Society for Theory of Music
Moscow P.I. Tchaikovsky Conservatory (University)
Saint-Petersburg Rimsky-Korsakov State Conservatory
Saint-Petersburg State University
First Congress of the Society for Theory of Music
MUSIC THEORY — CONTEMPORARY MULTIFACETED FIELD OF KNOWLEDGE
INNOVATIONS AND DEBATABLE ISSUES
St. Petersburg (Russia)
September 30 — October 2, 2013
PROGRAM
September 30, Monday
9.30–10.30
Registration
St. Petersburg State University. 7-9 University Embankment, Petrovsky Hall
10.30
Opening of the Congress
Petrovsky Hall of the St. Petersburg State University
11.00
Alexander Sergeyevich Sokolov
Moscow P.I. Tchaikovsky Conservatory
Keynote speech: The problems of Russian music scholarship in light of recent initiatives of the executive and legislative branches of the state power in the Russian Federation
11.45–12.00 Coffee break
12.00
Hermann Danuser
Humboldt University of Berlin (Germany)
Keynote speech: Metadrama and Metamusic: The Example of “The Meistersingers of Nueremberg” by Richard Wagner
13.00
Fred Lerdahl
Columbia University (New York, USA)
Keynote speech: Generative music theory in relation to the Schenkerian and Riemannian traditions
14.00–15.00 Lunch
15.00–17.45 Sessions:
1. Session “Innovations in method of solfege and ear training”. 7-9 University Embankment, Petrovsky Hall
Chair — Marina Valerievna Karaseva
2. Session “Rhythm”. 11 University Embankment, auditorium 191
Chair — Nina Yurievna Afonina
3. Session “Russian music theory: a view from the West”. 11 University Embankment, auditorium 198
Chair — Simon Desbruslais
17.45–18.00 Coffee break
18.00–20.00
Business meeting. 11 University Embankment, auditorium 198
18.00
Olga Vladimirovna Loseva
Moscow P.I. Tchaikovsky Conservatory
Presentation of the online Journal of the Society for Theory of Music
18.15
Michiel Schujier
Conservatorium van Amsterdam (Netherlands)
Music theorists and societies
18.45 Report and Election Meeting
20.00–22.00 Sight-seeing tour of St. Petersburg
September 30, Monday. 15.00–17.45
St. Petersburg State University
Session “Innovations in method of solfege and ear training”
Chair — Marina Valerievna Karaseva
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Session “Rhythm”
Chair — Nina Yurievna Afonina
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Session “Russian music theory: a view from the West”
Chair — Simon Desbruslais
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15.00
Lola Raufovna Dzhumanova
Moscow P.I. Tchaikovsky Conservatory
Adaptation of the elementary theory of music for the practical needs of solfege
15.30
Tatyana Anatolievna Borovik
Yekaterinburg Childrenʼs Choir School № 4
Master-class: Muldi-media technology in method of solfege for Children’s Schools of Music and Children’s Schools of Arts
16.15
Marina Valeryevna Karaseva
Moscow P.I. Tchaikovsky Conservatory
Master-class: Multi-media solfege: new possibilities of digital technology
17.00
Tatyana Alexandrovna Litvinova
St. Petersburg Rimsky-Korsakov State Conservatory
Timbral aural analysis in the ear training course
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15.00
Gesine Schröder
University of Music and Performing Arts Vienna (Austria),
University of Music and Theatre “Felix Mendelssohn Bartholdy” (Leipzig, Germany)
Another polaristic venture: rhythm & meter in Sigfrid Karg-Elertʼs work
15.30
Martina Sichardt
University of Music and Theatre “Felix Mendelssohn Bartholdy”(Leipzig, Germany),
Freie Universität Berlin (Germany)
Max Regerʼs concept of tempo modification. Aspects of music theory versus aspects of performance tradition
16.00
Svetlana Vasilyevna Chashchina
Vyatka State University
