14
Japanese Book News
Number 17
MIND AND BODY
Kokoro to karada [Mind and Body].
Itsuki Hiroyuki. Shûeisha, 1996.
195\134 mm. 206 pp. ¥1,200. ISBN
4-08-774198-2.
This author (b. 1932), a well-known
novelist with a number of bestsellers
to his credit, including Seishun no
mon [The Gate of Youth] and
Rennyo: Ware fukaki fuchi yori [The
Monk Rennyo: Up from the Abyss]
(see Japanese Book News, Vol. 12, p.
16), has not been to see a doctor in
the entire fifty-year postwar period.
Not that he is in especially robust
health. On the contrary, he suffers
from an array of chronic ailments,
from ulcers and migraines to heart
spasms. “Weaker than most people,”
he admits, “I am perpetually in and
out of bed.”
Even so, he has made it to his mid-
sixties without rushing off to the
doctor, as many do, at the slightest
twinge. He attributes this condition
less to good luck than to his singular
attitude toward sickness, a stoic phi-
losophy by which, rather than trying
to treat an illness, he comes to terms
with it and gets on with life. He notes
his debt to Buddhist, Taoist, and
other teachings in the development
and refinement of this personal creed.
This essay collection brings to-
gether the author’s unique experi-
ences living in accordance with his
instinct to “live as I am, and die
when I die.” A thought-provoking
challenge to contemporary medicine
and conventional attitudes toward
health.
Shinkeishô no jidai [The Age of
Neurosis]. Watanabe Toshio. TBS
Britannica, 1996. 193\35 mm. 234
pp. ¥1,500. ISBN 4-484-96210-1.
The method of psychotherapy known
as Morita therapy is named after its
founder Morita Masatake (1874–
1938). Though not entirely approved
in Morita’s time by the psychiatric
establishment, which then had its
roots in German medicine, Morita
therapy has nonetheless been prac-
ticed to the present day by some of
his students and adherents as an ef-
fective treatment for neurosis.
This book examines both the ideas
of Morita and the man himself. In
Morita’s view, people remain subject
to anxiety and fear for as long as they
live. Every person experiences these
feelings to some degree precisely be-
cause they represent the strength of
the desire to live. Neurotics, how-
ever, feel them with particular inten-
sity and fall into a vicious circle
whereby, attempting to escape such
unpleasantness, they are beset with
further anxiety and fear. The essence
of Morita therapy is that if one ac-
cepts one’s anxieties and fears as
they are, and furthermore exercises
the mind and body freely in accor-
dance with the desire to live, one can
free oneself from oppressive anguish.
More than a biography of one psy-
chotherapist, this book offers lessons
on life-enrichment that are especially
valuable in today’s high-stress so-
ciety.
Tensai no tanjô: Aruiwa Minakata
Kumagusu no ningengaku [Mina-
kata Kumagusu: The Birth of a Ge-
nius]. Kondô Toshifumi. Iwanami
Shoten, 1996. 194\132 mm. 238 pp.
¥2,400. ISBN 4-00-002710-7.
Minakata Kumagusu (1867–1941)
was a self-made intellectual giant
whose achievement cannot be fully
appreciated under the usual labels of
“biologist” or “folklorist.” Like many
geniuses, he was an enigmatic and
eccentric figure whose life in many
respects remains wrapped in mystery.
This book is an attempt to unravel
some of those mysteries of Mina-
kata’s attitude and behavior, such as
why he wrote tortuously in Japanese
but with decorum and clarity in En-
glish; why, just when he was begin-
ning to gain a reputation in London
as a scholar, he knowingly risked his
future by assaulting an Englishman at
the British Museum library; why he
never settled on a permanent job;
why he was given to bouts of
drinking; why he discoursed cease-
lessly on his dreams and visions; and
what lay behind his tremendous urge
to record the world and express him-
self almost to the point of graphor-
rhea. Through a combination of
extensive perusal of documents and
insights from the fields of psychology
and neuropathology, the author sug-
gests that the roots of Minakata’s
prodigious character lie in a kind of
epilepsy known as Geschwind’s syn-
drome. This discovery reveals hith-
erto unknown facets of Minakata’s
personality.
Less as an exercise in pathography
than as a study of human nature, this
is a penetrating and intellectually
stimulating work.
