Reader's Guide to Vineland
and by extension coaches, employers, boys with hardons, so forth..."
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and by extension coaches, employers, boys with hardons, so forth..." Pynchon's attitude towards authority is pretty well spelled out in DL's feminist monologue on schoolrooms. p. 128 "She and Prairie were out taking a break..." Fabulously smooth cross-fade out of flashbacks back to DL and Prairie talking at SKA.
Long damn chapter! DL starts out telling Prairie how she met Takeshi, initiating a very complicated flashback. It seems that Wayvone and the Mafia try to hire her to put the deadly, delayed-action Vibrating Palm ninja move on Vond (who is threatening their drug dealing), but despite her hatred of Vond for seducing and subverting Frenesi, DL is afraid of getting involved with the Mafia. She flees to Columbus, Ohio, where she tries to hide in the Clark Kent guise of a mild-mannered file clerk. But the mafiosi find her, kidnap her, hijack her to Tokyo, and sell her into white slavery. Her buyer turns out to be Wayvone, who first fucks her and then sets her up as a whore in a whorehouse. Vond is coming to Tokyo; Wayvone will arrange for him to be sent to the whorehouse, and to be directed to DL, at which point DL will zap him with the Vibrating Palm. (To make extra sure that Vond goes for DL, she will be made over to look like Frenesi, Vond's "type.") Meanwhile insurance adjuster Takeshi is looking into a disaster: an experimental laboratory has been demolished, apparently by being stepped on by a Godzilla-like monster. Takeshi meets his old colleague Minoru, they return together to Tokyo, and in a bar they reminisce about a mysterious adventure they shared in Tibet. Afterward, at the Tokyo Hilton, Takeshi is grabbed by Vond, who suspects a trap and needs a decoy. Vond sends Takeshi to the whorehouse with his (Vond's) ID. In a brief flashforward, Takeshi arrives at the SKA retreat in the present -- i.e., as DL continues her account to Prairie of how she met Takeshi in the first place. Then the flashback resumes. DL is wearing fuzzy blue contact lenses as part of her Frenesi-disguise, and hence fails to spot the substitution. She makes love to Takeshi, thinking he's Vond, and lays the Vibrating Palm on him. Then, realizing her mistake, she flees back to the SKA retreat. Takeshi (tipped to her location by a slightly-apologetic Mafia guy) follows her there in the hope she can undo the VP. To introduce himself to the Ninjettes he sings a silly song, "Just Like a William Powell." He seems at least as interested in getting back into DL's pants as getting cured. The Ninjettes put Takeshi on the Puncutron machine, which seems to effect a temporary cure, and send him back out into the world with DL as his partner for a year and a day. There's a no-sex clause. DL and Takeshi fuss and fight, but in classic screwball comedy fashion (just like William Powell) they begin to fall in love.
From a tough diner-type eating joint, Takeshi calls Tokyo to check up on the progress of the "monster- stomp" investigation. He finds out that "someone" from Japan is after him as some weird fallout of the investigation. Conveniently, he and DL meet Ortho Bob Dulang, a Thanatoid who lives in a town called Shade Creek, near Vineland. Takeshi and DL decide to hide out there for a while until the Godzilla Squad loses interest in Takeshi. In Shade Creek Takeshi sets up in business as a karmic (as opposed to insurance) adjuster. He and DL become friends with Vato and Blood; a flashback describes the foursome's first meeting. A year passes, and DL and Takeshi agree to extend their one-year partnership. A short flashback to Blood and Vato in 'Nam, making up their own version of the Chip 'n' Dale song. Flashforward to meet Thi Anh Tran, Blood and Vato's live-in accountant. [Coincidentally or not, Thi Anh Tran's initials, TAT, happen to be the acronym for the Thematic Aperception Test, which has been used for many years as part of the basic psych evaluation battery: You make up stories about simple pictures, revealing all unknowingly.] A flashback describes how B&V met Thi Anh Tran in the first place. Flashforward to present: Blood and Vato answer an emergency tow call from Shade Creek. There's a short aside on the Woge, Yurok Indian creatures. Blood and Vato find a Toyota in a treetop. The driver turns out to be Weed Atman, an old friend of DL's who (according to Blood) was "gunned down" ten years earlier at Trasero College of the Surf. He's come looking for the karmic adjuster. B&V bring him to DL and Takeshi. Vato reveals an important piece of info: apparently, Weed was "set up" by Frenesi. Flashforward to where Prairie is listening to DL and Takeshi tell this tale. Prairie is upset that her mom
would have killed a guy. DL reminds her that Frenesi was working for Vond. Prairie takes a break for some comedy in the kitchen with fluorescent Variety Loaf. Suddenly the SKA retreat is under attack, presumably by Vond. Takeshi, DL and Prairie make their get-away in DL's trick Trans- Am.