Musical rhythmology: to the problem of genesis of contemporary views
16.30
Nina Yurievna Afonina
St. Petersburg Rimsky-Korsakov State Conservatory
Time, chaos, rhythm. Paradoxical qualities of rhythm of the musical form
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15.00
Simon Desbruslais
Oxford University (UK)
The Western Reception of Sergei Taneyev
15.30
Mark John McFarland
Georgia State University (Atlanta, USA)
Stravinsky as Analyst: The Firebird and Petrushka
16.00
Simon Perry
University of Queensland (Australia)
Early twentieth-century Russian musical science: A reappraisal for contemporary scholarship, especially that outside Russia
16.30
Lyudmila Pavlovna Kazantseva
Astrakhan State Conservatory
Stylistic features of Russian music in the work of Western-European composers
17.00
Irina Arnoldovna Skvortsova
Moscow P.I. Tchaikovsky Conservatory
Master-class: Art nouveau as a complex phenomenon in Russian music of the turn of the 19th century
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October 1, Tuesday
St. Petersburg Rimsky-Korsakov State Conservatory
3 Teatralnaya Square
10.00–12.30
Sessions:
1. Session “Musical education”. Auditorium 44 (4th Floor)
Chair — Daniel Vladimirovich Shutko
2. Session “Source study for music theory”. Auditorium 9 (Conference Hall)
Chair — Zivar Makhmudovna Gusseinova
3. Session “Motive and gesture in multiple of contexts”. Auditorium 60 (4th Floor)
Chair — Tatyana Vladimirovna Tsaregradskaya
12.30–13.00 Coffee break. Auditorium 44
13.00 Auditorium 9 (Conference Hall)
Tatyana Segreyevna Bershadskaya
St. Petersburg Rimsky-Korsakov State Conservatory
Keynote speech: The view of theorists of Leningrad and St. Petersburg of pitch structure
Presentation of the New Publications by the St. Petersburg Rimsky-Korsakov State Conservatory
14.00–15.00 Lunch
15.00–17.15
Sessions:
1. Session “Questions of meaning and content of music”. Auditorium 60 (4th Floor)
Chair — Valentina Nikolayevna Kholopova
2. Session “Methods and perspectives of music theory”. Auditorium 44 (4th Floor)
Chair — Vadim Robertovich Dulat-Aleyev
3. Session “Perspectives of musical education”. Auditorium 9 (Conference Hall)
Chair — Yekaterina Mikhailovna Tsareva
17.15–17.30 Coffee break
17.30
Concert-presentation. Glazunov Hall
Ensemble of Old-Russian singing “Klyuch razumeniya”, led by Natalya Viktorovna Mosyagina
Folklore ensemble of the St. Petersburg Rimsky-Korsakov State Conservatory, led by Galina Vladimirovna Lobkova
19.00 Meeting at the dinner
October 1, Tuesday. 10.00–12.30
St. Petersburg Rimsky-Korsakov State Conservatory
Session “Musical education”
Chair — Daniel Vladimirovich Shutko
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Session “Source study for music theory”
Chair — Zivar Makhmudovna Gusseinova
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Session “Motive and gesture in multiple contexts”
Chair — Tatyana Vladimirovna Tsaregradskaya
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10.00
Yelena Borisovna Zhurova
Moscow Rubinstein Childrenʼs School of Arts
Master-class: Integration of theory of musical content into curriculum of Children’s Schools of Arts as the way to reform the early musical training
10.45
Aelita Vladimirovna Guseva
St. Petersburg Rimsky-Korsakov State Conservatory
Music theory for performers — what is it?
11.15
Raisa Nikolayevna Slonimskaya
St. Petersburg State University of Culture and Arts,
Herzen State Pedagogical University of Russia (St. Petersburg)
The theory of musical pedagogy: the formulation of the problem
11.45
Larisa Nikolayevna Trubnikova
National University “Yaroslav the Wise Law Academy of Ukraine” (Kharkiv, Ukraine)
Solfege and jazz (or “Quo Vadis?”)
