The bibliography below is excerpted from

1990s

‘Nippon International Contemporary Art Festival’, Asian Art News, Vol. 7, No. 3, May/June 1997.

‘Supplement Japan’, Asian Art News, July/August 1994. [includes pieces on Kusama Yayoi, Kanai Yoshiko, Kimura Yutaka, Oscar Satio Oiwa, Fukuda Miran, Criticism, museum culture, women artists, environmental and public art].

Annear, J., ‘A forest of art in a Tokyo town’ [Faret Tachikawa], Art & Asia-Pacific, Vol.3, No.1,

Annear, J., ‘Neither inside nor outside’ (interview with Hasegawa Yûko), Art & Asia Pacific, Vol.1, No.1, 1993.

Clark, John, ‘The 1995 Osaka Triennale’, Art & Asia-Pacific, Vol.3, No.1, 1996.

Dyer, Richard. ‘Yukinori Yanagi: Union Jack Ant Farm.’ Third Text No.27 Summer 1994.

Inaga Shigemi, ‘To be a Japanese artist in the so-called Postmodern Era’, Third Text, No.33, Winter 1995-96.

Jana, Reena ‘A Blunt Reality.’ Asian Art News 9:5 Sept/Oct 1999 [Daido Moriyama].

Kaihotsu Chie ‘De-Genderism, Art on the edge of representation’, Art AsiaPacific, No.16, 1997.

Kellein, Thomas, Hiroshi Sugimoto: Time Exposed, Stuuttgart, Edition Hansjorg Mayer, 1995.

Kent, Rachel, ‘Futurescape: The surreal vision of Miwa Yanagi’, Art AsiaPacific, No.35, 2002.

King, Natalie ‘Fashion statements: Three Exhibitions in Japan’, Art AsiaPacific, No.16, 1997.

Koplos, J., ‘The two-fold path: contemporaary art in Japan’,

Koplos, Janet, ‘Goobye to Sagacho', Art in America, Vol. 90, Issue 11, November 2002

Koplos, Janet, ‘Japan’s jazz-age Avant-Garde’, Art in America, Vol. 90, Issue 11, November 2002

Mitsuda, Y., ‘Flowers for wounds’, Art & Asia Pacific, Vol.2, No.2, 1995.

Munroe, Alexandra, ‘Japanese artists in the Amercian avant garde’, in Japanese Art in America (I) Arita, Nakagawa, Sugimoto, New York, Japan Society, 1987.

Muroi, Hishashi, ‘Transit Zone: Modern Japanese Art’, Art & Text 39, September 1991

Muroi, Hisashi, ‘Mediating the body in contemporary Japanese art’, Art & Asia-Pacific, Vol.3, No.1, 1996

Nagoya Satoru, ‘Rental galleries in Tokyo’, Art & Asia-Pacific, Vol.3, No.1, 1996.

Nakamura, Hideki, ‘Korean Art in Japan’, Art & Asia-Pacific, Vol.3, No.1, 1996.

Nakamura, Hideki, Report at The First Fukuoka Asian Art Trienale [The 5^th Asian Art Show], Seminar: ‘Asian Art – Towards the 21^st Century’, Fukuoka: Fukuoka Asian Art Museum, 1999

Namba, Sachiko, ‘Facts of Life, Contemporary Japanese Art’, Art Asia Pacific, No.34, 2002.

Pai, Maggie, ‘Festival of Delights’,[Tokyo International Art Festival] Asian Art News, Vol. 8, No.1, Jan/Feb 1998.

Sawaragi Noi, ‘Desire and Decay’ [Araki Nobuyoshi], World Art, No.2, 1995.

Sei, Keiko, ‘Japanese CM’s: A Mirror for the 1990’s’, Art & Text 36, May 1990

Shalala, N., ‘Censorship Silences Japanese Artists’, Asian Art News, Vol.4, No.5, Sept-Oct, 1994.

Shikata, Y., ‘Tokyo through the looking glass’, World Art, Inaugural Issue, Nov 1993.

Shikata, Yukiko, ‘Atopic Site, On Camp/Off Base, TAZ (Tokyo Art Zone)’, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998)

Shimizu, Toshio ‘Territory of the Mind: Japan and Asia in the 1990s.’ Art AsiaPacific No.19 1998.

Shioda Jun’ichi; Fukunaga Osamu, ‘Japanese contemporary art in the 1990s; a perspective’, Sydney: Japan Culture Centre;The Japan Foundation Papers, No.1, January 1997.

Takaishi, Yumi, ‘Shiseido, Art Gallery and cultural activities’, Art Asia Pacific, No.34, 2002.

