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LIST OF MUSICAL EXAMPLES
Page
Example 2.1: Frédéric Chopin, Five-Finger Technique Exercises................................................16
Example 2.2: Frédéric Chopin, Scale Exercises ............................................................................17
Example 3.1: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 121-124 (National edition) ...............29
Example 3.2a: Frédéric Chopin, Waltz, Op. 64, no. 1, m. 1 (Paderewski edition) .......................30
Example 3.2b: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 1-4 (National edition) .....................30
Example 3.3: Frédéric Chopin, Waltz, Op. 64, no. 2, mm. 27-30 (three versions) .......................33
Example 3.4a: Frédéric Chopin, Waltz, Op. 69, no. 1, D section (1st version
of the National
edition, based on the later autograph)................................................................................37
Example 3.4b: Frédéric Chopin, Waltz, Op. 69, no. 1, D section (3rd
version of the National
edition, based on the Fontana’s version) ...........................................................................38
Example 3.5a: Frédéric Chopin, Waltz, Op. 69, no. 2, A′ section (2nd version of the Henle
edition, based on the earlier autograph copy) ....................................................................40
Example 3.5b: Frédéric Chopin, Waltz, Op. 69, no. 2, A′ section (1st version of the Paderewski
edition, based on the Fontana’s version) ...........................................................................40
Example 3.6a: Frédéric Chopin, Waltz, Op. 69, no. 2, 2nd half of the Trio section (1st
version of
the National edition) ..........................................................................................................41
Example 3.6b: Frédéric Chopin, Waltz, Op. 69, no. 2, 2nd half of the Trio section (2nd version of
the National edition) ..........................................................................................................41
Example 3.7a: Frédéric Chopin, Waltz, Op. 69, no. 2, mm. 13-16 (1st version of the National
edition) ...............................................................................................................................42
Example 3.7b: Frédéric Chopin, Waltz, Op. 69, no. 2, mm. 13-16 (Schirmer edition).................42
Example 4.1: Carl Czerny, Study, Op. 599, no. 83, mm. 1-3........................................................45
Example 4.2: Frédéric Chopin, Waltz, Op. 69, no. 2, mm. 31-34 .................................................46
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Example 4.3: Vladimir Rebikov,
Miniature Waltz, Op. 10, no. 10, mm. 1-10 .............................47
Example 4.4: Frédéric Chopin, Waltz, Op. 64, no. 3, mm. 1-4,
with Adding Left-hand
Exercises............................................................................................................................ 48
Example 4.5: Pierre Gallant, Sarabande in G Major, mm. 1-10....................................................49
Example 4.6a: Franz Schubert, Waltz, Op. 18, no. 6, mm. 1-4 (A section) ..................................51
Example 4.6b: Franz Schubert, Waltz, Op. 18, no. 6, mm. 17-20 (Aʹ′ section).............................51
Example 4.7: Muzio Clementi, Préludes et Exercices in
A-flat major, mm. 1-2 ..........................53
Example 4.8a: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 1-4 (A section: 1st Theme) .............54
Example 4.8b: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 21-24 (A section: 2nd Theme)........54
Example 4.8c: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 36-40 (B section).............................54
Example 4.9: Preparatory Exercises with Dotted Rhythms...........................................................55
Example 4.10: Preparatory Exercises as Groups of Notes ............................................................56
Example 4.11: Preparatory Exercises with Adding More Notes ...................................................57
Example 4.12: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 44-45 ...............................................58
Example 4.13: Preparatory Exercises of Polyrhythm....................................................................59
Example 4.14: Preparatory Exercises with Metronome Markings ................................................60
Example 4.15: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 69-72 ...............................................60
Example 4.16: Preparatory Exercises for Trills.............................................................................62
Example 4.17: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 120-124 (rhythms) ..........................63
Example 4.18: Frédéric Chopin, Waltz, Op. 64, no. 1, mm. 120-124 (fingering).........................64
Example 4.19a: Frédéric Chopin, Waltz, Op. 64, no. 2, mm. 1-4 (A section) ..............................65
Example 4.19b: Frédéric Chopin, Waltz, Op. 64, no. 2, mm. 32-36 (B section) ..........................65
Example 4.19c: Frédéric Chopin, Waltz, Op. 64, no. 2, mm. 64-69 (C section)...........................65
Example 4.20: Frédéric Chopin, Waltz, Op. 64, no. 2, mm. 3-4 ...................................................66