From a bibliography of Literary Theory, Criticism and Philology

_____. "Auden's Jeremiad: Another Time and Exile from the Just City." Miscelánea 20 (1999): 303-28.*

Murray, Les. See English authors.

Murray, Linda, and Peter Murray. Diccionario de Arte y Artistas. Barcelona: Perramón, 1978.

Murray, Peter, and Linda Murray. Diccionario de Arte y Artistas. Barcelona: Perramón, 1978.

Murray, Peter B. (Macalester College, St. Paul, Minnesota). A Study of Cyril Tourneur.

_____. A Study of Cyril Tourneur. Philadelphia: U of Pennsylvania P, 1964.

_____. A Study of John Webster. The Hague and Paris: Mouton, 1969.

_____. Thomas Kyd. (Twayne's English Authors Series, 88). New York: Twayne, 1969.

_____. Shakespeare's Imagined Persons: The Psychology of Role-Playing and Acting. Houndmills: Macmillan, 1996.

Musabac, Jane. Melville's Humor: A Critical Study. Hamden (CT): Archon Books, 1981.

Myers, John, and Simon Grennan. "Dispossession: Time, Motion and Depictive Regimes." In Transforming Anthony Trollope: Dispossession, Victorianism, and Nineteenth-Century Word and Image. Ed. Simon Grennan and Laurence Grove. (Studies in European Comics and Graphic Novels, 4). Leuven: Leuven UP, 2015.

Myers, Henry Alonzo. Tragedy: A View of Life. Ithaca (NY), 1956.

Myers, Rachel. "Vladimir Nabokov: Time, Death, Memory and the Dialectic." M.A. diss. Claremont Graduate School, 1995.

Nabokov, Vladimir. See English authors.

Nadaner, D. "Intervention and Irony." Vanguard 13 (Sept. 1984): 13-14.

Nadler, Paul. "Pastoral Elements in John Bull's Other Island." Modern Drama 38.4 (Winter 1995): 520-24.*

Nairn, Thom. (Edinburgh U).The Break Up of Britain. (Nationalism).

_____. "Three (Whole) Books of Poetry." Rev. of Old Negatives, by Alasdair Gray. Chapman 60 (1990): 96-7.

_____, managing ed. Cencrastus.

Nairn, Thom, and Robert Crawford, eds. The Arts of Alasdair Gray. Edinburgh: Edinburgh UP, 1991.*

Nannicelli, Ted. "11. Screenplays." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Narbeshuber, Lisa. "18. Visual Arts." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 183-92.*

Narey, Wayne. "Poetry Explication ("Counting the Beats")." Arkansas State University.

http://www.clt.astate.edu/wnarey/Poetry%20and%20Drama%20Class%20Files/poetry_explication.htm

2011

Nathan, D. O. "Irony and the Artist's Intentions." British Journal of Aesthetics 22.3 (Summer 1982): 245-56.

Natov, Roni. The Poetics of Childhood. New York: Routledge, 2003.

Navarrete, Susan J. (U of North Carolina, Chapel Hill). "The Soul of the Plot: The Aesthetics of Fin de Siècle Literature of Horror." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 88-114.*

Nelson, Beth George. George Crabbe and the Progress of Eighteenth-Century Narrative Verse. Cranbury (NJ): Bucknell UP, 1976.

Nester, Robbi L. Kellman. "Doubling and Discovery: Vladimir Nabokov's Literary Games." Ph.D. diss. U of California, Irvine, 1993.

Nestrick, William. "Coming to Life: Frankenstein and the Nature of Film Narrative." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 290-315.*

New, Christopher. "What Is Literature? Clearing the Ground." "What Is Literature? Definitions and Resemblances." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 1-18, 19-38.*

_____. "Fiction." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 39-52.*

_____. "Psychological Reactions to Fiction." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 53-68.*

_____. "Imagination." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 69-80.*

_____. "Metaphor." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 81-95.*

_____. "Interpretation and Intention." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 96-107.*

_____. "Literature, Truth, and Morality." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 108-23.*

_____. "Literary Appraisals." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 124-37.*

New, Elisa. The Regenerate Lyric: Theology and Innovation in American Poetry. (Cambridge Studies in American Literature and Culture, 64). Cambridge: Cambridge UP, 1993.

_____. The Line's Eye: Poetic Experience, American Sight. Cambridge (MA): Harvard UP, 1998.*

New, Peter. George Crabbe's Poetry. New York: St. Martin's, 1976.

Newberry, Frederick. "'The Artist of the Beautiful': Crossing the Transcendent Divide in Hawthorne's Fiction." Nineteenth-Century Literature 50.1 (1995).*

Newhall, Beaumont. The History of Photography from 1839 to the Present. New York: Museum of Modern Art, 1982.

Newman, Charles. The Post-Modern Aura: The Act of Fiction in an Age of Inflation. Evanston (IL): Northwestern UP, 1985.

_____, ed. TriQuaterly 17 (Winter 1970): For Vladimir Nabokov on his Seventieth Birthday.

_____, ed. The Art of Sylvia Plath. A Symposium. Bloomington: Indiana UP, 1970.

Newman, Charles, and Mary Kinzie, eds. Prose for Borges. Evanston (IL): Northwestern UP, 1974.

