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2005, İsviçre http://www.tschumi.com/pro-
jects/9/ Erişim Tarihi: 04.01.2017
URL 9 İAOSB Nedim Uysal Mesleki ve
Teknik Anadolu Lisesi, M artı D Mimarlık,
İzmir, 2016. http://www.arkiv.com.tr/pro-
je/ozel-iaosb-nedim-uysal-mesleki-ve-
teknik-anadolu--lisesi/6650 Erişim Tarihi:
04.01.2017
URL 10 http://www.hurriyetemlak gunde-
mi.com/bomontide-arsa-fiyatlari-artti/)
Erişim Tarihi: 04.01.2017
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January / February / March / April 2017 Issue: 10 Winter – Spring
ID:154 K:254
ISSN Print: 2148-8142 Online: 2148-4880
(ISO 18001-OH-0090-13001706 / ISO 14001-EM-0090-13001706 / ISO 9001-QM-0090-13001706 / ISO 10002-CM-0090-13001706)
(Marka Patent No / Trademark)
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EXTENDED ABSTRACT
Architectural design can be defined as the search of a suitable solution for a specific problem in
a specific field. The building belongs to where it is located, and it is obvious that there is a de-
finite relation between the originality of the design and the characteristics of the place. Most of
the time, the type of relation established with the place has played a determining role in shaping
of the design by enabling the concept to be conceptualized. In the concept developing stage,
where original ideas about formalization come up in the course of architectural design, the use
of one or a couple of the notions obtained by the designer from the context of the building is
inevitable. Even if the designer neglects the context, s/he takes a stand against the notions that
s/he obtained from the context. In this sense, the notions of concept and context are tied with an
inseparable relation in architectural design. Concept, which is defined as the compound of the
elements that makes the design original and enables it to differentiate from others during the
design process, is the form of design before formalization, consisting of sometimes a schema,
sometimes a few words. Originality and creativity, being able to produce various solutions for
the subject of design, and being able to abstain from repetition and imitation are among the
designer’s concerns throughout the design process. What kind of a method can be followed to
produce an innovative and effectual solution for a specific problem? A great deal of research
done on design methodology addresses to design as a method and foresees that architectural
building can be designed by following process steps. Discussing the relation between concept
and context, this study aims at clarifying how to transfer the design information obtained by
analysis to design by -in a sense- synthesizing through concept, and how an original design can
be obtained as a result. For this purpose, it is attempted to indicate the process that extends from
information to concept and form through an original conceptual model by questioning how to
transform design information into concept. Furthermore, in this study, the place and importance
of context within the process from concept to form has been attempted to identify by examining
the relation between concept and context. Design is a mental process that contains visualiza-
tion, formation and experimentation within mind. In this process, the concept developed by
the designer for the problem as a compound of the elements that make the design original and
enable it to differentiate from others stands out. There are numerous studies that focus on the
subject of the relation between concept and architectural design. It is attempted to determine the
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INTERNATIONALREFEREEDJOURNAL OF DESIGNANDARCHITECTURE
January / February / March / April 2017 Issue: 10 Winter – Spring
ID:154 K:254
ISSN Print: 2148-8142 Online: 2148-4880
(ISO 18001-OH-0090-13001706 / ISO 14001-EM-0090-13001706 / ISO 9001-QM-0090-13001706 / ISO 10002-CM-0090-13001706)
(Marka Patent No / Trademark)
(2015/04018 – 2015/GE/17595)
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compounds that constitute the concept as the result of the evaluations made by means of these
studies. Accordingly, the compounds of concept can be specified as following:
a) Problem: The subject and content of the design, functional necessities and conditions that
take place within the design program.
b) Context: Along with the environmental circumstances including natural and artificial envi-
ronmental conditions, social, cultural, financial, technological and other physical circumstan-
ces.
c) Designer: Experience of the designer, her/his architectural style, fund of knowledge, per-
ception of the problem, priorities regarding the problem and her/his way of addressing to the
problem.
A few or all of these compounds listed above can constitute the concept together. That is to say,
while concept can be composed of all of these compounds, it can also be achieved by means
of only one of them. But still, among the other two compounds, concept can be achieved by
the designer’s original ideas independently from the problem and context. “Process of concept
production model in architectural design” has been developed within the scope of this study
with the purpose of providing an insight on how concept is obtained during the design process.
According to the model that has been developed, notions are achieved by analyzing the ele-
ments related to the problem (subject, content and program) and the context (environmental,
social, cultural, financial, technological, physical, and temporal). Notions are the qualities that
every designer can tangibly reach by taking these elements into account without necessitating
interpretation. However, after the notions have been determined, the designer’s way of perce-
iving the problem, her/his style and experiences are determinant in the process of designer’s
composition of the concept by interpreting the notions. Notions are interpreted with a charac-
ter unique to the designer and, therefore, each problem has original concept or concepts in its
context. The form is achieved by transferring the concept to the process through the designer’s
interpretation. Afterwards, the relation between concept and context in architectural design has
been examined in this study. Within this framework, three different relation types between
concept and context have been set forth: indifference state, reciprocity state and conflict state.
In the indifference state, the context and the concept have no relation and they have come to-
gether coincidentally. In this state, context exists inevitably; however, the existence of concept
is independent from the context. Accordingly, we can mention of the element or elements that
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