Murder on the Links

'Très bien, mon enfant,' said Poirot. 'I am pleased with you. Go now and rest yourself. Hastings here and I have work to do. You shall see him tomorrow.'
'Where are you going?' asked the girl, her eyes widening.
'You shall hear all about it tomorrow.'
'Because wherever you're going, I'm coming too.'
'But, mademoiselle -'
'I'm coming too, I tell you.'
Poirot realized that it was futile to argue. He gave in.
'Come then, mademoiselle. But it will not be amusing. In all probability nothing will happen.'
The girl made no reply.
Twenty minutes later we set forth. It was quite dark now, a close oppressive evening. Poirot led the way out of the town in the direction of the Villa Geneviève. But when he reached the Villa Marguerite he paused.
'I should like to assure myself that all goes well with Jack Renauld. Come with me, Hastings. Mademoiselle will perhaps remain outside. Madame Daubreuil might say something which would wound her.'
We unlatched the gate, and walked up the path. As we went round to the side of the house, I drew Poirot's attention to a window on the first floor. Thrown sharply on the blind was the profile of Marthe Daubreuil.
'Ah!' said Poirot. 'I figure to myself that that is the room where we shall find Jack Renauld.'
Madame Daubreuil opened the door to us. She explained that Jack was much the same but perhaps we would like to see for ourselves. She led us upstairs and into the bedroom. Marthe Daubreuil was sitting by a table with a lamp on it, working. She put her finger to her lips as we entered.
Jack Renauld was sleeping an uneasy, fitful sleep, his head turning from side to side and his face still unduly flushed.
'Is the doctor coming again?' asked Poirot in a whisper.
'Not unless we send. He is sleeping - that is the great thing. Maman made him a tisane.'
She sat down again with her embroidery as we left the room. Madame Daubreuil accompanied us down the stairs. Since I had learned of her past history, I viewed this woman with increased interest. She stood there with her eyes cast down, the same very faint enigmatical smile that I remembered on her lips. And suddenly I felt afraid of her, as one might feel afraid of a beautiful poisonous snake.
'I hope we have not deranged you, madame,' said Poirot politely, as she opened the door for us to pass out.
'Not at all, monsieur.'
'By the way,' said Poirot, as though struck by an afterthought, 'Monsieur Stonor has not been in Merlinville today, has he?'
I could not at all fathom the point of this question, which I well knew to be meaningless as far as Poirot was concerned.
Madame Daubreuil replied quite composedly:
'Not that I know of.'
'He has not had an interview with Madame Renauld?'
'How should I know that, monsieur?'
'True,' said Poirot. 'I thought you might have seen him coming or going, that is all. Good-night, madame.'
'Why -' I began.
'No whys, Hastings. There will be time for that later.'
We rejoined Cinderella and made our way rapidly in the direction of the Villa Geneviève. Poirot looked over his shoulder once at the lighted window and the profile of Marthe as she bent over her work.
'He is being guarded at all events,' he muttered.
Arrived at the Villa Geneviève, Poirot took up his stand behind some bushes to the left of the drive, where, while enjoying a good view ourselves, we were completely hidden from sight. The Villa itself was in total darkness, everybody was without doubt in bed and asleep. We were almost immediately under the window of Mrs Renauld's bedroom, which window, I noticed, was open. It seemed to me that it was upon this spot that Poirot's eyes were fixed.
'What are we going to do?' I whispered.
'Watch.'
'But -'
'I do not expect anything to happen for at least an hour, probably two hours, but the -'
His words were interrupted by a long, thin drawn cry:
'Help!'
A light flashed up in the first-floor room on the right-hand side of the front door. The cry came from there. And even as we watched there came a shadow on the blind as of two people struggling.
'Mille tonnerres!' cried Poirot. 'She must have changed her room.'
Dashing forward, he battered wildly on the front door. Then rushing to the tree in the flower-bed, he swarmed up it with the agility of a cat. I followed him, as with a bound he sprang in through the open window. Looking over my shoulder, I saw Dulcie reaching the branch behind me.
'Take care,' I exclaimed.
'Take care of your grandmother!' retorted the girl. 'This is child's play to me.'
Poirot had rushed through the empty room and was pounding on the door.
'Locked and bolted on the outside,' he growled. 'And it will take time to burst it open.'
The cries for help were getting noticeably fainter. I saw despair in Poirot's eyes. He and I together put our shoulders to the door.
Cinderella's voice, calm and dispassionate, came from the window:
'You'll be too late. I guess I'm the only one who can do anything.'
Before I could move a hand to stop her, she appeared to leap from the window into space. I rushed and looked out. To my horror, I saw her hanging by her hands from the roof, propelling herself along by jerks in the direction of the lighted window.
'Good heavens! She'll be killed,' I cried.
'You forget. She's a professional acrobat, Hastings. It was the providence of the good God that made her insist on coming with us tonight. I only pray that she may be in time. Ah!'
A cry of absolute terror floated out on to the night, as the girl disappeared through the window, and then in Cinderella's clear tones came the words:
'No, you don't! I've got you - and my wrists are just like steel.'
At the same moment the door of our prison was opened cautiously by Françoise. Poirot brushed her aside unceremoniously and rushed down the passage to where the other maids were grouped round the farther door.
'It's locked on the inside, monsieur.'
There was the sound of a heavy fall within. After a moment or two the key turned and the door swung slowly open. Cinderella, very pale, beckoned us in.
'She is safe?' demanded Poirot.
'Yes, I was just in time. She was exhausted.'
Mm. Renauld was half sitting, half lying on the bed. She was gasping for breath.
'Nearly strangled me,' she murmured painfully.
The girl picked up something from the floor and handed it to Poirot. It was a rolled-up ladder of silk rope, very fine, but quite strong.
'A getaway,' said Poirot. 'By the window, while we were battering at the door. Where is - the other?'
The girl stood aside a little and pointed. On the ground lay a figure wrapped in some dark material, a fold of which hid the face.
'Dead?'
She nodded.
'I think so. Head must have struck the marble fender.'
'But who is it?' I cried.
'The murderer of Renauld, Hastings. And the would-be murderer of Madame Renauld.'
Puzzled and uncomprehending, I knelt down, and lifting the fold of cloth, looked into the dead beautiful face of Marthe Daubreuil!

