The bibliography below is excerpted from

Popular Culture Including Advertising and Cinema

Allen, Matthew and Rumi Sakamoto (editors), Popular Culture, Globalization and Japan. London,

Arase, Y., ‘Mass communication between the two world wars’, Developing Economics, V, 1967, 748-66.

Bailey, S., Sex Drinks and fast Cars: the creation and consumption of images, London, Faber & Faber, 1986.

Bender, Shawn, ‘Drumming from Screen to Stage: Ondekoza’s Odaiko and the Reimagining of Japanese Taiko’, in Journal of Asian Studies, Vol. 69, No. 3, 2010.

Boorstein, D., The Image, Harmondsworth, Penguin, 1963

Clammer, John, Contemporary Urban Japan: A Sociology of Consumption, Oxford, Blackwell Publishers, 1997.

Collectif, Within shops, éd. trilingue franç.-angl.-néerlandais, Berlin, Feierabend, 2003.

Coppola, Antoine, Le cinéma asiatique : Chine, Corée, Japon, Hong Kong, Taiwan, Paris, L’Harmattan, 2004, 487 p.

Creighton M.R., ‘Imagining the other in Japanese advertising campaigns’, in Carrier, J. Ed., Occidentalism: Images of the West, Oxford, The Calrendon Press, 1995.

DiNitto, Rachel, ‘Translating Prewar Culture into Film: The Double Vision of Suzuki Seijun’s Zigeunerweisen’, in Journal of Japanese Studies, Vol. 30, No. 1, Winter 2004.

Downes, Briony Lee, ‘Briony Lee Downes Investigates the New Age Astro Boy 2004’ in East West Arts, Number 1 (September-November 2004), pp. 104-107

Dyer, G., Advertising as Communication, London, Methuen, 1982.

English, B. “Fashion as Art: Postmodernist Japanese Fashion” in The Cutting Edge: Fashion from Japan. Sydney: Powerhouse Publishing, 2005.

Evans, Tim, ‘A Break in the Regulating: UK Project and the Transformation of the Japanese Music Industry’ in Art Asia Pacific, No. 40 (Spring 2004), pp. 40-42

Fei Ling & Pons, Philippe, Jeunes Japonais : vertige des corps, Paris, Autrement, 2002, 158 p.

Francks, Penelope, ‘Inconspicuous Consumption: Sake, Beer, and the Birth of the Consumer in Japan’, in Journal of Asian Studies, Vol. 68, No. 1, 2009.

Graburn, N.H.H., ‘Tourism: The Sacred Journey’, in Smith, VOL. ed., Anthropology of Tourism, Philadelphia, Pennsylvania University Press, 1977.

Graburn, N.H.H., To Pray, Pay and Play: The Cultural Structure of Japanese Tourism, Aix-en Provence, Centres des Hautes Études Touristiques, 1983.

Haley, Stephen, ‘Tokyo Shoppingmix: An email saga’ in Artlink, Vol. 24, No. 2 (2004)

Hayashi, Sharon and McKnight, Anne, ‘Good-bye Kitty, Hello War: The Tactics of Spectacle and New Youth Movements in Urban Japan’, positions, Vol. 13, No. 1, 2005.

Ishaghpour, Youssef, Formes de l’impermanence : le style de Yasujiro Ozu, Tours, Farrago, éd. Léon Scheer, 2002, 101 p.

Kato, Hidetoshi, Communication Policies in Japan, Paris, UNESCO, 1978.

Kato, Hidetoshi, Handbook of Popular Japanese Culture, New York, Greenwoood Press, 1989.

Kato, Hidetoshi, Japanese Research on Mass Communication: Selected Abstracts, Honolulu, University Press of Hawaii, 1974.

Kinsella, S. “Japanese High School Girl Brand” in Pavitt, J. ed., Brand. New. London: Victoria and Albert Museum Publications, 2000.

Kinsella, S. “What’s Behind the Fetishism of Japanese School Uniforms?” in Fashion Theory vol. 6, no. 2, 2002.

LaMarre, Thomas, Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics. Ann Arbor, Center for Japanese Studies, University of Michigan, 2005.

Lent, John A., ed., Asian Popular Culture, Boulder, Westview, 1995.

Marchand, R., Adverstising the American Dream, Berkeley, University of California Press, 1985.

