Vilfredo Pareto’s Sociology
20
advanced at the expense of wider community interests were to be interpreted, along
with this, as evidence that such individuals must surely place self interest before any
nobler vision of the common good. And of course, the tension between private belief
and behavioural requirement so prevalent within the patron-client tie (especially
within trasformismo) could easily be interpreted as evidence of an amorality of
character which is adept at maintaining double standards and abandoning personal
loyalties when their usefulness ceases. As the following section will clarify, these
features, taken together, seemed to constitute key features of a characterologically
rooted ‘Machiavellianism’.
Where
this leads us then, is to the realisation that Pareto viewed the elites as a
repository, not just of democratic character, but also of Machiavellianism. In fact,
Pareto envisioned the two as combining within the same personality structure. They
were easily blended. Machiavellianism could be regarded as a vital element of
democratic personality by contributing its fortuitous lack of ideological zealotry,
and also that quality of cunning which allows elites to subdue and exploit non-elites
without resorting to undemocratic applications of force.
The choice between ‘democratic’ and ‘anti-democratic’ character is therefore
not an easy one for Pareto. He presents us with an impossible choice between the
unscrupulous, self-aggrandising master criminal and the dim-witted, intransigent,
ideological zealot who thirsts for political violence. As
mentioned earlier, Raymond
Aron made this point well by saying that Pareto asks us to accept that ‘every political
man is either selfish or naive’ (Aron 1968, 171). The realisation that he could well
be right, Aron suggests, takes us straight to the ‘living heart’ of Paretian thought.
He adds that this may leave us with a sense of malaise or disgust at the nature of
politics.
Before moving on to explore the central role played by ‘Machiavellian’ personality
in Pareto’s sociology, it is worth adding that his psychologistic interpretation of
trasformismo and clientelismo runs contrary to established opinion. Italian histories
are inclined to stress that trasformismo should be understood primarily as a practice
required
by circumstances, given both the heavy reliance of central government
upon the local commune system, and the delicate relationships which were forced
upon Deputies and Ministers in order to ensure governmental stability (e.g. Clark
1984, 57–67). Ernest Gellner indicates, furthermore, that clientelism is only likely to
emerge under certain conditions: either when a situation of ‘incomplete centralisation’
occurs when a state lacks complete control over all its outlying territory – as may well
be said of the Italian state which only gained access to Sicily in 1861 following the
risorgimento – or when a state lacks technical resources to meet popular aspirations.
In both cases, according to Gellner,
local power holders may, like Italy’s ‘grand
electors’, gain footholds in government and play important roles in determining how
governments allocate resources.
Given the clear role for historical context in shaping Pareto’s thoughts concerning
his political types, it becomes tempting to suppose that these thoughts might not
apply more widely. The following two sections will clarify, however, that Pareto
had grounds for believing that they should. As we will now see, they squared to
a large extent with Machiavelli’s much earlier beliefs about enduring human
characteristics.
Pareto’s ‘Psychologistic’ Sociology
21
2.5 Pareto and Machiavelli: Similar Theories of Human Nature
Pareto admitted to basing his sociology upon ‘maxims of Machiavelli which hold as
true today as they were in his time’ (Pareto 1935, §2410). He would certainly have
agreed with Machiavelli’s core assumption that:
The primary subject-matter for political science is the struggle for social power in its
diverse open and concealed forms (contrary views hold that political thought deals with
the general welfare, the common good, and other such entities that are from time to time
invented by the theorists) (Burnham 1943, 165).
Chief among Machiavelli’s ‘brutal facts’ of power was that which says affairs of state
require a morality distinct from those demanded by Christianity and by everyday
life. The
morality in question was, in Machiavelli’s day, popularly associated with
the caricature of the ‘renaissance confidence trickster’.
6
This caricature had immense
significance for Machiavelli. Although he is typically seen as an arch-realist who
endeavoured to view the world as it is and not as idealistic delusion sometimes
makes it appear, Machiavelli used both his politico-historical writings
and, equally,
his fictional works,
7
not just to represent the world as he saw it, but also to explore
certain theoretical problems,
and indeed deep anxieties, which were widely sensed
by the Renaissance mind. In fact, these were so widely sensed that they emerged as
popular themes throughout the literature of the European Renaissance.
Wayne Rebhorn explains in his (1988) ‘Foxes and Lions: Machiavelli’s
Confidence Men’ that Machiavelli’s fascination with the popular Renaissance
image of the ‘confidence trickster’, and with the common literary vision of ‘life as
a confidence game’ helped him structure his understanding of politics and history,
organise his own personal experiences, and generally ‘reflect upon basic issues of
the age’ (Rebhorn 1988, 4–5, 37). Many of these basic issues may be understood as
having arisen from the social upheavals of the Renaissance:
The confidence man’s major traits – his deep moral ambiguity and his recognition of the
contingency and transformability of the social order – reflect important aspects of Italy and
Europe in the age of the Renaissance. The Renaissance fascination with confidence men
might
be correlated, for example, with the increased number of rogues and vagabonds,
charlatans and mountebanks, of the poor in general, which humanists and social reformers
linked to the land enclosures precipitated by a developing capitalism, to the population
shifts related to the spread of the plague and other diseases, and to the furious wars that
raged during the period (Rebhorn 1988, 26).
6 Wayne Rebhorn (1988, 7) explains that the term ‘confidence man’ was
originally
used in an 1849 New York Herald editorial before becoming popular as a consequence of
one of Herman Melville’s novels. The equivalent term used in the Italian Renaissance was
‘beffatore’.
7 Machiavelli’s tendency to ‘view the world through the lens of literature’ and to explore
the key themes of Renaissance literature throughout his writings is explored by Rebhorn
(1988). Ascoli and Kahn (ed.) (1993) introduce a number of articles which also give detailed
support to this view.