3
threatened him with a coup, should he ever come to
power. In May 2017 Kelvin Mackenzie, columnist and
former editor of Rupert Murdoch’s Sun tabloid, an-
nounced that he would like to see the headline “Jer-
emy Corbyn knifed by asylum seeker”. Then the Tele-
graph of 7 June 2017, on election eve, carried a col-
umn by former MI6 chief Richard Dearlove (the agen-
cy’s director of operations when Diana was killed),
headlined “Jeremy Corbyn is a danger to this nation”
and denouncing the Labour leader as “an old-fashioned
international socialist” who “wouldn’t clear the securi-
ty vetting” at MI6. Amid such demonisation of Corbyn,
there came the ominous report from a security source
(Mail on Sunday, 28 May), that the American Federal
Bureau of Investigation (FBI) had alerted MI5 in January
2017 to Manchester Arena bomber Abedi’s membership
in a gang “that was plotting an attack in the UK”, and
that “It was thought at the time that Abedi was planning
to assassinate a political figure.”
The Deaths in Paris, 20 Years on
The whorish “major media” of the UK and world-
wide still proclaim that Diana’s death was an accident
caused by the actions of a drunken Henri Paul and of
paparazzi who chased their speeding car into a pillar
in the underpass. Thus, although millions of Britons
believe she was murdered, few are aware of what the
jury’s verdict was in 2008, after the longest and most
expensive inquest in British history: not “accidental
death”, but “unlawful killing”—a verdict defined in
British law as subsuming manslaughter or homicide
by one or more unknown persons.
The verdict cited not “the paparazzi”, but uniden-
tified “following vehicles”. Despite abundant eyewit-
ness testimony about those “following vehicles” and
other actors present in and around the tunnel that fate-
ful night, British authorities to this day have made no
attempt to determine who they were.
The CEC has two special vantage points from which
to revisit the unlawful killing of Diana, and its polit-
ical implications. One is our long association with
Executive Intelligence Review magazine in the Unit-
ed States, which in 1997-2002 published some 30
ground-breaking articles on the events, establishing
itself as the publication of record on the subject and
earning EIR the fear-driven rage of the British Estab-
lishment. Moreover, EIR had produced an earlier body
of work, published in 1994 as
The Coming Fall of the
House of Windsor
, which dealt with the evil nature
and real power of the British Crown, as opposed to
the Royal Family’s image as a quaint, benign relic of
earlier times; the importance of this exposé was con-
firmed by the Princess of Wales in written correspon-
dence with an EIR journalist.
Secondly, the CEC had the privilege of collaborat-
ing with the late New Zealand-born, Australia-based
researcher John Morgan, whose work on the 1997
unlawful killings—and especially the evidence and
leads suppressed or covered up during the investiga-
tions and inquest—drew on EIR as an early source, but
soon dwarfed that of any other individual or institu-
tion. Applying his lifetime of experience as a forensic
accountant, an expert in evidence-handling and eval-
uation, Morgan explored both the car crash itself, and
irregularities in the official treatment of the case. With-
out having presupposed such a conclusion, he became
convinced that Diana had been murdered at the be-
hest of the Crown, and that the British foreign intelli-
gence agency MI6 had carried out the crime. Morgan
set forth the evidence that led him to that view in ten
published volumes. The last chapter of his final, sum-
mary volume, How They Murdered Princess Diana,
containing a list of 44 contradictions and unanswered
questions in the official investigations, is reproduced
on pages 19-20 of this pamphlet. The first two articles
in the pamphlet, originally published in 2014 and
2015, discuss works drawing on Morgan’s research:
Keith Allen’s 2011 film Unlawful Killing and the play
Truth, Lies, Diana, by Jon Conway, which opened in
London in 2015. The review of Conway’s play (p. 5)
presents points of evidence and investigative leads
highlighted by Morgan, while the film review (p. 12),
like the movie itself, focuses on the astounding errors
and omissions in the 2007-08 Royal Courts of Justice
inquest and on the background to the Royal Family’s
animosity towards Diana.
On pages 21-34 we excerpt the limited-circulation
Tribute to John Morgan album, produced by the CEC
in 2016 after his death. It includes tributes and insights
from the authors of Unlawful Killing and Truth, Lies,
Diana, as well as EIR’s investigative team.
Table of Contents
British Royals Feel Heat over Diana’s Assassination
5
Suppressed Film Exposes Royal Stonewall of Diana Murder Probe
12
Michael Cole: Diana Predicted Her Murder
17
John Morgan Interview: Diana Predicted How She Would Die
18
“How They Murdered Princess Diana”, by John Morgan
19
Honouring John Morgan (excerpts from tribute book)
21
Petition: “Break up the City’s Mega-banks: Pass Glass-Steagall!”
35
Break Up Crown/City of London Criminal Financial Empire:
Glass-Steagall Bank Separation Now!
36
From page 2