- American author best known for his highly imaginative short stories and novels that blend a poetic style, nostalgia for childhood, social criticism, and an awareness of the hazards of runaway technology.
- Bradbury’s poetically drawn and atmospheric fictions—horror, fantasy, shadowy American gothics—explored life’s secret corners: what was hidden in the margins of the official family narrative, or the white noise whirring uncomfortably just below the placid surface. He offered a set of metaphors and life puzzles to ponder for the rocket age and beyond, and has influenced a wide swath of popular culture--from children’s writer R.L. Stine and singer Elton John (who penned his hit “Rocket Man” as an homage), to architect Jon Jerde who enlisted Bradbury to consider and offer suggestions about reimagining public spaces. As a child, Bradbury loved horror films such as The Phantom of the Opera (1925); the books of L. Frank Baum and Edgar Rice Burroughs, and the first science fiction magazine, Amazing Stories. Bradbury often told of an encounter with a carnival magician, Mr. Electrico, in 1932 as a notable influence. Wreathed in static electricity, Mr. Electrico touched the young Bradbury on the nose and said, “Live forever!” The next day, Bradbury returned to the carnival to ask Mr. Electrico’s advice on a magic trick. After Mr. Electrico introduced him to the other performers in the carnival, he told Bradbury that he was a reincarnation of his best friend who died in World War I. Bradbury later wrote, “a few days later I began to write, full-time. I have written every single day of my life since that day
Bradbury’s family moved to Los Angeles in 1934. In 1937 Bradbury joined the Los Angeles Science Fiction League, where he received encouragement from young writers such as Henry Kuttner, Edmond Hamilton, Robert Heinlein, and Leigh Brackett, who met weekly with him. Bradbury published his first short story, “Hollerbochen’s Dilemma” (1938), in the league’s “fanzine,” Imagination! He published his own fanzine, Futuria Fantasia, in 1939. That same year Bradbury traveled to the first World Science Fiction convention, in New York City, where he met many of the genre’s editors. He made his first sale to a professional science fiction magazine in 1941, when his short story “Pendulum” (written with Henry Hasse) was published in Super Science Stories. Many of Bradbury’s earliest stories, with their elements of fantasy and horror, were published in Weird Tales. Most of these stories were collected in his first book of short stories, Dark Carnival (1947). Bradbury’s style, with its rich use of metaphors and similes, stood out from the more utilitarian work that dominated pulp magazine writing. - Bradbury’s family moved to Los Angeles in 1934. In 1937 Bradbury joined the Los Angeles Science Fiction League, where he received encouragement from young writers such as Henry Kuttner, Edmond Hamilton, Robert Heinlein, and Leigh Brackett, who met weekly with him. Bradbury published his first short story, “Hollerbochen’s Dilemma” (1938), in the league’s “fanzine,” Imagination! He published his own fanzine, Futuria Fantasia, in 1939. That same year Bradbury traveled to the first World Science Fiction convention, in New York City, where he met many of the genre’s editors. He made his first sale to a professional science fiction magazine in 1941, when his short story “Pendulum” (written with Henry Hasse) was published in Super Science Stories. Many of Bradbury’s earliest stories, with their elements of fantasy and horror, were published in Weird Tales. Most of these stories were collected in his first book of short stories, Dark Carnival (1947). Bradbury’s style, with its rich use of metaphors and similes, stood out from the more utilitarian work that dominated pulp magazine writing.
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