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11.00
Zivar Makhmudovna Gusseinova
St. Petersburg Rimsky-Korsakov State Conservatory
Terminology of music theory of the mediaeval Rus
11.30
Al’bina Vitalyevna Boyarkina
St. Petersburg State University
The tradition of Russian translations of the theory treatises in figured bass (1773–1849)
12.00
Irina Petrovna Susidko
Gnesins Russian Academy of Music
Elementi teorico-pratici di musica (1796) by Francesco Galeazzi in the context of European music theory
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10.00
Igor Yefimovich Rogalev
St. Petersburg Rimsky-Korsakov State Conservatory
Theatricality in Beethoven
10.30
Alison Sanders McFarland
Louisiana State University (USA)
Motivic development in the Renaissance: Cristóbal de Morales
11.00
Yevgeniya Ivanovna Chigareva
Moscow P.I. Tchaikovsky Conservatory
The musical category of motive in the organization of a literary work
11.30
Larisa Dmiriyevna Pylayeva
Perm State Humanitarian Pedagogical University
Danse de charatère in the interpretation of music theorists in France in 17th through first half of the 18th centuries
12.00
Tatyana Vladimirovna Tsaregradskaya
Gnesins Russian Academy of Music
Brian Ferneyhough as theorist: the concept of musical gesture
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October 1, Tuesday. 15.00–17.15
St. Petersburg Rimsky-Korsakov State Conservatory
Session “Questions of meaning and content of music”
Chair — Valentina Nikolayevna Kholopova
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Session “Methods and perspectives of music theory”
Chair — Vadim Robertovich Dulat-Aleyev
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Session “Perspectives of musical education”
Chair — Yekaterina Mikhailovna Tsareva
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15.00
Valentina Pavlovna Shirokova
St. Petersburg Rimsky-Korsakov State Conservatory
On lightness. To the problems of aesthetic constants in music of the 18th century
15.30
Natalia Alexandrovna Ganina
Moscow Lomonosov State University
Rimma Leonidovna Pospelova
Moscow P.I. Tchaikovsky Conservatory
Content and meaning interaction of words and music in Halberstadt Lament of Mother of God
16.00
Olga Valdimirovna Shmakova
Volgograd Serebryakov Conservatory
Finality as a content phenomenon in music
16.30
Irina Ivanovna Snitkova
Gnesins Russian Academy of Music
The world view imprinted in musical structure (conceptual-structural paradigms of contemporary music)
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15.00
Ivanka Stoianova
University of Paris VIII (France)
Composers-lead theoretical research in IRCAM: toward the reassessment of musicology in the 21st century
15.30
Vadim Robertovich Dulat-Aleyev
Kazan Zhiganov Conservatory
Contemporary music theory: the problems and perspectives of disciplinary matrix
16.00
Tatyana Gerasimovna Mdivani
National Academy of Sciences of Belarus
Music theory faced with the processes of globalization (new intentions in academic music)
16.30
Mikhail Yevgenyevich Pylayev
Perm State Humanitarian Pedagogical University
Carl Dahlhaus’ methodological pluralism in interpretations of history of European music theory
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15.00
Maia Izyaslavovna Shinkareva
Gnesins Russian Academy of Music
Cognitive status of contemporary musicology: from the objectal sphere to the metadisciplines
15.30
Valentina Nikolayevna Bogolepova
Yekaterinburg Gavrilin Childrenʼs Music School № 10
Forming of the skills of intonational analysis in the lessons in musical literature at the Children’s Schools of Arts
16.00
Yekaterina Mikhailovina Tsareva
Moscow P.I. Tchaikovsky Conservatory
Master-class: History of music in the pedagogic process
16.45
Yefim Genokhovich Yoffe
Levinsky College of Education
(Tel Aviv, Israel)
Solfege in the multicultural educational space of Israel
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October 2, Wednesday
St. Petersburg State University
10.00–12.30
Sessions:
1. Session “Aspects of musical form”. 11 University Embankment, auditorium 198
Chair — Olga Vladimirovna Loseva
2. Session “Analytical techniques”. Embankment of Leutenant Smidt, auditorium 309
Chair — Ildar Damirovich Khannanov
3. Session “Theories and concepts of modus, tonality and mode”. 11 University Embankment, auditorium 191
Chair — Bella Brover-Lubovsky
4. Session “The problems of theory of polyphony”. 9th Line of Vasilevsky Island, auditorium 120
Chair — Anatoly Pavlovich Milka
12.30–13.00 Coffee break
13.00 7-9 University Embankment, Assembly Hall
Valentina Nikolayevna Kholopova
Moscow P.I. Tchaikovsky Conservatory
Keynote speech: Theories of musical content, musical hermeneutic and musical semantics: similarities and differences
14.00–15.00 Lunch
15.00–17.15
Sessions:
1. Session “Pitch structure”. 11 University Embankment, auditorium 191
Chair — Philip Ewell
2. Session “Music theory and musical performance”. 7-9 University Embankment, Assembly Hall
Chair — Alexander Zinovyevich Bonduryansky
3. Session “Problems of theoretical music methodology”. 11 University Embankment, auditorium 198
Chair — Konstantin Vladimirovich Zenkin
17.15–17.30 Coffee break
17.30
Roundtable on interdisciplinary problems. 7-9 University Embankment, Assembly Hall
Presiding: Alexander Sergeyevich Sokolov, Konstantin Vladimirovich Zenkin,
Alexey Anatolyevich Panov, Valentina Nikolayevna Kholopova, Ildar Damirovich Khannanov,
Tatyana Sergeyevna Bershadskaya, Kirill Vladimirovich Kopeikin.
