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would directly impact and play a significant role in the lives of the
characters in the story.
An example can be found in John Steinbeck's
The Grapes of
Wrath
(1939)
.
The story begins in Sallisaw, Oklahoma during the Great
Depression of the 1930s. The landscape is dry and dusty and the crop the
farmers were growing is ruined forcing everyone to move out.
This is just one example of how the setting and environment play a
major role in a Naturalist novel—by
determining the fate of the
individuals in the story.
Objectivism and Detachment
Naturalist writers wrote objectively and detached. This means they
detached themselves from any emotional, subjective thoughts or feelings
towards the topic of the story. Naturalist literature
often implements a
third-person point of view that acts as an opinionless observer. The
narrator simply tells the story as it is. If emotions are mentioned, they
are told scientifically. Emotions are seen
as primitive and part of
survival, rather than psychological.
For he is an inspired man. Every inch of him is inspired—you might
almost say inspired separately. He stamps with his feet, he tosses his
head, he sways and swings to and fro; he has a wizened-up little face,
irresistibly comical; and, when he executes a turn or a flourish, his
brows knit and his lips work and his eyelids wink—the very ends of his
necktie bristle out. And every now and then he turns upon his
companions, nodding, signaling, beckoning frantically—with every inch