Chapter 28

JOURNEY'S END

I have confused memories of the further events of that night. Poirot seemed deaf to my repeated questions. He was engaged in overwhelming Françoise with reproaches for not having told him of Mrs Renauld's change of sleeping quarters.

I caught him by the shoulder, determined to attract his attention, and make myself heard.
'But you must have known,' I expostulated. 'You were taken up to see her this afternoon.'
Poirot deigned to attend to me for a brief moment.
'She had been wheeled on a sofa into the middle room - her boudoir,' he explained.
'But, monsieur,' cried Françoise, 'Madame changed her room almost immediately after the crime: the associations they were too distressing!'
'Then why was I not told?' vociferated Poirot, striking the table, and working himself into a first-class passion. 'I demand of you - why - was - I - not - told? You are an old woman completely imbecile! And Léonie and Denise are no better. All of you are triple idiots! Your stupidity has nearly caused the death of your mistress. But for this courageous child -'
He broke off, and, darting across the room to where the girl was bending over ministering to Mrs Renauld, he braced her with Gallic fervour - slightly to my annoyance. I was aroused from my condition of mental fog by a sharp command from Poirot to fetch the doctor immediately on Mrs Renauld's behalf. After that, I might summon the police.
And he added to complete my dudgeon:
'It will hardly be worth your while to return here. I shall be too busy to attend to you, and of Mademoiselle here I make a garde-malade.'
I retired with what dignity I could command. Having done my errands, I returned to the hotel. I understood next to nothing of what had occurred. The events of the night seemed fantastic and impossible. Nobody would answer my questions. Nobody had seemed to hear them. Angrily, I flung myself into bed, and slept the sleep of the bewildered and utterly exhausted.
I awoke to find the sun pouring in through the open windows and Poirot, neat and smiling, sitting beside the bed.
'Enfin, you wake! But it is that you are a famous sleeper, Hastings! Do you know that it is nearly eleven o'clock?'
I groaned and put a hand to my head.
'I must have been dreaming,' I said. 'Do you know, I actually dreamt that we found Marthe Daubreuil's body in Mrs Renauld's room, and that you declared her to have murdered Mr Renauld?'
'You were not dreaming. All that is quite true.'
'But Bella Duveen killed Mr Renauld?'
'Oh no, Hastings, she did not! She said she did - yes - but that was to save the man she loved from the guillotine.'
'What?'
'Remember Jack Renauld's story. They both arrived on the scene on the same instant and each took the other to be the perpetrator of the crime. The girl stares at him in horror, and then with a cry rushes away. But when she hears that the crime has been brought home to him, she cannot bear it and comes forward to accuse herself and save him from certain death.'
Poirot leaned back in his chair, and brought the tips of his fingers together in familiar style.
'The case was not quite satisfactory to me,' he observed judicially. 'All along I was strongly under the impression that we were dealing with a cold-blooded and premeditated crime committed by someone who had contented themselves (very cleverly) with using Monsieur Renauld's own plans for throwing the police off the track. The great criminal (as you may remember my remarking to you once) is always supremely simple.'
I nodded.
'Now, to support this theory, the criminal must have been fully cognizant of Monsieur Renauld's plans. That leads us to Mrs Renauld. But facts fail to support any theory of her guilt. Is there anyone else who might have known of them? Yes. From Marthe Daubreuil's own lips we have the admission that she overheard Mr Renauld's quarrel with the tramp. If she could overhear that, there is no reason why she should not have heard everything else, especially if Mr and Madame Renauld were imprudent enough to discuss their plans sitting on the bench. Remember how easily you overheard Marthe's conversation with Jack Renauld from that spot.'
'But what possible motive could Marthe have for murdering Mr Renauld?' I argued.
'What motive! Money! Renauld was a millionaire several times over, and at his death (or so she and Jack believed) half that vast fortune would pass to his son. Let us reconstruct the scene from the standpoint of Marthe Daubreuil.