Cover design: Mimura Jun
Cover design: Mimura Jun
15
Japanese Book News
Number 17
SOCIETY AND CULTURE
Edo: Oi no bunka [Edo, Culture of
Age]. Tatsukawa Shôji. Chikuma
Shobô, 1996. 194\133 mm. 282 pp.
¥1,800. ISBN 4-480-81801-4.
In its combination of low economic
growth and an aging population, con-
temporary Japan closely resembles
Japan in the latter half of the Edo pe-
riod (1603–1868). Through an exam-
ination of various kinds of records
written by and about Edo people who
spent their elderly years in dignified
leisure, this work reappraises the
values placed on old age.
Whereas present-day Japan ad-
heres to a culture of youth, valuing
“young” qualities such as speed and
energy, Edo society was sustained by
a culture of age which located true
happiness in the later rather than the
earlier half of life. According to the
Edo ethos, the key to enjoying life to
the full in one’s senior years is saving
up during one’s youth. Edo ethics
thus frowned upon libertine ways—
smoking, drinking, extravagant
dining, licentiousness, the night
life—and preached instead such
virtues as industriousness, thrift,
health, and abstinence. This idea of
wholesomeness, of maintaining the
body to cultivate life to the full, was
more than a mere hope for long life;
it was the foundation of everyday life
and attitudes among the Edo popu-
lace.
The author, a university professor
who has probed the issues of sickness
and medicine from the perspective of
cultural history, sees in the wisdom
of the past important lessons for con-
temporary humanity.
Gohan tsû [Rice Connoisseurship].
Arashiyama Kôzaburô. Heibonsha,
1996. 195\131 mm. 198 pp. ¥1,300.
ISBN 4-582-82895-7.
For today’s well-fed Japanese, rice is
no longer quite the cherished item it
was in the past, especially when food
was scarce during and immediately
after World War II. Rice nonetheless
remains the staple of the Japanese
diet.
This volume is a collection of es-
says about rice. Drawing from dictio-
naries and other sources old and new,
he covers the world of rice cuisine
with elegant facility, discoursing on
proper cooking techniques and an
array of rice dishes, including
omusubi (pressed rice balls), kayu
(rice gruel), zôsui (rice and vegetable
soup), sushi, donburi (rice served
with flavored topping in a bowl),
chazuke (boiled rice doused with
tea), ajitsuke gohan (rice cooked with
savory vegetables and sauces), and
itame gohan (fried rice). What makes
the work much more than a recipe
book or a study of trivia is that the
author incorporates his personal ex-
perience and engaging views, be-
traying between the lines his
immeasureable love for rice.
Any writing about food that can
make the reader’s mouth water is fine
writing, but to achieve that effect in
an exposition not on sophisticated
delicacies but on such a common-
place food as rice takes rare skill.
This work offers a vivid insight into
the very heart of Japanese culinary
culture.
Kindai Nihon no media ibento
[Media Events of Modern Japan].
Tsuganezawa Toshihiro, ed.
Dôbunkan Shuppan, 1996. 215\151
mm. 368 pp. ¥3,900. ISBN 4-495-
86281-2.
As defined in this volume, a media
event is an event which a mass media
organization plans as a commercial
enterprise and magnifies through
media coverage, sales, and adver-
tising. This collection of articles is
the product of a joint study by fifteen
scholars of a hitherto unexplored
niche of media and journalism his-
tory.
In Japan’s early modern period,
newspaper companies sponsored var-
ious kinds of public events, including
sporting meets, expositions and exhi-
bitions, concerts, lectures, and social
welfare activities. While some of
these events were one-off oddities,
many became cultural traditions pre-
served even today, such as the na-
tional high-school baseball
championships, the Elysian goal of
every little-leaguer and the object of
frenzied national attention every
spring and summer. Like this tradi-
tion of high-school baseball, which
has developed for over seventy years
within an ethos of Spartanism and
groupism very different from that of
the game’s American origins, many
events sponsored by the media in
Japan have developed against a dis-
tinctly Japanese cultural milieu.
Supplemented by a useful chrono-
logical table, this is a unique work of
cultural history looking back on
Japan’s modern era through a ge-
nealogy of media-sponsored events.
Cover design: Minami Shimbô
Cover design: Kawasaki Gi’ichi