Cultural criticism conclusion referec introduction



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SENTIMENTALISM IN ENGLISH POETRY OF THE 18TH CENTURY

REFERENCES
Heartz D. Mozart, Haydn and Early Beethoven: 1781–1802. New York: W. W. Norton, 2009. 846 p.
2. Rosen Ch. The Classical Style. New York: W. W. Norton, 1997. 533 p.
3. Schulenberg D. Music of the Baroque. New York: Oxford University Press, 2001. 384 p.
4. Stauffer G. B. The World of Baroque Music: New Perspectives. Bloomington: Indiana University Press, 2006. 312 p.
5. Shpengler O. Zakat Evropy [The Decline of the West]. Novosibirsk: Nauka, 1993. 592 p.
6. Tarnas R. Istoriya zapadnogo myshleniya [History of Western Thinking]. Moscow: KRON– PRESS, 1995. 448 p.
7. Lobanova M. Zapadnoevropeyskoe
muzykal’noe barokko: problemy estetiki i poetiki [West-European Baroque Music: Problems of Aesthetics and Poetics]. Moscow: Muzyka, 1994. 320 p
8. Konen V. Teatr i simfoniya [Theatre and Symphony]. Moscow: Muzyka, 1968. 350 p.
9. Taraeva G. Semantika muzykal’nogo yazyka: Konventsii, traditsii, interpretatsii [Semantics of Musical Language: Conventions, Traditions, Interpretations]. Moscow: Art-Tranzit, 2012. 340 p.
10. Klimovitskiy A., Selivanov V. Betkhoven I filosofskaya revolyutsiya v Germanii [Beethoven and the philosophical revolution in Germany]. In: Voprosy teorii I estetiki muzyki [Problems of Music Theory and Aesthetics]: collected articles. Moscow: Sovetskiy kompozitor, 1971. Issue 10. Pp. 199–230.
11. Lobanova M. Muzykal’nyj stil’ i zhanr: istoriya i sovremennost’ [Musical Style and Genre: History and Modernity]. Moscow: Tsentr gumanitarnykh initsiativ, 2015. 208 p.

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