Impact Factor isra (India) = 344 Impact Factor isi

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Impact Factor ISRA (India) = 1.344

Impact Factor ISI (Dubai, UAE) = 0.829

based on International Citation Report (ICR)

Impact Factor GIF (Australia)     = 0.356

Impact Factor JIF                     = 1.500

Impact Factor SIS (USA)    = 0.912

Impact Factor РИНЦ (Russia) = 0.179

Impact Factor ESJI (KZ)          = 1.042

ISPC The Combination of Technology &

Education, Östersund, Sweden

230

SOI:

1.1/TAS

DOI:

10.15863/TAS

International Scientific Journal

Theoretical & Applied Science



p-ISSN: 2308-4944 (print)       e-ISSN: 2409-0085 (online)

Year: 2015          Issue: 04      Volume: 24

Published: 30.04.2015

http://T-Science.org

Aynura Niyaz Pashaeva

Institute of Literature

Azerbaijan National Academy of Sciences,

Baku, Azerbaijan

l-hasan@hotmail.com

SECTION 29. Literature. Folklore. Translation

Studies.

TO THE QUESTION ON THE RESEARCH OF MASTERSHIP

FEATURES IN ILYAS EFENDIEV’S DRAMAS

Abstract: In this scientific article have been researched the main moments of the mastership features in

dramas of famous person - Ilyas Efendiev.

Key words: Azerbaijan, example, Garabakh, play.

Language: English

Citation:

Pashaeva AN (2015) TO THE QUESTION ON THE RESEARCH OF MASTERSHIP FEATURES

IN ILYAS EFENDIEV’S DRAMAS. ISJ Theoretical & Applied Science 04 (24): 230-232.

Soi:

http://s-o-i.org/1.1/TAS*04(24)41

Doi:

http://dx.doi.org/10.15863/TAS.2015.04.24.41

Introduction

Ilyas Efendiev’s literary activities is attached

with its moral foundations to ancient Azerbaijan

literature, there is a spirit of mythical thinking, of

folk literature, of classic poets in his creative works.

His play named after «Song stayed in the mountains»

is the best art mastership features play. The internal

structure, the art scheme of dramatic works is

consisting dialogue, monologue and stage direction.

The stage direction has always been on the

introductory of the dramatic works. Or more that’s

seems the forest of Topkhana under clouds drawing

caravan to the east. In other play named after

«Khurshidbanu Natavan» the part of prologue is

begins that: «The governor of the Caucasian’s proper

house. The opening curtain in the wide room

Khurshidbanu and Mirza Ruhulla are looking at the

room in silence. Prince Khasay has rapidly come. He

stands in front of the Khurshidbanu».

Research methods and materials

In a tragedy of «Lord and his daughter» the part

of prologue is beginning that: «Shusha Tower.

Ibrahim khan’s residence. During conquest of Shusha

by Ağamahammad shah Ibrahim khan was running

after killed of Aghamahammad shah the Gladness for

İbrahim khan’s coming back to Shusha safe and

sound at last. Music. Young are dancing. The

daughter of khan Agabeyim madam and Saltanat

lady, Javad Khan’s sun Huseingulu khan, the sun of

Saday Shirkhan who the young commander of the

Garabakh rider is among them, too. Akhund

Mirmohsun is appeared at the top of the stage with

elegant white cloth white turban». The stage

direction in drama, first of all, was advised to the

collective of producer putting work on spectacle and

actors. In Shahnaz and Nijat’s dialogs we see

contradiction among of peasant and ruling classes.

Although Shahnaz loves Nijat, she wants to obey

Nijat 's will her gold and money and suggests him to

move other place. But Nijat didn’t satisfy with her,

because he prefers earning money with effort.

Majority of the monologues carries psychological

character. Speech of the each image helps opening of

the main of its character. In the «Khurshidbanu

Natavan» Natavan worked hardly for future of her

people. Natavan gave her life and love as a sacrifice

for her people, her country love is superpower than

private love. In other speech: «Language is our

national existence. Masters, as far as Azerbaijan

people live, Azerbaijani language will live with her

together! I see the day when Azerbaijan children

reading in mother languages Homer, Dante,

Shakespeare, Hote and Pushkin».

In the tragedy of «Lord and his daughter»

armenian Vanya's real purpose is given clearly in his

language: «Our religion, faith is one with Russian

monarch. However Turks are our enemy». The base

of each people language which first condition

considerable is public factor. Writers when writing

work of art necessary were appealed to national

language and which was counted basic word the

archaism, neologism, barbarism, dialecticism, jargon,

vulgarism and etc. Archaism – were obsolete words,

Impact Factor ISRA (India) = 1.344

Impact Factor ISI (Dubai, UAE) = 0.829

based on International Citation Report (ICR)

