Definition of Object-Oriented frbr

R20 recorded (was recorded through)

Domain: F29 Recording Event

Range: E2 Temporal Entity

Subproperty of: E7 Activity. P15 was influenced by (influenced): E5 Event. P9B forms part of: E5 Event. P9 consists of: E5 Event

Quantification: (1,n:0,n)

Scope note: This property associates an instance of F29 Recording Event with the instance of E2 Temporal Entity which was captured.

Examples: The making of the recording of the third alternate take of the musical work entitled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F29) R20 recorded Elvis Presley’s performance of the musical work entitled ‘Blue Hawaii’ in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F31)

R21 created (was created through)

Domain: F29 Recording Event

Range: F26 Recording

Subproperty of: F28 Expression Creation. R17 created (was created by): F2 Expression

Quantification: (1,n:1,n)

Scope note: This property associates an instance of F29 Recording Event with the instance of F26 Recording that was created.

Examples: The making of the recording of the third alternate take of the musical work entitled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F29) R21 created the set of signs that make up the third alternate take of the musical work entitled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F26)

The making of the photograph of the three Allied leaders at Yalta in February 1945 (F29) R21 created the set of signs that make up the famous photograph of the three Allied leaders at Yalta in February 1945 (F26)

The making of the recording of an East Australian humpback whale song in 1994 in the framework of the Oceania Project (F29) R21 created the set of signs that make up the sound recording of an East Australian humpback whale song in 1994 (F26)

Filming Louise Bourgeois at work in the context of the shooting of the documentary movie entitled ‘Louise Bourgeois: The Spider, the Mistress, and the Tangerine’ (F29) R21 created the set of signs that make up the sequences from the documentary movie entitled ‘Louise Bourgeois: The Spider, the Mistress, and the Tangerine’ in which Louise Bourgeois is seen at work (F26)

R22 created a realisation of (was realised through)

Domain: F29 Recording Event

Range: F21 Recording Work

Subproperty of: F28 Expression Creation. R19 created a realisation of (was realised through): F1 Work

Quantification: (0,1:0,n)

Scope note: This property associates an instance of F29 Recording Event with the instance of F21 Recording Work it realised.

Examples: The making of the recording of the third alternate take of the musical work entitled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F29) R22 created a realisation of the concept of the third alternate take of the musical work entitled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif.

The making of the photograph of the three Allied leaders at Yalta in February 1945 (F29) R22 created a realisation of the concept of making a photograph of the three Allied leaders at Yalta in February 1945 (F21)

The making of the recording of an East Australian humpback whale song in 1994 in the framework of the Oceania Project (F29) R22 created a realisation of Oceania Project’s concept of making a large digital acoustic data archive dedicated to East Australian humpback whale songs (F21)

Filming Louise Bourgeois at work in the context of the shooting of the documentary movie entitled ‘Louise Bourgeois: The Spider, the Mistress, and the Tangerine’ (F29) R22 created a realisation of the concept of recording Louise Bourgeois’s artistic activity in the documentary movie entitled ‘Louise Bourgeois: The Spider, the Mistress, and the Tangerine’ (F21)

R23 created a realisation of (was realised through)

Domain: F30 Publication Event

Range: F19 Publication Work

Subproperty of: F28 Expression Creation. R19 created a realisation of (was realised through): F1 Work

Quantification: (0,1:0,n)

Scope note: This property associates an instance of F30 Publication Event with the instance of F19 Publication Work it realised.

Examples: Establishing in 1972 the layout, features, and prototype for the publication of Stephen Crane’s complete poems (F30) R23 created a realisation of Cornell University Press’s concepts for an edition of Stephen Crane’s complete poems (F19)

R24 created (was created through)

Domain: F30 Publication Event

Range: F24 Publication Expression

Subproperty of: F28 Expression Creation. R17 created (was created by): F2 Expression

Quantification: (1,n:1,n)

Scope note: This property associates the instance of F24 Publication Expression that was created during a particular F30 Publication Event with that F30 Publication Event.

Examples: Establishing in 1972 the layout, features, and prototype for the publication of Stephen Crane’s complete poems (F30) R24 created the set of signs and instructions as to manufacturing established by Cornell University Press for a publication of Stephen Crane’s complete poems (F24)

R25 performed (was performed in)

Domain: F31 Performance

Range: F25 Performance Plan

Subproperty of: E7 Activity. P33 used specific technique (was used by): E29 Design or Procedure

Quantification: (0,n:0,n)

Scope note: This property associates an instance of F31 Performance with the instance of F25 Performance Plan to which all those participating in the performance were supposed to conform.

Examples: Performing the first performance of a Yiddish translation of ‘King Lear’, as directed by Sergei Radlov, in Moscow, at the Moscow State Jewish Theatre, on February 10, 1935 (F31) R25 performed the set of instructions for the production of a Yiddish translation of ‘King Lear’, directed by Sergei Radlov in Moscow in 1935 (F25)

Performing the ballet ‘Rite of spring’, as choreographed by Pina Bausch, in Avignon, at the Popes’ Palace, on July 7, 1995 (F31) R25 performed the set of instructions for the production of the ballet ‘Rite of spring’, as choreographed by Pina Bausch (F25)