Plan: Propaganda a look at 2



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PROPAGANDA A LOOK AT PROPAGANDA\'S HISTORY2

Main article: Propaganda in World War I
The first large-scale and organised propagation of government propaganda was occasioned by the outbreak of war in 1914. In the war's initial stages, propaganda output was greatly increased by the British and German governments, to persuade their populace in the justness of their cause, to encourage voluntary recruitment, and above all to demonise the enemy.[15] Heavy use was made of posters, as well as the new medium of film.[16]
Germany[edit]
At the start of the war, Germany expanded its unofficial propaganda machinery, establishing the Central Office for Foreign Services, which among other duties was tasked with propaganda distribution to neutral nations, persuading them to either side with Germany or to maintain their stance of neutrality. After the declaration of war, Britain immediately cut the undersea communications cables that connected Germany to the outside world, thereby cutting off a major propaganda outlet. The Germans relied instead on the powerful wireless Nauen Transmitter Station to broadcast pro-German news reports to the world. Among other techniques used to keep up the morale of the troops, mobile cinemas were regularly dispatched to the front line for the entertainment of the troops. Newsreels would portray current events with a pro-German slant. German propaganda techniques heavily relied on emphasising the mythological and martial nature of the Germanic 'Volk' and the inevitability of its triumph.
Germany published several newspapers and magazines for the occupied areas. The 'Gazette des Ardennes,' was designed for French readers in Belgium and France, Francophone prisoners of war, and generally as a propaganda vehicle in neutral and even enemy countries. Editor Fritz H. Schnitzer had a relatively free hand, and he tried to enhance his credibility by factual information. He realized until the closing days of the war that it was necessary to produce an increasingly optimistic report to hide the weakening position of the Central Powers in the summer and fall of 1918.[17]
The British made a careful analysis of the German propaganda campaigns. In terms of content, the official propaganda had multiple themes:[18] A) It proclaimed that German victory was a certainty. B) It explained Germany was fighting a war of defence. C) Enemy atrocities in were denounced, including its starvation plan for German civilians, use of dum dum bullets, and the use of black soldiers. D) The rhetoric exalted Germany's historic mission to promote high culture and true civilization, celebrating the slogan "work, order, duty" over the enemy's "liberty, equality, fraternity." E). It explained that German victory would benefit all of mankind, freeing the seas for all nations, and enabling the downtrodden colonies of the Allies to liberate themselves. F). Germany needed to land to expand, as an outlet for its surplus population, talent, organizing ability, financial capital, and manufacturing output. G). The riches of the world, especially raw materials, controlled by the British and the French, must be disgorged by the enemy to the benefit of Germany. The propaganda designed for the home market included points A through G.[19] Propaganda directed at neutral opinion downplayed D and F, and left out theme G. The Germans realized they needed to appeal to vocal supporters in countries allied with the Central Powers, especially Austria, Bulgaria, and Turkey. They put special emphasis on the Muslim world, using Turkey as their leverage. Much of the propaganda was oriented toward minorities in the Allied countries, as they tried to stir up Muslims in India and Russia and ethnic groups in Eastern Europe, especially the Poles. In prioritizing the goal of destabilizing the enemy, Berlin realized that it was often counterproductive to promote German glories. Other elements that were hostile or indifferent to Germany, especially among the far left and the Muslims, could best be reached through their own spokesman. Hence large sums—upwards of nine tons of gold—were given the Bolsheviks to spread their own anti-tsarist propaganda.[20]
Britain[edit]
Main articles: British propaganda during World War I and History of the United Kingdom during World War I § Propaganda
British propaganda during World War I — called "an impressive exercise in improvisation" — was hastily expanded at the beginning of the war and was rapidly brought under government control as the War Propaganda Bureau (Wellington House), under the overall leadership of journalist Charles Masterman. The Bureau began its propaganda campaign on 2 September 1914 when Masterman invited 25 leading British authors to Wellington House to discuss ways of best promoting Britain's interests during the war. Those who attended included William Archer, Arthur Conan Doyle, Arnold Bennett, John Masefield, Ford Madox Ford, G. K. Chesterton, Henry Newbolt, John Galsworthy, Thomas Hardy, Rudyard Kipling, Gilbert Parker, G. M. Trevelyan and H. G. Wells. Several of the writers agreed to write pamphlets and books that would promote the government's point of view; these were printed and published by such well-known publishers as Hodder & Stoughton, Methuen, Oxford University Press, John Murray, Macmillan and Thomas Nelson.
1914 "Lord Kitchener Wants You!" poster
After January 1916 the Bureau's activities were subsumed under the office of the Secretary of State for Foreign Affairs. In May 1916 Masterman began recruiting artists, including Muirhead Bone, Francis Dodd, Eric Kennington and others, to paint pictures of the war in France and the home front. In early 1918 it was decided that a senior government figure should take over responsibility for propaganda and on 4 March Lord Beaverbrook, owner of the Daily Express newspaper, was made Minister of Information. The British effort soon far surpassed the German in its quality and ability to sway the public mood both at home and abroad.[21]
A variety of propaganda methods were used by the British during the war, with emphasis on the need for credibility.[22] Written forms of distributed propaganda included books, pamphlets, official publications, ministerial speeches or royal messages. They were targeted at influential individuals, such as journalists and politicians, rather than a mass audience.[citation needed] Pamphlets were distributed to various foreign countries, primarily the United States: – these pamphlets were academic in tone and factual in nature, distributed through unofficial channels. By 1916, 7 million copies had been circulated by Wellington House in various languages.[23]
British propagandists also sought to influence the foreign press, by providing it with information through the Neutral Press Committee and the Foreign Office. Special telegraph agencies were established in various European cities, including Bucharest, Bilbao and Amsterdam, in order to facilitate the spread of information.[24]
Recruitment was a central theme of domestic propaganda until the introduction of conscription in January 1916. The most common theme for recruitment posters was patriotism, which evolved into appeals for people to do their 'fair share'. Among the most famous of the posters used in the British Army recruitment campaign of World War I were the "Lord Kitchener Wants You" posters, which depicted Secretary of State for War Lord Kitchener above the words "WANTS YOU".
One major propaganda avenue was the use of atrocity stories. These aimed to mobilise hatred of the German enemy by spreading details of their atrocities, real or alleged, and was used extensively by Britain, reaching a peak in 1915, with much of the atrocities related to Germany's invasion of Belgium.[25][26][27] One of the first significant publications to be produced by the Bureau was the Report on Alleged German Outrages, in early 1915. This pamphlet documented atrocities both actual and alleged committed by the German army against Belgian civilians. Other atrocity stories included the fate of the nurse Edith Cavell and the Sinking of the RMS Lusitania. These had a significant impact both in Britain and in America, making front-page headlines in major newspapers.[28][29]

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