ISPC The Combination of Technology &

Education, Östersund, Sweden

231

were’nt use in modern language, it is said to difficult

words. Ancient lexical unique in the language, was

becoming old by historical, for years, for centuries

were happened in the life of the people public events,

it is the lawfull process was connected with cultural

events: «If you shake your head one pud, can’t you

shake your tongue three miskal?» («Song stayed in

mountains»). The word pud and miskal are ancient

measure unique. Barbarism was enriched the

language, was broadened the composition of langu-

age, these words were received from the languages of

another people. Each people always touched with

another

people,

were

became

political,

economical, cultural connections. There were

exchange of commodities, exchange of scientific and

technical information and exchange of views

between peoples. For example: «Musavat ministers

have surrendered the government to bolsheviks

yesterday», «Yes, comrade commissar, Shah’es lady

friend» («Song stayed in mountains»). At the same

time, writers used the dialect words thoroughly for

individualize the images, to increase emotion about

them.

And this are

welcomed by literary

communities and readers and are valued highly for

brought special simplicity, sweetness, artistry. İlyas

Efendiev also used from dialect words in his «Song

stayed in the mountains», «Khurshidbanu Natavan»,

«Lord and his daughter» in the speech of peasant.

This dialect words were belonged to Garabakh

dialecticisms.

Writer used enough from vulgar words and

expressions for individualize the negative characters,

denounced the old society, ignorance, spiritual

backwardness in their face. «They do foolishness.

Shahnaz is an educated, an open-hearted girl», «You

are stupid. Where from do you remember your old

grandmother?» («Song stayed in the mountains»).

One of the most common figurative expressions

is simile (metaphorical expression). Simile is in the

art works one thing or events are liked according

determined base stronger than its things and events.

«Your stature is tall as cypress», «My heart is

Savalan (Mount Savalan), my life is Savalan, too»

(«Khurshidbanu Natavan»). Metonymy is a figure of

speech in which a thing or concept is called not by its

own name but rather by the name of something

associated in meaning with that thing or concept.

«Surroundings are in silence» («Song stayed in the

mountains»), «Indeed, I would betray to

Azerbaijan!» («Lord and his daughter»). The contrast

is the one of the means of artistic expression, which

is difference between two or more entities. «We were

homeless in our homeland» («Song stayed in the

mountains»), «I am disappointed, because Azerbaijan

which give to the culture of the world such as

geniuses as Nizami Ganjavi, the Fuzuli, today stays

back until culture of the world» «Lord and his

daughter».

Conclusion

Hyperbole is

the

use

of exaggeration as

a rhetorical device or figure of speech. It may be

used to evoke strong feelings or to create a strong

impression, but is not meant to be taken literally.

«You are tiger of the aristocratic salons», « It seemed

to me that I can put the mountain on top of the

mountain for my homeland» («Khurshidbanu

Natavan»). Irony is used of words to express

something different from and often opposite to their

literal meaning. Ironies are the words are called

which expressed essence not directly, but indirectly.

Dramatic Irony is a situation in which a character, or

narrator, unconsciously reveals to the characters and

to the audience or reader some knowledge contrary

to the impression he or she wishes to make. «That is

Bahmanmirza’s grandson, Boyukbay’s sister stay

that bad day she is in love of boy servant?» («Song

stayed in the mountains»).

Inversion is an interchange of position of

adjacent objects in a sequence, especially a change in

normal word order, such as the placement of a verb

before its subject. Although it is a shortcoming in

grammar, but craftsman purposely makes inversion

for use impressive means. In present day literature it

is usually used for the purpose of laying emphasis

this literary device is more prevalent in poetry than

prose because it helps to arrange the poem in a

manner that catches the attention of the reader not

only with its content but also with its physical

appearance; a result of the peculiar structuring.

References:

Efendiev I (1984) Selected Works, Baku, 4

volumes, Yazichi.

Efendiev I (2005) Selected Works, Baku, 3

volumes, Avrasiya Press.

Ismailov Y (1995) İlyas Efendiev’s creative

way. Baku, Elm, 262 p.

Əfəndiyev Ə (1996) İlyas Əfəndiyev. Bakı:

İşıq, 224 p.

Impact Factor ISRA (India) = 1.344

Impact Factor ISI (Dubai, UAE) = 0.829

based on International Citation Report (ICR)

ISPC The Combination of Technology &

Education, Östersund, Sweden

232

(1999) Sən həmişə bizimləsən. Tahirli A Dilsuz

Bakı: Gənclik.

Əfəndiyev Ə (2000) İlyas Əfəndiyevin

yaradıcılığı. Bakı: Elm, 310 p.

(2002) Sənətkarın ikinci ömrü. Bakı: Çinar-

Çap.

Şahbazova S (2002) İlyas Əfəndiyevin tarixi

dramları. Bakı: Ağrıdağ, 132 p.

Tahirli

(2005)

İlyas

Əfəndiyevin

publisistikası.- Bakı: Elm.

10.

(2006) Yaddaşın boy çiçəyi: Unudulmaz Xalq

yazıçısı İlyas Əfəndiyev xatirələrdə. Bakı:

Qərənfil. 452 p.

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