Tomii, Reiko, ‘Chapter 13: Infinity Nets—Aspects of Contemporary Japanese Arts’, in Munroe, Alexandra, ed., Japanese Art After 1945: Scream Against the Sky, New York, Abrams, 1994.

Tomiyama Taeko, ‘Shadows of a distant scene’, Third Text, No.33, Winter 1995-96.

Watkins, Jonathan; Kataoka, Mami, Facts of life: contemporary Japanese art, London, Hayward Gallery, 2001.

Yomota, Inuhiko Gorky, ‘Transformation and Stagnation: Japanese Cinema in the 1990’s’, Art & Text 39, September 1991

Zhang Zhaohui, ‘From Tokyo to Shanghai’, Art AsiaPacific, 22, 1999

2000+

[Echigo-Tsumari Triennial 2000] Naumann, Peter, ‘Art necklace’, Art AsiaPacific, 30, 2001

[Echigo-Tsumari Triennial 2003] Couacaud, Sally, ‘2003 Echigo-Tsumari Triennial’ in Art & Australia, Vol. 41, No. 4 (Winter 2004), pp. 535-539; Tomii, Reiko, ‘Who Needs Globalism? Exploring the Local in Contemporary Art in Japan: Echigo-Tsumari Art Triennial 2003’ in Art Asia Pacific, No. 39 (Winter 2004).

Borggreen, Gunhild, ‘Gender in Contemporary Japanese Art’, in Mostow, Joshua S; Bryson Norman; Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field, Honolulu, University of Hawai’i Press, 2003.

Calle, Sophie, Douleur exquise, récit photographique, Arles, Actes Sud, 2003, 281 p.

Clark, John, Setouchi Art Matters’, Asian Art News, September/October vol.20, no.5, 2010, 50-54.

Collectif, Black out. Photographie japonaise contemporaine, cat. de l’exposition à la Maison de la culture du Japon à Paris, Paris, Fondation du Japon, 2003, 160 p.

Collectif, XXIe ciel : le retentissement de la mode japonaise, cat. d’exposition au Musée des arts asiatiques de Nice, Milan, Cinq continents, 2003, 160 p.

Corkill, Edan, ‘A New generation’, Art AsiaPacific, 26, 2000; ‘Turning to the everyday’, Art AsiaPacific 29, 2001

Earle, Joe, ‘Memories, Dreams, Reflections: Bye Bye Kitty!!! at Japan Society, New York’, in Orientations, Vol. 42, No. 2, March 2011.

Facts of Life: Contemporary Japanese Art, London: Hayward Gallery/The Japan Foundation, 2001.

Favell, Adrian, ‘Bye Bye Little Boy’, in Art in Amercia, April 2011.

Fouser, Robert J., ‘ Museum city Fukuoka’, Art AsiaPacific, 31, 2001

Furuichi, Yasuko, ed., Rapt! 20Contemporary artists from Japan, Tokyo, The Japan Foundation, 2006.

Galligan, Gregory, ‘First steps’, Art AsiaPacific, 32, 2001

Hjorth, Larissa, ‘In-between discourses’, Art AsiaPacific 29, 2001

Hori, Motoaki, ‘Gifts, hopes, encounters’, Art AsiaPacific, 32, 2001

Itoi, Kay, ‘The Elegance of Silence: Contemporary Art from East Asia’ (review), ArtAsiaPacific, No. 46, 2005.

Kataoka Mami et al, Roppongi Crossing, Tokyo, Mori Art Museum, 2004.

Katsura, Eishi, ‘Possibilitites for Dialogue’, Art AsiaPacific, 27, 2000

Kazue, Nakamura. “A Dialogue to Find Ourselves and Others: The Reception of Emily Kngwarreye in Japan” in Australian and New Zealnd Journal of Art, Volume 9, No. ½ (2008/9).

Kondo, Kenichi ‘MOT Annual 2006 – No Border, Museum of Contemporary Art Tokyo’ (exhibition review), ArtAsiaPacific, No. 50, 2006.

Kondo, Kenichi, ‘Intelligent Design: Tokyo Institutions open gates to Art Crossovers’, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 102 - 103.

Koplos, Janet, ‘Report from Tokyo’, Art in America, February 2002.

Koplos, Janet, 'Korea and Japan mend fences', Art in America, Vol. 91, Issue 4, April 2003

Kozloff, Max, ‘Tokyo Togs’, Art in America, March 2002.