Presentations: Andrey Anatolyevich Grib, Marina Nikolayevna Tsvetayeva, Igor Sergeyevich Dmitriev,
Svetlana Vitalyevna Lavrova, Mikhail Borisovich Mensky, Grigory Brisovich Gutner et al.
19.45
Closing of the Congress. 7-9 University Embankment, Assembly Hall
October 2, Wednesday. 10.00–12.30
St. Petersburg State University
Session “Aspects of musical form”
Chair — Olga Vladimirovna Loseva
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Session “Analytical techniques”
Chair — Ildar Damirovich Khannanov
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Session “Theories and concepts of modus, tonality and mode”
Chair — Bella Brover-Lubovsky
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Session “The problems of theory of polyphony”
Chair — Anatoly Pavlovich Milka
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10.00
Tatyana Yuryevna Chernova
Moscow P.I. Tchaikovsky Conservatory
On genre aspect of musical form
10.30
Anna Amrakhovna Amrakhova
Edition of Journal “Musiqi Dünyasi” (“The World of Music”, Baku, Azerbaijan)
A cognitive view on the form-building in contemporary music
11.00
Marina Radoslavovna Chernaya
Herzen State Pedagogical University of Russia (St. Petersburg)
Polyphonic genres in Mozart’s music for clavier: traditional and specific
11.30
Lyudmila Vladimirovna Shapovalova
Kharkiv State Kotlyarevsky University of Arts (Ukraine)
Spiritual reality of the musical work and cognitive methods of its comprehension
12.00
Olga Parfenovna Savitskaya
Belarusian State Academy of Music (Minsk, Belarus)
François Couperin’s Trio-Sonatas as the genre-stylistic phenomenon of the instrumental music of Baroque
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10.00
Rafael Almario
Florida State University (USA)
Structural dominants in Bach’s solo violin and cello works: performance and analysis
10.30
Dimitar Ninov
Texas State University (Brownsville, USA)
The Craft of Harmonization
11.00
Daniel Vladimirovich Shutko
St. Petersburg Rimsky-Korsakov State Conservatory
Intermittent functions: text, language, mode
11.30
Michael Palmese
University of Miami (USA)
Acoustic Dragon Curve II: The Presence of Fractal Geometry in Phrygian Gates
12.00
Yekaterina Olegovna Kuprovskaya-Denisova
Association of Friends Edison Denisov
The phenomenon of oversaturation as a musical concept. On the newest tendencies of French compositional school
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10.00
Bella Brover-Lubovsky
Jerusalem Academy of Music and Dance, Hebrew University (Jerusalem, Israel)
Concepts of Modal dualism in North-Italian Musical Thought from Aron to Tartini
10.30
Grigory Ivanovich Lyzhov
Moscow P.I. Tchaikovsky Conservatory
Two interpretations of the distinction between the “authentic” and the “plagal” according to a scheme of Michael Praetorius
11.00
Yelena Pavlovna Osipova
Turkmen National Conservatory (Ashgabat, Turkmenistan)
Modal structure of Turkmen folk tyiduk music
11.30
Ndubuisi Emmanuel Nnamani
University of Cambridge (UK)
“Igede-bell bass” — Theorizing tonal-rhythmic patterning and structural catalyst in Okechukwu Ndubuisi’s piano style
12.00
Lyudmila Sergeyevna Dyachkova
Gnesins Russian Academy of Music
The notion of tonality and the concepts of tonic in music on the example from Yuri Kasparov’s Cycle of miniatures Picasso’s Symbols (2003)
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10.00
Suzanne Kasyan
Paris Sorbonne University — Paris IV (France)
Towards the history of development of cyclic form, on the example of the masses of Okeghem
10.30
Kirill Vladimirovich Diskin
St. Petersburg Rimsky-Korsakov State Conservatory
The evolution of teaching of fugue in the Austro-German tradition of the 18thcentury: from Johann Josef Fux to Johann Georg Albrechtsberger
11.00
Alla Irmenovna Yankus
St. Petersburg Rimsky-Korsakov State Conservatory
Contrapuntal technique in the fugues of Wilhelm Friedemann and Phillip Emanuel Bach
11.30
Anatoly Pavlovich Milka
St. Petersburg Rimsky-Korsakov State Conservatory
Historic dark recesses of the double fugue
12.00
Kyralina Iosifovna Yuzhak
St. Petersburg Rimsky-Korsakov State Conservatory
To the question of absolute binarity of the fugue
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October 2, Wednesday. 15.00–17.15
St. Petersburg State University