'Marthe Daubreuil overhears what passes between Renauld and his wife. So far he has been a nice little source of income to the Daubreuil mother and daughter, but now he proposes to escape from their toils. At first, possibly, her idea is to prevent that escape. But a bolder idea takes its place, and one that fails to horrify the daughter of Jeanne Beroldy! At present Renauld stands inexorably in the way of her marriage with Jack. If the latter defies his father, he will be a pauper - which is not at all to the mind of Mademoiselle Marthe. In fact, I doubt if she has ever cared a straw for Jack Renauld. She can simulate emotion but in reality she is of the same cold, calculating type as her mother. I doubt, too, whether she was really very sure of her hold over the boy's affections. She had dazzled and captivated him, but separated from her, as his father could so easily manage to separate him, she might lose him. But with Renauld dead, and Jack the heir to half his millions, the marriage can take place at once, and at a stroke she will attain wealth - not the beggarly thousands that have been extracted from him so far. And her clever brain takes in the simplicity of the thing. It is all so easy. Renauld is planning all the circumstances of his death - she has only to step in at the right moment and turn the farce into a grim reality. And here comes in the second point which led me infallibly to Marthe Daubreuil - the dagger: Jack Renauld had three souvenirs made. One he gave to his mother, one to Bella Duveen - was it not highly probable that he had given the third one to Marthe Daubreuil?
'So, then to sum up, there were four points of note against Marthe Daubreuil:
'1 - Marthe Daubreuil could have overheard Renauld's plans.
'2 - Marthe Daubreuil had a direct interest in causing Renauld's death.
'3 - Marthe Daubreuil was the daughter of the notorious Madame Beroldy who in my opinion was morally and virtually the murderess of her husband, although it may have been Georges Conneau's hand which struck the actual blow.
'4 - Marthe Daubreuil was the only person, besides Jack Renauld, likely to have the third dagger in her possession.'
Poirot paused and cleared his throat.
'Of course, when I learned of the existence of the other girl, Bella Duveen, I realized that it was quite possible that she might have killed Renauld. The solution did not commend itself to me, because, as I pointed out to you, Hastings, an expert, such as I am, likes to meet a foeman worthy of his steel. Still, one must take crimes as one finds them, not as one would like them to be. It did not seem very likely that Bella Duveen would be wandering about carrying a souvenir paper-knife in her hand, but of course she might have had some idea all the time of revenging herself on Jack Renauld. When she actually came forward and confessed to the murder, it seemed that all was over. And yet - I was not satisfied, mon ami! I was not satisfied...
'I went over the case again minutely, and I came to the same conclusion as before. If it was not Bella Duveen, the only other person who could have committed the crime was Marthe Daubreuil. But I had not one single proof against her!
'And then you showed me that letter from Mademoiselle Dulcie, and I saw a chance of settling the matter once and for all. The original dagger was stolen by Dulcie Duveen and thrown into the sea - since, as she thought, it belonged to her sister. But if, by any chance, it was not her sister's, but the one given by Jack to Marthe Daubreuil - why then, Bella Duveen's dagger would be still intact! I said no word to you, Hastings (it was no time for romance), but I sought out Mademoiselle Dulcie, told her as much as I deemed needful, and set her to search among the effects of her sister. Imagine my elation, when she sought me out (according to my instructions) as Miss Robinson with the precious souvenir in her possession!
'In the meantime I had taken steps to force Mademoiselle Marthe into the open. By my orders, Madame Renauld repulsed her son, and declared her intention of making a will on the morrow which should cut him off from ever enjoying even a portion of his father's fortune. It was a desperate step, but a necessary one, and Madame Renauld was fully prepared to take the risk - though unfortunately she also never thought of mentioning her change of room, I suppose she took it for granted that I knew. All happened as I thought. Marthe Daubreuil made a last bold bid for the Renauld millions - and failed!'
'What absolutely bewilders me,' I said, 'is how she ever got into the house without our seeing her. It seems an absolute miracle. We left her behind at the Villa Marguerite, we go straight to the Villa Geneviève - and yet she is there before us!'
'Ah, but we did not leave her behind. She was out of the Villa Marguerite by the back way while we were talking to her mother in the hall. That is where, as the Americans say, she "put it over" on Hercule Poirot!'
'But the shadow on the blind? We saw it from the road.'
'Eh bien, when we looked up, Madame Daubreuil had just had time to run upstairs and take her place.'
'Madame Daubreuil?'
'Yes. One is old, and one is young, one dark, and one fair, but, for the purpose of a silhouette on a blind, their profiles are singularly alike. Even I did not suspect - triple imbecile that I was! I thought I had plenty of time before me - that she would not try to gain admission to the Villa until much later. She had brains, that beautiful Mademoiselle.'
'And her object was to murder Mrs Renauld?'
