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Volume , issue impact Factor: 249564-99-PB
№6 | 2023
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required the strengthening of a single national identity. A rich diversity of cultural expressions has
played a key role in shaping this identity. However, there is a tendency among different groups within
the same nation to be unaware of the importance of cultural diversity in a country. These people want
to impose their views on cultural values, which are often stereotyped. Because of this, they constantly
question and challenge the very notion of national identity. Many young people today learn to play
the instrument in cultural centers and music schools. Musicians are invited to perform on national
television programs and at art festivals. The sacredness of the instrument has been transformed in
such a way that now the rabbob reflects not only the culture of a certain ethnic group but is a symbol
of the cultural diversity of Tajikistan and at the international level - of Muslim culture as a whole. .
As noted above, rabobob craftsmen make instruments not only for ritual purposes but also for
educational institutions' use to promote tourism, concerts, and other cultural events. Through this
process and the tool itself, they form a vision of their religion and culture, integrating past and present,
religion and culture, and linking their identity to competing cultural and political realms. This process
also includes making local cultures part of a global one by turning a traditional musical instrument
into a work of art.
References.
1.
A. Gribets, "The Sama Controversy: Sufis vs. Lawyers", Studia Islamika 1 XXIV (1991): 43-
62.
2.
Abdulmamad Yermamadov, interview, October 18, 2011, Langar village, Vakhan.
3.
Alexei Vasiliev, Central Asia: Political and Economic Issues in the Post-Soviet Era (London:
Saqi Books, 2001).
4.
Alipano Yakubekov, interview, October 17, 2011, Shirgin Vakhana.
5.
Amnon Shiloah, Music and Religion in Islam, Acta Musicologica 69, Fasc.2 (1997): 43-55.
6.
Amnon Shiloah, Music in the Islamic World: A Sociocultural Study (England: Scholar Press,
1995).
7.
Andrei Bertels, Nasiri Khosrov and Ismailism (M.: Vostochnaya Literatura, 1959).
8.
Arjun Appadurai, "Introduction: Commodities and the Politics of Values," in The Social Life
of Things: Commodities in a Cultural Perspective, ed. Arjun Appadurai (Cambridge:
Cambridge University Press, 1986). 3-63.
9.
Asratsho Malbekov, interview, October 2011, Khorog
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