History and development of the art of painting and leading painters in uzbekistan

«Zamonaviy dunyoda innovatsion tadqiqotlar: Nazariya 
va amaliyot» nomli ilmiy, masofaviy, onlayn konferensiya 
Y. Raufov has created wonderful compositions, preserving the traditions of 
the Tajik school of painting. The artist skillfully uses the rich cultural heritage of 
Uzbek-Tajik patterns, creating many compositions of Islamic and geometric 
patterns. Its patterns are distinguished by the brightness of their colors and 
their harmony with each other. He discovered new elements in his compositions. 
Raufov exaggerated the patterns and used daily techniques. T. Tokhtakhojayev 
was able to create complex compositional patterns. The master's golden-brown 
pattern was a new step in the development of the Tashkent School of Painting. 
Jalil Khakimov, a talented student of Olimjon Kasimjanov, who made an 
effective contribution to the development of the Uzbek school of painting, and a 
teacher of many students who created a unique school of painting, is a teacher. 
The master's services are great in restoring the patterns created by our 
ancestors from ancient times. If we pay attention to the patterns of J. Khakimov, 
the patterns in them are rich in elements, clear, smooth, bright green. He did a 
lot of flower arrangements. J. Khakimov is an artist who has thoroughly 
mastered the traditions of the Uzbek national art of painting and successfully 
continued it. Master-made tables, chairs, boxes and other items are highly 
valued in many countries around the world. His work developed in the spirit of 
Eastern traditions and left an indelible mark on history. 
Khiva School of Painting. The Khiva pattern is radically different from the 
Samarkand, Tashkent, Fergana and Bukhara patterns. The Khiva pattern uses a 
lot of blue and green colors. The composition of the Islamic pattern consists of a 
twig, a marjoram, a flower, a leaf, a pea, a flower, and a simple aigul. Often star-
shaped girdles are used, enriched with a spiral Islamic pattern between them. 
Khiva patterns are generally based on madoxilli patterns. The Islamic pattern is 
made in the form of a spiral capillary. Abdulla Boltaev, Ruzimat Masharipov, 
Odamboy Yakubov, Eshmurad Sapayev and others are the bright representatives 
of Khiva school of painting. 
Bukhara and Samarkand schools of painting. Bukhara is characterized by the 
complexity and attractiveness of the composition. In the patterns of Bukhara, 
intricate knots are used in a precise and precise size, and the floral patterns pay 
special attention to the rhythm of leaves, fruits and flowers. 
The patterns of Samarkand are similar to those of Tashkent and Fergana. 
Samarkand patterns are characterized by extreme flowering, extreme mobility 
of leaves and flowers. The patterns are done first in blue and then in green. 
Masters such as master Rahmonqul, master Jamoliddin, master Abduzoxid, 
master Sharif, master Alimjon, master Boki, and later masters Jalal and Bolta 

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