Terra sebv s acta mvsei sabesiensi s
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- Introduction
521 Vizantiysky vremennik - Vizantiysky vremennik. Institute of General History of the Russian Academy of Sciences. Moscow. Voprosy Istorii - Voprosy Istorii. Russian academic journal for historical studies. The Institute of Russian History of the Russian Academy of Sciences. Moscow. Voprosi Literatury - Voprosi Literatury. Writer’s Union of the USSR. Moscow. Voprosy filosofii - Voprosy filosofii. Russian Academy of Sciences. Moscow.
VTP - Istoricheskiye, filosofskiye, politicheskiye i yuridicheskiye nauki, kul’turologiya i iskusstvovedeniye. Voprosy teorii i praktiki. Tambov. WASJ - World Applied Sciences Journal. International Digital Organization Scientific for Information “IDOSI
Publications” UAE. Dubai. Zapiski
- Zapiski Vostochnogo otdeleniya Russkogo arkheologicheskogo obshchestva. Archaeological Society. Saint Petersburg. ZDMG
- Zeitschrift der Deutschen Morgenländischen Gesellschaft. Berlin Magazine of the German East Society. Berlin.
www.cclbsebes.ro/muzeul-municipal-ioan-raica.html / www.cimec.ro Terra Sebus: Acta Musei Sabesiensis, Special Issue, 2014, p. 67-104 MUSICAL IMAGES AS A REFLECTION OF THE ARTISTIC UNIVERSALISM OF MARC CHAGALL Liliya Garifullovna SAFIULLINA
Introduction The works of Marc Chagall achieve an organic synthesis of art, literature, architecture, theater, circus and music. The holistic picture he creates of the world involves the participation of different kinds of art, speaking through the language of colors, sounds, voices, rhythms, acrobatics and dance. Although Chagall’s artistic and literary connections, as well as the images he captures of circuses, buffoonery and town squares have been studied in detail, the theme of music in his art has not yet received in-depth coverage. Furthermore, the representation of musical components in Chagall’s paintings aside, conclusions on the senses and meanings in his pictures are incomplete.
The theme of music runs through the artistic works of Marc Chagall; it accompanied the artist throughout his life. Consideration of musical iconography in his works reveals the artistic universalism of the personality and creativity of the artist, and makes it possible to discover new nuances in the relationship between fine arts and music in the 20 th century. Marc Chagall (1887-1985) is one of the most mysterious painters of the 20
th century, affecting the beholder emotionally with his phantasmagorical personages, mystic colours and incredible sense of soaring. Belonging equally to Russia and France, his home village in Vitebsk and Jewish traditions, throughout his long - almost centenary - life, Chagall often changed countries, cities and continents, absorbing and creatively elaborating on numerous national, technical and stylistic influences. He represents a vivid intercultural phenomenon; universal concepts of the macrocosm were implemented in his creative work. As psychologist Erich
Kazan Federal University, Republic of Tatarstan, Russian Federation; e-mail: lilisafi@pochta.ru. Kazan Federal University, Republic of Tatarstan, Russian Federation; e-mail: arpegio@mail.ru. www.cclbsebes.ro/muzeul-municipal-ioan-raica.html / www.cimec.ro L. G. Safiullina, G. I. Batyrshina
68 Neumann notes, his unification of male and female origins anticipates the double nature of Chagall’s artistic expression. 1 Tatyana Zatsarnaya distinguishes the hierotopic character of space in his works, visualizing the vivid, saturated medium of humans’ internal world. 2 Natalya Apchinskaya highlights the painter’s reproduction of the integral image of the world - “incessantly in scope and depth, free-chaotic, and yet, at the same time, subject to some highly consistent patterns,” through which “the inextricable connection between present, past and future is realised.” 3
painter, but also a literary artist. His autobiography My Life; numerous articles, essays and lectures included in the book Mark Chagall about Art and Culture; poems gathered in the collection The Angel above Roofs; and the text for the author’s album of lithography, Circus, issued from his pen. Thus, Chagall was also a memoirist, essayist, publicist and poet, covering various genres of literature. Literary modes of thinking had a direct impact on the artistic creativity of the “cornflower man,” 4 filling him with deep content- richness, multiplicity and symbolism. 5 Following Andre Breton, who declared the triumphal implementation of metaphor in modern painting with Chagall, many researchers state that “poetry found a picturesque form in his creativity, became its internal content.” 6 Aiming to carry out artistic missionary work, Chagall codified the ideas of freedom, miracles, brotherly community and the unity of all as the basis of his universe. Chagall’s creativity presents an organic synthesis of not only painting and literature, but also architecture, theatre, circus and music, making it possible to speak of his artistic universalism. The term “artistic universalism” was developed in literary studies, where it is understood as “a drive for synthesis at the level of ‘covering’ reality ... and at the level of apprehension of laws and consistent patterns,” 7 or “the synthesis of genres or different artistic systems in the creativity of one author.” 8 Olga Studenko distinguishes “the universalism of integrity” (“universalism of coverage,” “universalism-encyclopedism”) and the “universalism of bases and
1 Neumann 1996. 2 Zatsarnaya 2011, p. 52. 3 Apchinskaya 1990, p. 5, 13. 4 Description of Chagall according to the poet Voznesensky. http://www.m- chagall.ru/library/Angel-nad-kryshami1.html, accessed 15 June 2014. 5 Although Chagall himself repeatedly told, that “literariness” for a painter is an unflattering characteristics (Ge 2013), thus dissociating from vulgarly understood narrativeness in painting. 6 Vakar 2013. 7 Studenko 2006, p. 284. 8 Shkrabo 2011. www.cclbsebes.ro/muzeul-municipal-ioan-raica.html / www.cimec.ro Yüklə 12,44 Mb. Dostları ilə paylaş:
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