Martinez, D. P. (ed.) The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries and Global Cultures. Cambridge, Cambridge University Press, 1998.

Marx, W. David, ‘YouTube & Mu’, in Art Asia Pacific, Issue 64, July/ August 2009.

Moeran B. & Skov L. ‘Japanese advertising nature: ecology, fashion, women and art’, in Bruun O. and Kalland. A., eds., Asian Perceptions of Nature: a critical approach, London, The Curzon Press, 1995.

Moeran, B., ‘The language of Japanese Tourism’, Annals of Tourism Research, Vol.10, in Graburn, N.H.H., ed. The Anthropology of Tourism, 1983, also in Tourism: an explanation, ed. van Harssel, J., Elmsford NY, National Publishers of the Black Hills inc., 1981, 1986.

Moeran, B., ‘Individual, Group and Seishin: Japan’s Internal Cultural Debate’, Man, 19, 2, June 1984.

Moeran, Brian, A Japanese Advertising Agency, London, The Curzon Press, 1996.

Moeran, Brian, Language and Popular Culture, Manchester, Manchester University Press, 1989

Napier, Susan Jolliffe, ‘Matter Out of Place: Carnival, Containment and Cultural Recovery in Miyazaki’s Spirited Away’, in Journal of Japanese Studies, Vol. 32, No. 2, Summer 2006.

Niogret, Hubert, Shohei Imamura - entretiens et témoignages, Paris, Dreamland, 2002, 215 p.

Nygren, Scott, Time Frames: Japanese Cinema and the Unfolding of History. Minneapolis, University of Minnesota Press, , 2007.

Oguchi, Y., Review of ‘Play Days’ in the Early Modern Rural Community, by Furukawa Sadao, JFN, XV, 3, 1987.

Packard, VOL., The Hidden Persuaders, London, Longmans, 1957.

Richie, Donald, Le Cinéma japonais, traduit de l’anglais par Romain Slocombe, Paris, Editions du Rocher, 2005.

Richie, D. The Image Factory: Fads and Fashion in Japan. London: Reaktion, 2003.

Schilling, Mark, The Encyclopedia of Japanese Pop Culture, New York, Weatherhill, Inc., 1997.

Schneider, Roland, Cinéma et spiritualités de l’Orient extrême : Japon et Corée, Paris, L’Harmattan, coll. Champs visuels, 2003, 189 p.

Skov, Lise; Moeran, Brian, Women, Media and Consumption in Japan, London, The Curzon Press, 1995.

Slade, Toby, Japanese Fashion: a cultural history, Oxford: Berg, 2009

Tanaka Keiko, Advertising Language, London, Routledge, 1994.

Treat, John, ed., Contemporary Japan and Popular Culture, London, The Curzon Press, 1995.

Weisenfeld, Gennifer, ‘Japanese Typographic Design and the Art of Letterforms’, in Silbergeld, Jerome & Ching, Dora C.Y., eds. Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong. Princeton, P.Y. & Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in Association with Princeton University Press, 2011.

Weisenfeld, Gennifer, ‘Publicity and Propaganda in 1930s Japan: Modernism as Method’, in Design Issues, Vol. 25, No. 4, p. 29-35.

Weisenfeld, Gennifer, ‘Selling Shiseido: Cosmetics Advertising & Design in Early 20^th Century Japan’, Core Essay, MIT Visualising Cultures Website, available online http://www.ocw.mit.edu/ans7870/21f.027/shiseido_01/index.html

Weisendelf, Gennifer, ‘Tada Hokuu no Kōkoku Bigaku to Josei no Shōchōsei’ (Tada Hokuu’s Advertising Aesthetics and the Symbolic Value of Women), (Exhibition Catalogue), Tada Hokuu to Sono Shigoto-ten (Exhibition of Tada Hokuu and His Work), Utsunomiya Museum of Art, Japan, 2004.

Yano, Christine R., ‘Wink on Pink: Interpreting Japanese Cute as it Grabs the Global Headlines’, in Journal of Asian Studies, Vol. 68, No. 3, 2009.

Yoshida Kijû, Ozu ou l’anti-cinéma (Ozu Yasujirô no han eiga), trad. du japonais par Jean Campignon et Alain Viala, Lyon et Arles, Institut Lumière et Actes Sud, 2004, 264 p.