p. 130 "Fresson process studio photograph" Photographic printing process that uses coal to produce paper prints with a unique luminosity and grain. Fresson printing produces an image that is characteristically diffused and subtle, reminiscent of the "pointillism" of Impressionist painting. The image is extremely stable; Fresson printing is considered the most archival of any color procedure in use today. p. 131 "If you want real ninja product..." The whole sequence about hiring an assassin is pure cyberpunk schtick. p. 131 "The Vibrating Palm" This may be a subtle reference to the old joke-store "buzzer" or "shocker" -- and resonates nicely with the rubber scampi on the previous page. p. 131 "YakMaf" = Yakuza/Mafia. p. 133 "legendary in the dopers' community" Why is the gas station toilet legendary? And why would DL care anyway? All she needs to do is change into her disguise. p. 133 "baby-blue shadows..." Nice description -- and a precursor to the color of Frenesi's eyes. P. 134 "beige hose, white underwear..." Pynchon's description of DL's Clark Kent outfits is surprisingly accurate, especially for a male. It's like giving the O-O (see note, p. 79) to a nice Midwestern girl, circa 1960. p. 135 "She wasn't sure right away that being sold into white slavery would turn out to be at all beneficial as a career step..." The kidnap-and-auction sequence is good, fast-moving storytelling: breathless, tense, gripping, light on flashy effects. This is also familiar cyberpunk territory, especially the interview with Wayvone.
their remorse by cutting off a fingertip. p. 139 "Ufa, mi tratt' a pesci in faccia..." Literally, "Oof, you've thrown a fish in my face!" It's an ominous Sicilian warning meaning, "You've insulted me most unpleasantly, treated me in the worst possible way!"
now the story is moving so strongly that we've totally forgotten the "as-told-to" frame. p. 141 "How could [Frenesi] have ever gone near somebody like this Brock guy?" Good question. Pynchon never really answers it -- unless we accept the idea of Frenesi embodying America's fatal fascination with authority.
revolving around the Vibrating Palm is broad comedy, of course, but this smart-ass gag is severely out-of-scale. p. 142 "might as well stay home -- watch a Run Run Shaw movie!" Hong-Kong-based Run-Run Shaw produced the popular (and violent) Bruce Lee karate flicks, also lots of action-packed swords and sorcery adventures (like the ones that clearly inspired a lot of the DL and Takeshi sub-plot).
monolith excavation on the moon in 2001. Also, most of the Japanese dialogue is phrased in Pynchon's unique, sounds-just-like-a-movie style.
sinister YoYoDyne Corporation in The Crying of Lot 49) is presumably some Intel-like company whose microprocessor chips are sold world wide. No doubt the chips are designed to keep a covert watch on everything, and report back to Chipco -- similar to Byron the Bulb and his fellow gridmates in Gravity's Rainbow. p. 142 "gigantic animal footprint" Godzilla's size is pretty well known, and this (as we shall see) sauroid footprint is too large to be that of the big G. However, Godzilla is a product of Japanese movie model technology of the fifties, so who knows what the eighties might bring?
than lives. Maybe Thanatoids get "non-life" insurance. Or it could just be a satirically "tactful" Japanese way of Yüklə 330,83 Kb. Dostları ilə paylaş:
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