Stry of higher and secondary specialized education of the republic of uzbekistan state university of world languages

Selected works
• Ravenna (1878)
• Poems (1881)
• The Happy Prince and Other Stories (1888, fairy stories)
• Lord Arthur Savile's Crime and Other Stories (1891, stories)
• A House of Pomegranates (1891, fairy stories)
• Intentions (1891, essays and dialogues on aesthetics)
• The Picture of Dorian Gray (first published in Lippincott's Monthly Magazine July 1890, in book form in 1891; novel)
• The Soul of Man under Socialism (1891, political essay)
• Lady Windermere's Fan (1892, play)
• A Woman of No Importance (1893, play)
• The Sphinx (1894, poem)
• An Ideal Husband (performed 1895, published 1898; play)
• The Importance of Being Earnest (performed 1895, published 1899; play)
• De Profundis (written 1897, published variously 1905, 1908, 1949, 1962; epistle)
• The Ballad of Reading Gaol (1898, poem)


2.2.The analyze of best-loved poems
Oscar Wilde's Vision is a 1line sonnet that does not follow a regular rhyme scheme. Wilde chose to adapt his text to the rhyming.. The first eight lines or octaves resemble a Petrarchan or Italian sonnet. In the final word, the patterns separate from each other in a clear pattern reminiscent of a Shakespearean sonnet using resolution. On the other hand, the alternate cdcd section also restores Petrarch's sonnet area. Although the text may not follow a specific pattern, the metrical pattern is more regular. Each line is structured in iambic pentameter, one of the most popular rhythmic forms a poem can take. This means that the lines consist of five two bars, or iambs. Iambics contain one unstressed and one stressed syllable. There is a lot of background information that needs to be considered before starting this job. Wilde's speaker begins with a reference to "Two crowned kings and one." It is a vague reference that brings to mind different people and characters depending on the reader. The mention of "green cargo" adds to the mystery.
Summary of A Vision 
Oscar Wilde's Vision describes the speaker's encounter with the personalities of Aeschylus, Sophocles, and Euripides, the three surviving Greek dramatists. At the beginning of the poem, the speaker announces that he sees two kings and one man without laurels. This person gets the most attention. In the following lines she describes the feelings she has about that man and the sights around his broken tombstone. The final chapter reveals that these men are the Greek dramatists Aeschylus, Sophocles and Euripides. Euripides is the one to whom the speaker is thus taken. He is deeply interested in the author's disillusionment with public reception during his lifetime. Only after his death is he identified.
Analysis of A Vision 
Lines 1-4
“Two crownèd Kings, and One that stood alone
With no green weight of laurels round his head,
But with sad eyes as one uncomforted
And wearied with man’s never-ceasing moan”
In the first four lines of "A Vision", the speaker begins with the clue, "Two crowned kings and one." As mentioned above, the reader is initially confused as to who the speaker is referring to. Only in the last couple of rhymes does it become clear that Wilde is thinking of Aeschylus, Sophocles and Euripides. This first row reveals one, one of the three is rated less than the other two. With the slightest background information, one can conclude that this "One" must have been Euripides. He was not popular during his lifetime or immediately after his death. The reader can also tell that Wilde, or at least the voice in which he speaks, does not feel the same way. He capitalized "One" as if to express the importance of this outside position. In the second line, the speaker states that of the two, only one does not have "the weight of bearings around his head." This refers to the crown of laurel leaves, which was used in Greek society to convey victory. "One" is not satisfied with his life. Instead of glory, he has "sad eyes" that are "as uncomfortable" as any man in distress. Wilde's speaker sees Euripides suffering because of the way he was treated. She feels tired of other people's "gossip" about her work and her body due to treatment.
Lines 5-8
“For sins no bleating victim can atone,