Session “Pitch structure”
Chair — Philip Ewell
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Session “Music theory and musical performance”
Chair — Alexander Zinovyevich Bonduryansky
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Session “Problems of theoretical music methodology”
Chair — Konstantin Vladimirovich Zenkin
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15.00
Peter Anatolyevich Chernobrivets
St. Petersburg Rimsky-Korsakov State Conservatory
Pith relationship and the specificity of system building in the conditions of twenty-tone equal temperament
15.30
Franck Edrzejewski
University of Paris-Sud — Paris XI (France)
Towards a classification of microtonal modes and scales
16.00
Imina Gadzhievna Aliyeva
Baku Hajibeyov Academy of Music (Azerbaijan)
To the question of pitch zone
16.30
Philip Ewell
Hunter College (New York, USA)
What was the intention of Babbitt and Forte? American set theory in perspective
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15.00
Alexander Zinovyevich Bonduryansky
Moscow P.I. Tchaikovsky Conservatory
Master-class: Evolution of the means of expression of performance in the context of stylistic and genre feature of the composition (with the practical demonstration by students)
15.45
Ivan Vasilyevich Rozanov
St. Petersburg Rimsky-Korsakov State Conservatory
St. Petersburg State University
Alexey Anatolyevich Panov
St. Petersburg State University
The theory of tactus in Baroque and its reelection in performing practice
16.15
Vladimir Petrovich Chinayev
Moscow P.I. Tchaikovsky Conservatory
Master-class: Traditions of Russian performing school. Its current problems and its theoretical interpretation
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15.00
Andrey Vladimirovich Denisov
Herzen State Pedagogical University of Russia (St. Petersburg)
St. Petersburg Rimsky-Korsakov State Conservatory
Master-class: Mathematical methods in music theory — heuristic possibilities and perspectives
15.45
Ildar Damirovich Khannanov
Peabody Conservatory of Music, Johns Hopkins University (Baltimore, USA)
Master-class: Contemporary western music theory: in quest of new paths in both traditional and interdisciplinary directions
16.30
Konstantin Vladimirovich Zenkin
Moscow P.I. Tchaikovsky Conservatory
Master-class: Toward the problem of scientificity of theoretical music methodology
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Organizing Committee
Committee Chairman
Alexander Sokolov, Dr. Habil., Professor, Rector, Moscow P.I. Tchaikovsky Conservatory;
Chairman of the Council, Society for Theory of Music
Deputy Committee Chairman
Konstantin Zenkin, Dr. Habil., Professor, Vice-Rector, Moscow P.I. Tchaikovsky Conservatory;
Member of the Council, Treasurer, Society for Theory of Music
Congress Organizers
Mikhail Gantvarg, Professor, Rector, St. Petersburg Rimsky-Korsakov State Conservatory
Natalia Degtyareva, Dr. Habil., Professor, Vice-Rector, St. Petersburg Rimsky-Korsakov State Conservatory
Alexei Panov, Dr. Habil., Professor, Vice-Dean, Faculty of Arts, St. Petersburg State University;
Member of the Council, Society for Theory of Music
Valentina Kholopova, Dr. Habil., Professor, Moscow P.I. Tchaikovsky Conservatory;
Chairman of the Scientific Committee, Society for Theory of Music
Ildar Khannanov, Ph. D., Professor, Peabody Conservatory of Music, Johns Hopkins University (USA);
Vice-Chairman of the Scientific Committee, Society for Theory of Music
Olga Loseva, Dr. Habil., Associate Professor, Moscow P.I. Tchaikovsky Conservatory;
Member of the Council, Chief Editor of the Journal of the Society for Theory of Music
Marina Karaseva, Dr. Habil., Professor, Moscow P.I. Tchaikovsky Conservatory;
Member of the Scientific Committee, Society for Theory of Music
Pyotr Chernobrivets, Ph. D., Associate Professor, St. Petersburg Rimsky-Korsakov State Conservatory
Daniel Shutko, Ph. D., Senior lecturer, St. Petersburg Rimsky-Korsakov State Conservatory
Albina Boyarkina, Ph. D., Associate Professor, Director of the Center for musical lexicography and diachronous translation, Faculty of Arts, St. Petersburg State University
Yelena Tokun, Ph. D., research scientist, Moscow P.I. Tchaikovsky Conservatory
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