Kuroda, Raiji, ‘Adventure of Communication in the Age of Stagnation: Japanese Art in the mid-1990’s’, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999

Kuroda, Raiji, Report at The First Fukuoka Asian Art Trienale [The 5^th Asian Art Show], Seminar: ‘Asian Art – Towards the 21^st Century’, Fukuoka: Fukuoka Asian Art Museum, 1999

Lee, Pamela M., ‘Economies of scale: Takashi Murakami’s technics’, ArtForum, October 2007

Lee, Yvonne, ‘Renga- The Japanese Art of Collective Creation: Chained Painting Project by Hitori Nakayama’ (review), in Vehicle: Contemporary Visual Arts, No.10, 2003, p.16-17.

Leung, Laura Kateri, ‘Mori Art Museum’ in Art Asia Pacific, No. 38 (Fall 2003), pp. 14-15

Lloyd, Fran ; Roberts, Melanie eds., Sex & Consumerism: Contemporary Art in Japan, (curator: Siumee Keelan), Brighton: The University of Brighton, 2001.

Mami, Kataoka, et al, Roppongi Crossing: New Visions in Contemporary Japanese Art 2004, Tokyo, Mori Art Museum, 2004.

Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002

Matsui, Midori, ‘Tokyo’, Artforum, Vol. 44, Iss. 4, 2005.

Maughan, Janet, ‘Echigo-Tsumari: Public Art as a Regeneratig Force’, in Artlink, Vol. 30, No. 3, 2010.

McDonald, Roger, ‘Living in a Beautiful Japan’, in ArtAsiaPacific, No. 53, May/June, 2007, p. 55.

Mizusawa, Tsutomu, ‘Closed-Off and Fusion’, in TAASA Review. The Journal of the Asian Art Society of Australia, Vol. 17 (1) March, 2008, pp. 7 – 8.

Mori, Yoshitaka, ‘Subcultural Unconsciousness in Japan: The War and Japanese Contemporary Artists’, in Allen, M. & Sakamoto, R., eds., Popular Culture, Globalization and Japan, London, Routledge, 2006.

Mori, Yoshitaka, ‘New Art and Culture in the Age of Freeter in Japan– On Young Part Time Workers and the Ideology of Creativity’, in Kontur, Culture, History, Politics, Tidsskrift for Kultrstudier, No. 20, årgang 2010.

Nagoya, Satoru, ‘No Statement?’ (review), Flash Art, Vol. XXXIX, No. 250, Oct, 2006.

Nagoya, Satoru, ‘The Elegance of Silence – Mori Art Museum, Tokyo’ (review), Flash Art, Vol. XXXVIII, No. 243, July-September, 2005.

Nagoya, Satoru, ‘Yokohama and Fukuoka Triennials Report’, Flash Art, Vol. XXXIX, No. 246, Jan-Feb, 2006.

Nicholls, Christine, ‘Exhibition Round-up: Japan’, Art and Australia, Vol. 43, No. 2, 2005.

Nonomura, Fumihiro, ‘The city, art and the garden’, Art AsiaPacific, 25, 2000

Pollock, Barbara, ‘Art Above the City’ in Art in America (May 2004), pp. 99-103

Richard, Sophie, ‘Museums of the Inland Sea’, in Art Asia Pacific, No. 69, July/ August 2010.

Robinson, Joel, ‘My Home is Yours/ Your Home is Mine at Tokyo Opera City Art Gallery, Exhibition Reviews, Thailand Feature, Asian Art News, Vol. 12, No. 1, January/February 2002

Robinson, Joel D, ‘ The Construction Sites of Asian Art’, Asian Art News, Volume 13, Number 2, March/April 2003

Robinson, Joel D., ‘ The Construction Sites of Asian Art’, World Sculpture News, Volume 9, Number 1, Winter 2003

Sirmans, Franklin, ‘Happiness: A Survival Guide for Art & Life art Mori Art Museum’ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 77

Tolman, Norman, ‘Enduring Voices’, Asian Art News, Vol. 15, No. 5, 2005.

Tomii, Reiko, ‘“Historicizing ‘Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan”, in ed. Chiu, Melissa and Genocchio, Benjamin, Contemporary Art in Asia: A Critical Reader, Cambridge, MIT Press, 2011, p. 295-325.

Turner, Caroline, ‘The enigma of Japanese contemporary art’, Artlink, Vol. 20, No. 2, July 2000

Valentine, Jina, ‘A State of Perpetual Becoming’, in Art Asia Pacific, No. 70, September/ October 2009.

Volk, Alicia. “Kawamata Tadashi” in Pendergast, S and Tom Pendergast eds., Contemporary Artists. Detroit: St. James Press, 2002.

Volk, Alicia. “Murakami Takashi” in Pendergast, S and Tom Pendergast eds., Contemporary Artists. Detroit: St. James Press, 2002.

Volk, Alicia. “Yanagi Yukinori” in Pendergast, S and Tom Pendergast eds., Contemporary Artists. Detroit: St. James Press, 2002.