Newman, Charles, and Alfred Appel, Jr., eds. Triquarterly 17 (Nabokov Special Issue, 1970). Rpt. as Nabokov: Criticism, Reminiscences, Translations, and Tributes. Evanston [Ill.] Northwestern University Press, 1970.

Newman, M. "Irony and the Amazonians: Post-Modernism in the Media Jungle." Art Monthly 61 (1982): 30-32.

Newman, Michael. "Revising Modernism, Representing Postmodernism: Critical Discourses of the Visual Arts." ICA Documents 4: Postmodernism. London, 1986. 32=51.

Newsom, Robert. "Fear of Fictions." Narrative 2.2: 140-151.*

_____. "Doing Duality Once More." Narrative 2.2: 159-162.*

Nickevic, Sanja. "British Brutalism, the 'New European Drama', and the Role of the Director." New Theatre Quarterly 21.3: 255-72.

Nicolson, Benedict. Joseph Wright of Derby: Painter of Light. 1968.

Niesz, Anthony J., and Norman N. Holland. "Interactive Fiction." Critical Inquiry 11 (1984).

Nightingale, Benedict. Review of Not I. New Statesman (23 January 1973): 135-136. Rpt. in Graver and Federman 329-333.

_____. Review of That Time and Footfalls. New Statesman (28 May 1976): 723. Rpt. in Graver and Federman 346-348.

_____. "Harold Pinter / Politics." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 129-54.*

_____. "For the Macbeths, Marriage Is Murder." New York Times 1 May, section H: 5, 38.

_____. "Christopher Fry, Playwright, Dies at 97." New York Times 5 July 2005.

http://theater.nytimes.com/2005/07/05/theater/05fry.html?pagewanted=1&_r=0

2012

Nikolajeva, Maria. Children's Literature Comes of Age: Toward a New Aesthetic. Garland Publishing, 1996.

Nodelman, Perry. The Hidden Adult: Defining Children's Literature. Baltimore: Johns Hopkins UP, 2008.

Nooter, Sarah, Richard Strier, Rosanna Warren, and Srikanth Reddy, "Poetics Across the Disciplines." Video panel, U of Chicago (19 Oct. 2013). YouTube (UChicago Division of the Humanities) 3 Feb. 2014.* (On Herbert's poem 'Death').

https://youtu.be/RHa4HqfWv0o

2016

Northam, J. R. Ibsen's Dramatic Method. Faber, 1953.

Nutt, Joe. (City of London School). John Donne: The Poems. (Analysing Texts). Houndmills: Macmillan: New York: St. Martin's, 1999.*

_____. An Introduction to Shakespeare's Late Plays. Basingstoke: Palgrave Macmillan, 2002.

O'Rourke, William. "Morphological Metaphors for the Short Story: Matters of Production, Reproduction, and Consumption." In Short Story Theory at the Crossroads. Ed. Susan Lohafer and Jo Ellyn Clarey. Baton Rouge: Louisiana State UP, 1989. 193-205.

Obaldia, Claire de. The Essayistic Spirit: Literature, Modern Criticism, and the Essay. Oxford: Clarendon Press, 1996.

Occhiogrosso, Frank. "'Give Me Thy Hand': Manual Gesture in the Elliott-Olivier King Lear." Shakespeare Bulletin 2.9 (1984): 16-19.

Olsen, Stein Haugom. See New Criticism.

Olson, Kirby.  Comedy After Postmodernism: Rereading Comedy from Edward Lear to Charles Willeford.  Lubbock: Texas Tech University Press, 2001.

Onnen, Frank. Enciclopedia de la música. Madrid: Afrodisio Aguado, 1967.

Orbison, Tucker. "The Stone and the Oak: Olivier's TV Film of King Lear." CEA Critic 47 (1984): 67-77.

Ormerod, David. "A Midsummer Night's Dream: The Monster in the Labyrinth." Shakespeare Studies 11 (1978): 39-52.

_____. "Doorway and Windowframe: Aestheticism and the Iconography of Bennett's Anna of the Five Towns." English Studies 78.2 (March 1997): 127-129.*

Osborne, Laurie E. "The Texts of Twelfth Night." ELH (Spring 1990): 37-61.

_____. "Female Audiences and Female Authority in The Knight of the Burning Pestle." Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 3 (1991): 491-517.

_____. "Crisis of Degree in Shakespeare's Henriad." Studies in English Literature 1500-1900 25: 337-59.

_____. "Poetry in Motion: Animating Shakespeare." In Shakespeare, the Movie: Popularizing the Plays on Film, TV and Video. Ed. Lynda E. Boose and Richard Burt. London: Routledge, 1997. 1999. 103-20.* (Shakespeare: The Animated Tales).

_____. "Romancing the Bard." In Shakespeare and Appropriation. Ed. Christy Desmet and Robert Sawyer. London: Routledge, 1999. 47-64.*

_____. "Mixing Media and Animating Shakespeare Tales." In Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. Ed. Richard Burt and Lynda E. Boose. New York and London: Routledge, 2003. 140-53.*

Oser, Lee. T. S. Eliot and American Poetry. U of Missouri P-Eurospan, 1998.

Otto, Eric. "Rhetoric's Inherent Contradictions: John Donne's "The Sun Rising" Ampersand 3.1 (Fall 1999).

http://itech.fgcu.edu/&/issues/vol3/issue1/rhetoric.htm

2008