Résumé
Tamara Balter
Contact Info
E-mail: tbalter@umail.iu.edu
Phone: (+972) 50-990-5541
Website: tamarabalter.com
Education -
Ph.D., Music Theory, Indiana University–Bloomington, 2009.
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Dissertation title: “A Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven.” Adviser: Prof. Robert S. Hatten. Committee members: Profs. J. Peter Burkholder,
Marianne Kielian-Gilbert, Roman Ivanovitch.
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Music History and Literature (minor 1), and Piano Performance (minor 2). Coursework GPA: 4.0
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M.A., Individual Graduate Program (Musicology), The Hebrew University of Jerusalem, 2000 (magna cum laude).
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B.A., majors: Musicology and Philosophy, The Hebrew University of Jerusalem, 1997 (magna cum laude).
Awards
International Travel Grant, given by the Society for Music Theory, for SMT/AMS conference in Los Angeles, November 2006, and for SMT conference in Minneapolis, October 2011.
Chancellor Fellowship (doctoral studies in music theory) — Indiana University Bloomington, 2001-2005.
Travel Grant, given by the Sorbonne, for Eighth International Congress on Musical Signification at the Sorbonne in Paris, October, 2004.
One-year Fellowship for doctoral studies in Musicology – Hebrew University of Jerusalem, 2000.
Teaching Experience
Associate Instructor, Music Theory, School of Music, Indiana University, Bloomington (2001-2004). Courses taught in theory and analysis:
T508 – Written Theory Review for Graduate Students (Fall 2003, with Dr. Ryan McClelland and Summer 2004, with Dr. Stanley Kleppinger);
T252 – Music Theory & Literature IV (Spring 2004, with Dr. Julian Hook. 19th century music);
T351 - Music Theory & Literature V (Spring 2003, with Dr. Mark Butler. Post tonal music);
T251 - Music Theory & Literature III (Fall 2002, with Dr. Gretchen Horlacher);
T152 - Music Theory & Literature II (Spring 2002, with Dr. Michael Buchler);
T151 - Music Theory & Literature I (Fall 2001, with Dr. Gary Potter).
Publications:
“Parody of Learned Style.” Festschrift for Raymond Monelle, ed. Esti Sheinberg. Aldershot: Ashgate Publishing, 2012.
“The Structure of Irony and How it Functions in Music,” in Philosophers on Music: Meaning, Experience and Work. Oxford: Oxford University Press, 2007. Co-authored with Eddy M. Zemach.
Fifteen contributions to “Musical Borrowing: an Annotated Bibliography” (2003).
[Web page: http://www.music.indiana.edu/borrowing/index.html]
Selected Presentations:
“From Alternativo to Alter ego,” read at the meeting of the American Musicological Society–Greater New-York Chapter, Wagner College, Staten Island, New-York (October, 2010).
“Deep Sorrow Over a lost Pin? Dramatic Irony in Barbarina’s Cavatina in Le Nozze di Figaro,” read at the Musicology colloquium, The Buchmann-Mehta School of Music, Tel Aviv University (April, 2010).
“How Beethoven Received Haydn's Spirit from Haydn's Hands: Two cases of Parody,” read at the Music Colloquium at the Hebrew University of Jerusalem (December, 2007), at Bar-Ilan University (February, 2008), and at Haifa University (March, 2009).
“Deep Sorrow Over the Loss of a Pin? Dramatic Irony in Barbarina's Cavatina in Le Nozze di Figaro,” read at the Eighth International Congress on Musical Signification at the Sorbonne in Paris, Panel on Irony (October, 2004).
“Beethoven’s Op. 131 and the Automaton in Music,” read at the Music Theory Colloquium Series at Indiana University, Bloomington (February, 2003).
“The Presto in Beethoven’s Op. 131 and the Automaton in Music,” read at the Musicology colloquium, Tel Aviv University (December, 2002).
“Irony and Metaphor in Music,” read at Seventh International Congress on Musical Signification (ICMS7), Imatra, Finland (June, 2001).
“Irony in Music,” read at the Musicology colloquium at The Hebrew University of Jerusalem (December, 2000).
Other
Producer and Coordinator of the Chopin Symposium and Festival, Edward Aldwell Center (January, 2010), and the IMS Conference (July 2011). Webmaster of the IMS.
Professional Memberships
Society for Music Theory
Haydn Society of North America
Israeli Musicological Society
Three references: Prof. Robert S. Hatten (Music Theory), Prof. Marianne Kielian-Gilbert (Music Theory), Prof. Massimo Ossi (Musicology).
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