Using Effects
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3. For MFX1 and MFX2, select a master effect for each.
The procedure is the same as
when selecting an insert
effect. (see “Insert effects”)
Note: Double-size effects can be selected only for MFX1.
(see “Double-size effects”)
4. Press the On/Off button to turn the master effect on.
The master effect will alternate on/off each time you
press the button. If it is Off, the output of the master
effect will be muted.
Return1_and_Return2_to_adjust_the_output_level_of_the_master_effects.__Note'>5. Use Return1 and Return2 to adjust the output level of
the master effects.
Note: For each effect’s
Wet/Dry setting, the Wet value is
the output level of that effect. The Dry sound will not be
output. This value is multiplied by the return setting (with
Return= 127 as ×1.0) to determine the actual output level
of the master effect.
6. Select the MFX1 or MFX2 page, and edit the effect
parameters in each page. (Please see step 7 of “Insert
effects”)
Effect settings for a combination or
song
In Combination and Sequencer modes, you can specify how
each timbre or track is routed to the insert effects, master
effects, and total effects. The procedure for adjusting
settings
is similar in each mode. Here, we’ll explain the procedure
for Combination mode.
Routing
1. Access the C-FX ROUTING> BUS page.
2. Use Bus (Bus Select) to specify the bus where the
output of each timbre will be sent. If you want the
output of the timbre to be sent to insert effect 1,
choose IFX1.
The
display shows the routing, the insert effects, and the
chain settings. In this example, T01 (timbre 1) is using
IFX1 and 2. T02 is using IFX3, T03 is using IFX4, and
T11, T12, T13, and T15 are using IFX5.
3. Access the C-FX ROUTING> SEND page.
Use Send1 and Send2 to specify the send levels from
each timbre to the master effects.
This setting is valid only if
Bus (Bus Select) is set to L/R
or Off.
Note: The actual send level is determined by multiplying
this setting with the
Send1 or
Send2 value of oscillators
1 and 2 in the program selected by the timbre. If the
program’s
S1 (Send1) or
S2 (Send2) setting is 0, the
actual level will be 0 even if you raise the send level
setting here.
If
Bus (Bus Select) is set to IFX1–IFX5, the
S1 (Send1)
and
S2 (Send2) (C-FX1 ROUTING> MIXER) settings
following the insert effect will determine the send levels
to the master effects.
4. Access the C-FX ROUTING> MIXER page.
FX Control Bus sends the timbre’s output to the FX
control bus. Use this when you want to use a different
sound to control the input to an effect.
You can use the two FX control buses to control effects
with a great deal of flexibility. (see “FX Control Bus” on
page 199 of the Parameter Guide)
Routing and effect settings
Effect settings for audio input
65
Insert effects
1. Access the C-FX ROUTING> IFX page.
2. Select an insert effect for each IFX1–5, and edit its
settings.
3. Access the C-IFX page. Select the IFX1–5 pages, and
edit the effect parameters in each page.
You can adjust these settings in the same way as a
program. (see page 63)
You can use MIDI to control each effect’s dynamic
modulation (Dmod) and the “Pan (CC#8),” “Send1,”
and “Send2” following the insert effect. These settings
are controlled on the MIDI channel specified by “Ctrl
Ch.” For timbres that are routed to an insert effect, a “*”
symbol is shown to the right of the channel number
Ch01–16. If multiple timbres with differing MIDI
channel settings are routed, you can specify here the
channel where control will occur.
Master effects
You can adjust these settings in the same way as a program.
(see page 63)
Dynamic modulation (Dmod)
for the master effects and
total effect can be controlled on the MIDI channel
specified by “Ctrl Ch.”
Effect settings for audio input
You can apply the effects of the KROSS to the external
audio input from the LINE IN jack or the MIC IN jack and
record the processed sound on the audio recorder. You can
also apply effects to the mic input or line input along with
the program or combination you’re playing. In addition, you
can use a vocoder effect (D09: Vocoder) that uses the
external mic input to control an internal sound.
Normally, the settings of the Global mode G-INPUT>
AUDIO IN page are shared. For special cases, such as when
you want to have specific
settings for a vocal mic, you can
adjust individual settings for a program, combination, or
MIDI sequencer song.
Routing
1. Hold down the EXIT button and press the AUDIO IN
button.
The AUDIO IN -QUICK SETTING- dialog box will
appear. (see “Global audio input settings (G-SET) and
individual settings” on page 19)
2. In the Select area, specify the input jack that you want
to enable. Set the appropriate Level and Gain settings.
(see “Connecting your input devices” on page 18)
The input gain (Gain) setting will be saved in Global
mode. Although you can edit this in the AUDIO IN
page or the QUICK SETTING dialog box of each
mode, you can’t save
it individually for a program, etc.
3. Use Bus (Bus Select) to specify the bus where the
audio input will be sent. For example if you want the
output of the device that’s connected to LINE IN to be
input to insert effect 1, specify IFX1 as the Bus (Bus
Select) setting when selecting the routing.
4. Use Send1 and Send2 to specify the send levels from
the input to the master effects.
These settings are available only if Bus Select is set to L/
R or Off.
If Bus Select is set to IFX1–5, the send levels to the
master effects are specified by the Send1 and Send2
parameters (in each FX ROUTING> SEND page) for the
signal that has passed through the insert effects.
Depending on the type of effects that you’re using on
the external audio input,
and on their settings, it is
possible for feedback to occur. If this occurs, adjust the
input/output levels and the effect settings. Take special
care when using high-gain effects.
5. The Level parameter specifies the level of the external
audio signal that’s being input. Normally you’ll leave
this at 127.
6. The FX Control Bus sends the audio input to the FX
Control bus. Use this when you want to use another
sound to control the effect input. You can use two
separate FX Control buses to control the effects with a
great deal of flexibility. (see “FX Control Bus” on
page 199 of the Parameter Guide)
