A z ə r b a y c a n d a m u l t i k u l t u r a l i z m
470
bangle; Rajest Kumar (India). Abstracts; Tapati Gupta (India). When we
dead awaken: Globalised modernity and local identity; Ahmed Almajid (Iraq).
I am only the other!; Amin Heidari (Iran). A survey on the capacity of facial
emojis to form a visual language for theatre; Mojdeh Band Alizadeh (Iran). A
survey on the theatrical capabilities of Persian miniature with an emphasis on
the atmosphere element; Fatemeh Faridan, Dr. Simin Amirian(Iran).
Disorientation text in digital theatres; Maneli Vafadari (Iran). Evaluation of
the effect of theatres on the recognition of immigrants from the culture of host
country; Mehrdad Rayani-Makhsosus (Iran). The impact of multiculturalism
on barba‟s work; Mohammad Reza Gharibzadeh, Mona Tirgar (Iran). Ac-
robat and mime corporel both group from Iran; Saeid Kazemian (Iran).
Theatres and social networks; Sahar Shahgaldi (Iran). Evaluation of the
influence of puppets and puppet show in recognizing the host culture to the
immigrant children; Irina Marchesini (Italy). Kantor revisited. An Italian
experience; Paolo Bosisio (Italy). Opera theatre in Italy today; Yoshida Shun-
taro (Japan). The writings of Yano Hideyuki: A representation of exotic and
mixed cultures in the case of “At the hawk‟s well”; Yuko Nobe Saito (Japan).
The identity of modern Vietnamese theater – the example of northern Vietnam;
Amankeldi Mukan (Kazakhstan). The Kazakhstan musical theatre: deve-
lopment vector in the aspect of its modern perception; Anar Yerke-
bay(Kazakhstan). Mastering of Kazakh dramaturgy by contemporary national
theatres in Kazakhstan; Gulnar Jumaseitova (Kazakhstan). The searches of
national originality of Kazakh choreography in the multicultural world; Ikram
Khashimzhanov (Kazakhstan). Theatre in the one-ninth territory of the world;
Irina Antonova (Kazakhstan). Theatre puppet as a multicultural
phenomenon;Saniya Kabdiyeva (Kazakhstan). Kazakhstan theatre as a space
of interaction of national stage cultures; Atis Rozentals (Latvia). Performance
“Brodsky/Baryshnikov” by alvis hermanis and the reaction of media in Latvia,
USA, Israel and Russia; Liga Ulberte (Latvia). The Latvian experience of
director Konstantin Bogomolov; Christelle Nassar (Lebanon). Dramaturgy and
trilingualism; Violeta Podolskaite (Lithuania). Why children and youth theatre
matters; Aisylu Sagitova (Russia). Rifkat Israfilov – reformer of Bashkir
theatre; Alexander Prasolov (Russia). Necessity and possibilities of a small
stage in a musical theatre; Alexey Ushakov (Russia). Ways of forming socially
oriented affordable theatre adapted for the hearing and visually impaires people;
Azalia Balgazina (Russia). Multiculturalism and the problems of theatre-based
museums; Emilia Dementsova (Russia). Theatre yearning for its paradise lost;
Farida Ismagilova (Russia). Provincial theatre. Theatre reloaded;
Inna
Afanasyeva (Russia). Practice of immersiveness in contemporary theatre
(thesis); Murad Gadzhiev (Russia). National theatres in multicultural region;
Olga Boitsova (Russia). Magical „if‟ of Stanislavsky in the work over the
B i b l i o q r a f i y a
471
pieces of classical literature at the Maliy Theatre‟s school (The experience of
creative provocations of a theatre pedagogue); Pavel Rudnev (Russia). Refugee
theme in the Russian theatre and playwriting; Boris Daussa-Pastor (Spain).
Finding the common thread: A new paradigm for the training of theatre artists;
Pilar G.Almansa (Spain). Multiculturalism and mixed reality; Merce Saumeli
(Spain). What Should a 21st Centure documentation centre/museum of the
performing arts be like?; Waruna Alahakun (Sri-Lanka) The modern Sri
Lankan theatre through the concept of multiculturalism; Alexander Chepalov
(Ukraine). Works of Azerbaijani authors on the stages of Kharkov theatres
(Ukraine, 2nd half of the XX century); Anna Kurinnaya (Ukraine). Function
of festival form in contemporary theatre art; Sergey Gordeyev(Ukraine). The
role of theatre school in education of acting and directing (In regard of the
problems of innovative technologies in theatre education); Vasil Vovkun
(Ukraine). The art of director of mass events; The challenges of contemporary
performance translation; Peter Goldfarb (USA). Passionate creativity; Temur
Rashidov (Uzbekistan). Problems of national and regional identity in culture
and art of the central Asia; Law of the Republic Azerbaijan. On theatre and
theatrical activity; Decree of the President of Republic of Azerbaijan. On the
development of Azerbaijani theatrical art; Decree of the Republic of
Azerbaijan. On approval of State Programme “Azerbaijani Theatre in years
2009-2019”; State Programme “Azerbaijani Theatre in years 2009-2019”.
5541.
Abdlhak, Y. Three years in Azerbaijan ... /Yasmeen Abdlhak
//AzerNEWS.- 2016.- May 20.- P.6.
5542.
Abdullayev, K.Multiculturalism occupies key national role //The
Japan Times.- 2016.-28 may.
5543.
FM: Azerbaijan is a strong, prestigious country in system of
international relations //AzerNEWS.- 2016.- December 30.- P.3.
5544.
Irina Bokova: President Aliyev personally committed to
promotion of intercultural dialogue in Azerbaijan //AzerNEWS.- 2016.-
December 28.- № 99.- P.3.
5545.
Ismayilova, L. Festival of national minorities ends on a colorful note
/Laman Ismayilova //AzerNEWS.- 2016.- July 6.- P.7.
5546.
Karimova, A. 2016 declares Year of multiculturalism /Aynur
Karimova //AzerNEWS.- 2016.- January 13.- № 3.- P.1, 3.
5547.
Karimova, A. Azerbaijan shares its unique experience of
multiculturalism at UN Global Forum in Baku /Aynur Karimova //AzerNEWS.-
2016.- April 29.- P.3.
5548.
Mahmud, A. Coexistence skills: Former Latvian President Valdis
ZATLERS: “You must be proud of your example of multiculturalism” /Almaz
Mahmud //Region plus .- 2016.- № 5.- P. 10-11.