Definition of Object-Oriented frbr

R14 incorporates (is incorporated in)

DEPRECATED PROPERTY. This property has been transferred to CIDOC CRM version 6.0 as P165.

R15 has fragment (is fragment of)

Domain: F2 Expression

Range: F23 Expression Fragment

Subproperty of: E90 Symbolic Object. P106 is composed of (forms part of): E90 Symbolic Object

Quantification: (0,n:0,n)

Scope note: This property associates the fragment of an expression and the expression of which it is a fragment.

Examples: The ancient Greek text of the four stanzas from an ode by Sappho that were quoted by Pseudo-Longinus in his textual work entitled ‘On the sublime’ (F23) R15 is fragment of the complete ancient Greek text, now irremediably lost, of Sappho’s ode currently identified as Sappho’s poem #2 (F22)

The statement ‘fasc. 111’ (abridgement for ‘fascicle no. 111’) indicating the sequential position of the publication identified by ISBN ‘2-7018-0037-4’ within the series entitled ‘Bibliothèque des Écoles françaises d’Athènes et de Rome’ and identified by ISSN ‘0257-4101’ (F23) R15 is fragment of the overall content of the publication identified by ISBN ‘2-7018-0037-4’ (F24)

R16 initiated (was initiated by)

Domain: F27 Work Conception

Range: F1 Work

Subproperty of: E65 Creation. P94 has created (was created by): E28 Conceptual Object

Quantification: (1,n:1,1)

Scope note: This property associates the first conception of a work and the work itself that ensued from a given initial idea.

It marks the origin of the causality chain that results in a work’s coming into existence.

Examples: Ludwig van Beethoven’s decision to compose a fifth symphony (F27) R16 initiated Ludwig van Beethoven’s Fifth Symphony (F15)

Pablo Picasso’s acceptance, in 1930, of Ambroise Vollard’s commission for a set of 100 etchings, now known as the ‘Vollard Suite’ (F27) R16 initiated the ‘Vollard Suite’ (F15)

René Goscinny’s and Albert Uderzo’s decision to collaborate on the comic book entitled ‘Asterix in Britain’ (F27) R16 initiated the comic book entitled ‘Asterix in Britain’ (F15)

The creative spark that motivated Oscar Wilde, by May 1897, to write a poem inspired by his stay in the Reading prison in 1895-1897 (F27) R16 initiated Oscar Wilde’s poem entitled ‘The ballad of the Reading gaol’ (F15)

R17 created (was created by)

Domain: F28 Expression Creation

Range: F2 Expression

Superproperty of: F29 Recording Event. R21 created (was created by): F26 Recording

F30 Publication Event. R24 created (was created through): F24 Publication Expression

Subproperty of: E65 Creation. P94 has created (was created by): E28 Conceptual Object

Quantification: (1,1:1,n)

Scope note: This property associates the expression that was first externalised during a particular creation event with that particular creation event.

Examples: Richard Wagner’s writing the original manuscript of his opera entitled ‘Der fliegende Holländer’ (F28) R17 created the notational content of the original manuscript of Richard Wagner’s opera entitled ‘Der fliegende Holländer’ (F22)

Oscar Wilde’s writing the original manuscript of his poem entitled ‘The ballad of the Reading gaol’ (F28) R17 created the English text of Oscar Wilde’s poem entitled ‘The ballad of the Reading gaol’ (F22)

R18 created (was created by)

Domain: F28 Expression Creation

Range: F4 Manifestation Singleton

Subproperty of: E12 Production. P108 has produced (was produced by): E24 Physical Man-Made Thing

Quantification: (1,n:0,1)

Scope note: This property associates an instance of F28 Expression Creation with the first physical objects in which the resulting instance of F2 Expression was embodied.

Examples: Emily Dickinson’s creating the text of one of the several extant versions of her poem known as ‘Safe in their alabaster chambers’ (F28) R18 created the manuscript now identified as ‘Massachusetts Cambridge Harvard University Houghton Library bMS Am 1118.3 (203c, 203d)’ (F4)

Emily Dickinson’s creating the text of another one of the several extant versions of her poem known as ‘Safe in their alabaster chambers’ (F28) R18 created the manuscript now identified as ‘Massachusetts Cambridge Harvard University Houghton Library bMS Am 1118.5 (74c)’ (F4)

The recording of the third alternate take of the musical work entitled ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F28) R18 created the master tape of the 3rd alternate take of the musical work entitled ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F4) (each individual take is a distinct expression)

The resource (a drawing) held by the New York Public Library and identified by call number ‘*MGZGB Far P Cop 1’ (F4) R18i was created by the creation, by the artist named ‘Peter Farmer’, of a costume design for the character named ‘War’ in the Act III Masque of the seasons, in the Festival Ballet of London production of the choreographic work entitled ‘Coppélia’, with choreography by Jack Carter after Petipa (F28)

R19 created a realisation of (was realised through)

Domain: F28 Expression Creation

Range: F1 Work

Superproperty of: F29 Recording Event. R22 created a realisation of (was realised through): F21 Recording Work

F30 Publication Event. R23 created a realisation of (was realised through): F19 Publication Work

Subproperty of: E7 Activity. P16 used specific object (was used for): E70 Thing

Quantification: (1,n:1,1)

Scope note: This property associates an instance of F28 Expression Creation with the corresponding instance of F14 Individual Work or an instance of F15 Complex Work of which the corresponding instance of F14 Individual Work is a member.

Examples: Giovanni Battista Piranesi’s creating the image identified as ‘Carcere XVI: the pier with chains: 2nd state’ (F28) R19 created a realisation of the concept of Giovanni Battista Piranesi’s graphic work entitled ‘Carcere XVI: the pier with chains: 2nd state’ (F14)

Recording Glenn Gould’s performance of Johann Sebastian Bach’s musical work entitled ‘Toccata in C minor BWV 911’ on May 15 & 16, 1979, in Toronto, Eaton’s Auditorium (F29) R19 created a realisation of the concept of the recorded performance of Johann Sebastian Bach’s musical work entitled ‘Toccata in C minor BWV 911’ by Glenn Gould on May 15 & 16, 1979, in Toronto, Eaton’s Auditorium (F21)