'Yes. The whole fortune would then pass to her son. But it would have been suicide, mon ami! On the floor by Marthe Daubreuil's body, I found a pad and a little bottle of chloroform and a hypodermic syringe containing a fatal dose of morphine. You understand? The chloroform first - then when the victim is unconscious the prick of the needle. By the morning the smell of the chloroform has quite disappeared and the syringe lies where it has fallen from Madame Renauld's hand. What would he say, the excellent Monsieur Hautet? "Poor woman! What did I tell you? The shock of joy, it was too much on top of the rest! Did I not say that I should not be surprised if her brain became unhinged. Altogether a most tragic case, the Renauld Case!"
'However, Hastings, things did not go quite as Mademoiselle Marthe had planned. To begin with, Madame Renauld was awake and waiting for her. There is a struggle. But Madame Renauld is terribly weak still. There is a last chance for Marthe Daubreuil. The idea of suicide is at an end, but if she can silence Madame Renauld with her strong hands, make a getaway with her little silk ladder while we are still battering on the inside of the farther door, and be back at the Villa Marguerite before we return there, it will be hard to prove anything against her. But she was check-mated, not by Hercule Poirot, but by la petite acrobate with her wrists of steel.'
I mused over the whole story.
'When did you first begin to suspect Marthe Daubreuil, Poirot? When she told us she had overheard the quarrel in the garden?'
Poirot smiled.
'My friend, do you remember when we drove into Merlinville that first day? And the beautiful girl we saw standing at the gate? You asked me if I had not noticed a young goddess, and I replied to you that I had seen only a girl with anxious eyes. That is how I have thought of Marthe Daubreuil from the beginning. The girl with the anxious eyes! Why was she anxious? Not on Jack Renauld's behalf, for she did not know then that he had been in Merlinville the previous evening.'
'By the way,' I exclaimed, 'how is Jack Renauld?'
'Much better. He is still at the Villa Marguerite. But Madame Daubreuil has disappeared. The police are looking for her.'
'Was she in with her daughter, do you think?'
'We shall never know. Madame is a lady who can keep her secrets. And I doubt very much if the police will ever find her.'
'Has Jack Renauld been told?'
'Not yet.'
'It will be a terrible shock to him.'
'Naturally. And yet, do you know, Hastings, I doubt if his heart was ever seriously engaged? So far we have looked upon Bella Duveen as a siren, and Marthe Daubreuil as the girl he really loved. But I think that if we reversed the terms we should come nearer to the truth. Marthe Daubreuil was very beautiful. She set herself to fascinate Jack, and she succeeded, but remember his curious reluctance to break with the other girl. And see how he was willing to go to the guillotine rather than implicate her. I have a little idea that when he learns the truth, he will be horrified - revolted, and his false love will wither away.'
'What about Giraud?'
'He has a crise of the nerves, that one! He has been obliged to return to Paris.'
We both smiled.
Poirot proved a fairly true prophet. When at length the doctor pronounced Jack Renauld strong enough to hear the truth, it was Poirot who broke it to him. The shock was indeed terrific. Yet Jack rallied better than I could have supposed possible. His mother's devotion helped him to live through those difficult days. The mother and son were inseparable now.
There was a further revelation to come. Poirot had acquainted Mrs Renauld with the fact that he knew her secret, and had represented to her that Jack should not be left in ignorance of his father's past.
'To hide the truth, never does it avail, madame! Be brave and tell him everything.'
With a heavy heart Mrs Renauld consented, and her son learned that the father he had loved had been in actual fact a fugitive from justice. A halting question was promptly answered by Poirot.
'Reassure yourself, Monsieur Jack. The world knows nothing. As far as I can see, there is no obligation for me to take the police into my confidence. Throughout the case I have acted, not for them, but for your father. Justice overtook him at last, but no one need ever know that he and Georges Conneau were one and the same.'
There were, of course, various points in the case that remained puzzling to the police, but Poirot explained things in so plausible a fashion that all query about them was gradually stilled.
Shortly after we got back to London, I noticed a magnificent model of a foxhound adorning Poirot's mantelpiece.
In answer to my inquiring glance, Poirot nodded.
'Mais oui! I got my five hundred francs! Is he not a splendid fellow? I call him Giraud!'
A few days later Jack Renauld came to see us with a resolute expression on his face.
'Monsieur Poirot, I've come to say goodbye. I'm sailing for South America almost immediately. My father had large interests over the continent, and I mean to start a new life out there.'
'You go alone, Monsieur Jack?'
'My mother comes with me - and I shall keep Stonor on as my secretary. He likes out-of-the-way parts of the world.'
'No one else goes with you?'

