CONTENTS □ vii
Becoming-woman, becoming-child, becoming-animal,
becoming-molecular: zones of proximity—Becoming
imperceptible—The secret—Majority, minority, minoritarian—The
minoritarian character and dissymmetry of becoming: double
becoming—Point and line, memory and becoming—Becoming and
block—The opposition between punctual systems and multilinear
systems—Music, painting, and becomings—The refrain—Theorems
of deterritorialization continued—Becoming versus imitation
11. 1837: Of the Refrain
310
In the dark, at home, toward the world—Milieus and rhythm—The
placard and the territory—Expression as style: rhythmic faces,
melodic landscapes—Bird song—Territoriality, assemblages, and
interassemblages—The territory and the earth, the Natal—The prob-
lem of consistency—Machinic assemblage and abstract machine—
Classicism and milieus—Romanticism, the territory, the earth, and
the people—Modern art and the cosmos—Form and substance, forces
and material—Music and refrains; the great and the small refrain
12. 1227: Treatise on Nomadology:—The War Machine
351
The two poles of the State—The irreducibility and exteriority of the
war machine—The man of war—Minor and major: the minor
sciences—The body and esprit de corps—Thought, the State, and
nomadology—First aspect: the war machine and nomad space—
Second aspect: the war machine and the composition of people, the
nomad number—Third aspect: the war machine and nomad affects
—Free action and work—The nature of assemblages: tools and signs,
arms and jewelry—Metallurgy, itinerancy, and nomadism—The
machinic phylum and technological lineages—Smooth space, stri-
ated space, holey space—The war machine and war: the complexities
of the relation
13. 7000 B.C.: Apparatus of Capture
424
The paleolithic State—Primitive groups, towns, States, and world-
wide organizations—Anticipate, ward off—The meaning of the word
"last" (marginalism)—Exchange and stock—Capture: landownership
(rent), fiscal organization (taxation), public works (profit)—The prob-
lem of violence—The forms of the State and the three ages of Law—
Capitalism and the State—Subjection and enslavement—Issues in
axiomatics
14. 1440: The Smooth and the Striated
474
The technological model (textile)—The musical model—The mari-
viii □ CONTENTS
time model—The mathematical model (multiplicities)—The physi-
cal model—The aesthetic model (nomad art)
15. Conclusion: Concrete Rules and Abstract Machines
501
Notes
517
Bibliography (compiled by Brian Massumi)
579
Index
587
List of Illustrations
611
Translator's Foreword:
Pleasures of Philosophy
Brian Massumi
This is a book that speaks of many things, of ticks and quilts and fuzzy sub-
sets and noology and political economy. It is difficult to know how to
approach it. What do you do with a book that dedicates an entire chapter to
music and animal behavior—and then claims that it isn't a chapter? That
presents itself as a network of "plateaus" that are precisely dated, but can
be read in any order? That deploys a complex technical vocabulary drawn
from a wide range of disciplines in the sciences, mathematics, and the
humanities, but whose authors recommend that you read it as you would
listen to a record?
1
"Philosophy, nothing but philosophy."
2
Of a bastard line.
The annals of official philosophy are populated by "bureaucrats of pure
reason" who speak in "the shadow of the despot" and are in historical com-
plicity with the State.
3
They invent "a properly spiritual... absolute State that
... effectively functions in the mind." Theirs is the discourse of sovereign
judgment, of stable subjectivity legislated by "good" sense, of rocklike iden-
tity, "universal" truth, and (white male) justice. "Thus the exercise of their
thought is in conformity with the aims of the real State, with the dominant sig-
nifications, and with the requirements of the established order."
4
Gilles Deleuze was schooled in that philosophy. The titles of his earliest
x
□ TRANSLATOR'S FOREWORD
books read like a Who's Who of philosophical giants. "What got me by dur-
ing that period was conceiving of the history of philosophy as a kind of
ass-fuck, or, what amounts to the same thing, an immaculate conception.
I imagined myself approaching an author from behind and giving him a child
that would indeed be his but would nonetheless be monstrous."
5
Hegel is
absent, being too despicable to merit even a mutant offspring.
6
To Kant he
dedicated an affectionate study of "an enemy." Yet much of positive value
came of Deleuze's flirtation with the greats. He discovered an orphan line of
thinkers who were tied by no direct descendance but were united in their
opposition to the State philosophy that would nevertheless accord them
minor positions in its canon. Between Lucretius, Hume, Spinoza,
Nietzsche, and Bergson there exists a "secret link constituted by the critique
of negativity, the cultivation of joy, the hatred of interiority, the exteriority of
forces and relations, the denunciation of power."
7
Deleuze's first major
statements written in his own voice, Difference et repetition (1968) and
Logique du sens (1969), cross-fertilized that line of "nomad" thought with
contemporary theory. The ferment of the student-worker revolt of May 1968
and the reassessment it prompted of the role of the intellectual in society
8
led
him to disclaim the "ponderous academic apparatus"
9
still in evidence in
those works. However, many elements of the "philosophy of difference" they
elaborated were transfused into a continuing collaboration, of which A
Thousand Plateaus is the most recent product.
Felix Guattari is a practicing psychoanalyst and lifelong political activ-
ist. He has worked since the mid-1950s at La Borde, an experimental psy-
chiatric clinic founded by Lacanian analyst Jean Oury. Guattari himself
was among Lacan's earliest trainees, and although he never severed his ties
with Lacan's Freudian School the group therapy practiced at La Borde
took him in a very different direction. The aim at La Borde was to abolish
the hierarchy between doctor and patient in favor of an interactive group
dynamic that would bring the experiences of both to full expression in such
a way as to produce a collective critique of the power relations in society as
a whole. "The central perspective is... to promote human relations that do
not automatically fall into roles or stereotypes but open onto fundamental
relations of a metaphysical kind that bring out the most radical and basic
alienations of madness or neurosis"
10
and channel them into revolutionary
practice. Guattari collaborated beginning in 1960 on group projects dedi-
cated to developing this radical "institutional psychotherapy,"
11
and later
entered an uneasy alliance with the international antipsychiatry move-
ment spearheaded by R.D. Laing in England and Franco Basaglia in Italy.
12
As Lacanian schools of psychoanalysis gained ground against psychiatry,
the contractual Oedipal relationship between the analyst and the transfer-
ence-bound analysand became as much of a target for Guattari as the legal
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