, pp.92-93 Gillick, Liam: 'Show and Tell', Art Monthly, February
Archer, Michael: 'Ian Davenport, Gary Hume and Michael Landy', Artforum, February Currah, Mark: 'Show and Tell', City Limits, 5-12 January Shone, Richard: 'Ian Davenport, Gary Hume and Michael Landy', The Burlington Magazine, January 1988 Kent, Sarah: 'On Show and Tell', Time Out, December Craddock, Sacha: 'The irony of the familiar', The Guardian, 19 December Kent, Sarah: 'Davenport, Hume, Landy', Time Out, 30 November-7 December, p.43 Craddock, Sacha: 'The fast Dockland track to simplicity', The Guardian, 13 September
1999
1999
Hatje Cantz, Stuttgart 2002, (ill) 2001 The Other Britania, exhibition catalogue, Centro Cutural Tecla Sala, Barcelona, pp.28-33 ‘Break Down’, exhibition catalogue, Artangel Trust, London, James Lingwood(ed), Julian Stallabrass Out of Line: Drawings from the Arts Council Collection, exhibition catalogue, Suzanne Cotter: Hayward Gallery, London, Second Sight, The Henry Moore Foundation, pp.142-5 The Tastemakers: U.K Art Now, by Rosie Millard, Thames and Hudson Field Day: Sculpture from Britain, Taipei Fine Arts Museum Century City: Art and Culture in the Modern Metropolis, Tate Publishing 2000 The British Art Show 5, Hayward Publishing, London, pp.82-3 XXIV Bienal de Sao Paulo, catalogue, Paulo Herkonhoff and Adriano Pedrosa (curators), 1998 Puerile 69, exhibition catalogue, Richard Shone, Reykjavik, 2000 1999 Waste Management, exhibition catalogue, Christina Ritchie (ed) Art Gallery of Ontario, Toronto, Canada Trace, exhibition catalogue, The Liverpool Biennial of Contemporary Art, Liverpool (catalogue) 1998 Interactive: An Exhibition of Contemporary British Sculpture, exhibition catalogue, Amerada Hess Ltd and Pale Green Press, London Tate Report, Tate Gallery Biennial Report 1996-98, Tate Gallery Publishing, London, p.30 (ill) 1997 Damien Hirst, Booth-Clibborn Editions, London, p.169 Dimensions Variable: New Works for the British Council Collection, Anne Gallagher, exhibition catalogue, The British Council, London Breaking the Mould - British Art of the 1980s and 1990s: The Weltkunst Collection, Marshall, Catherine (ed.), Lund Humphries, London and the Irish Museum of Modern Art, Dublin (includes essays by Richard Cork and Penelope Curtis) Spit Fire: Photographs from the Art World 1996/7, Johnnie Shand Kydd, Thames and Hudson, Violette Editions, London Follow Me: British Art on the Lower Elbe, 'Journeys without maps' by James Hall, exhibition catalogue, Landschaftsverband Stade, Germany, pp.97-121 Contemporary Art in Focus: Patrons’ Paper 2, Tate Publication, pp.4-19 (includes essay by Sean Rainbird) Plastic, Neal Cummings and Joan Key (essays), exhibition catalogue, Richard Salmon Gallery, London Material Culture: The Object in British Art of the 1980s and '90s, exhibition catalogue, Michael Archer and Greg Hilty (intro.) South Bank Centre, London Sensation: Young Artists from the Saatchi Collection, exhibition catalogue, Rosenthal, Norman: Thames and Hudson in association with the Royal Academy of Arts, London, pp.150-155 (includes essays by Richard Shone, Martin Maloney, Brooks Adams and Lisa Jardine) 1996 Made in London, 'The element of risk' Richard Shone (intro.) Simmons & Simmons (catalogue of collection), London Ace! Arts Council Collection new purchases, Robson, Gavin, exhibition guide, The South Bank Centre, London From Figure to Object: A Century of Sculptors' Drawings, exhibition catalogue, Richard Shone (intro.): Frith Street Gallery and Karsten Schubert, London The Making of Scrapheap Services, exhibition catalogue, Alison Jacques (intro.): Waddington Galleries, London Scrapheap Services, Landy, Michael, artist's book, Chisenhale Gallery and Ridinghouse Editions, London 1995 12th International Biennial of Small Sculpture, Murska Sobota, Slovenia, p.172 Contemporary British Art in Print, Jeremy Lewison and Duncan Macmillan: Scottish National Gallery of Modern Art, Edinburgh and Paragon Press, London Brilliant!: New Art from London, exhibition catalogue, Walker Arts Center, Minneapolis (includes essays by Stuart Morgan, Neville Wakefield, Richard Flood and Douglas Fogle)
Council, Madrid 1991 Broken English, exhibition catalogue, Andrew Graham-Dixon, Serpentine Gallery, London Goldsmiths’ College Centenary Exhibition 1991, Adrian Searle, exhibition catalogue, Goldsmiths College Gallery, London We've Lost ET but the Boy's Coming Back: Peter Cain, Michael Jenkins and Michael Landy, exhibition catalogue, Jerry Saltz, Karsten Schubert, London, Unknown Europe, exhibition catalogue, Miedzyhardow e Stowarzysnenie Krytykow Sztuki, Krakow, Poland, pp.40-41 Cominesi, Piera Raimondi (ed.) Anni Novanta, exhibition catalogue, Arnoldo Mondadori Arte, Bologna Technique Anglaise: Current Trends in British Art, Andrew Renton and Liam Gillick (eds.), Thames and Hudson, One Off Press, London Michael Landy: Appropriations 1-4, exhibition catalogue, Karsten Schubert, London Confrontaciones: Ultime Arte Britanico y Espanol, exhibition catalogue Teresa Blanch (intro), Palacio Velasquez, Madrid Europe Unknown, Palac Szutki, Krakow, Poland, exhibition catalogue 1990 East Country Yard Show, exhibition catalogue, Henry Bond and Sarah Lucas (eds), London Market: Michael Landy, Bush, Kate, exhibition catalogue, One-Off Press, London Angela Bulloch, Michael Landy, Gary Hume, Andrew Renton, Esther Schipper, Cologne Artificial Nature, Jeffrey Deitch, exhibition catalogue, Deste Foundation for Contemporary Art, Athens The Köln Show, exhibition catalogue, p.78 1989 La Biennal de Barcelona, exhibition catalogue, Spain, pp.78-81 Home Truths, Bush, Kate, exhibition catalogue, Franz Paludetto, Castello di Rivara, Turin 1988 Freeze, exhibition catalogue, Ian Jeffrey (intro.): 'Platonic Tropics', Surrey Docks, London Public Collections Tate Collection, London The British Council, London The Government Art Collection, London Arts Council England Museum of Modern Art, New York Walker Art Center, Minneapolis Zabludowicz Art Trust, London 
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