Jack flushed.

'You mean?'
'A girl who loves you very dearly - who has been willing to lay down her life for you.'
'How could I ask her?' muttered the boy. 'After all that has happened, could I go to her and - Oh, what sort of a lame story could I tell?'
'Les femmes - they have a wonderful genius for manufacturing crutches for stories like that.'
'Yes, but - I've been such a damned fool.'
'So have all of us, one time and another,' observed Poirot philosophically.
But Jack's face had hardened.
'There's something else. I'm my father's son. Would anyone marry me, knowing that?'
'You are your father's son, you say. Hastings here will tell you that I believe in heredity -'

'Well, then -'

'Wait. I know a woman, a woman of courage and endurance, capable of great love, of supreme self-sacrifice -'
The boy looked up. His eyes softened.
'My mother!'
'Yes. You are your mother's son as well as your father's. Then go to Mademoiselle Bella. Tell her everything. Keep nothing back - and see what she will say!'
Jack looked irresolute.
'Go to her as a boy no longer, but a man - a man bowed by the fate of the Past, and the fate of Today, but looking forward to a new and wonderful life. Ask her to share it with you. You may not realize it, but your love for each other has been tested in the fire and not found wanting. You have both been willing to lay down your lives for each other.'
And what of Captain Arthur Hastings, humble chronicler of these pages?
There is some talk of his joining the Renaulds on a ranch across the seas, but for the end of this story I prefer to go back to a morning in the garden of the Villa Geneviève.
'I can't call you Bella,' I said, 'since it isn't your name. And Dulcie seems so unfamiliar. So it's got to be Cinderella. Cinderella married the Prince, you remember. I'm not a Prince, but -'
She interrupted me.
'Cinderella warned him, I'm sure. You see, she couldn't promise to turn into a princess. She was only a little scullion after all -'
'It's the Prince's turn to interrupt,' I interpolated. 'Do you know what he said?'
'No?'
'"Hell!" said the Prince - and kissed her.'
And I suited the action to the word.
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