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his mentor and teacher. He added that he is somewhat connected to that lineage because
of his relationship with AT1 but that this extended connection is not important to him.
AT3 is an interesting case in that he offers many non-traditional perspectives, yet his art,
which he views as the creative part of his practice, is entirely centred on the Hindu
pantheon.
When it came to yoga techniques other than postures, these did not hold much
interest for the three teachers. AT2 said that
asana practice needs to be the priority for
yoga to “work in the West” because it needs to be approached “though the body”. All
three were involved with meditation element but each practices it differently. AT1 said it
was found in the Ashtanga practice itself, which was “meditation in motion”. AT2 said
she does thirty minutes per day of seated meditation. AT3‟s meditation practice is thirty
minutes of breath observation in the late afternoon, three or four times a week.
With respect to further study on the various aspects of yoga we see that each
teacher‟s curiosity led them to different places. AT1, having spent most of his life
practicing yoga, has read numerous books on the subject. When asked which of these
were of particular interest, he mentioned the written works of T. Krishnamacharya. His
books, as well as any other of Krishnamacharya‟s personal writings, are unavailable
anywhere in the world (due to the previously mentioned memory management issues and
the handling of his legacy by Krishnamacharya‟s son and grandson). AT1 said that he
has, on at least three occasions, been fortunate enough to read a secret copy of
Krishnamachayra‟s Yoga Makaranda (1935). AT2 said she likes to constantly re-visit the
Bhagavad Gita and
Yogasutras; it was her interest in these Indian spiritual texts that led
her to pursue a BA in Religious Studies. Both AT2 and AT3 feel that the series of books
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published by the Bihar School of Yoga (BYS) are excellent resources. The series is
published in India by the school founded by Swami Satyananda (student of Swami
Sivananda of Rishikesh). AT3 also mentioned that he really enjoyed the Aghora trilogy
by Robert Svoboda. This series follows various tantric sects of sadhus, many of whom
have unusual practices. AT3 credits the books for opening his eyes to “all the yoga that
happens off the mat”.
Iyengar Yoga Teachers
(A) Iyengar Yoga teachers’ backgrounds and experience
All three Iyengar teachers have been practicing for many years. IT1 started
practicing yoga twenty years ago and has been teaching for the past fourteen years. The
forty-nine year old narrated his story as a path inevitably heading toward yoga. He began
with meditation practice in the late 1980‟s. This led him to start taking Tai Chi classes,
which he continued for a year. His first yoga class and even the first yoga book he read
was in the Iyengar tradition. He followed the training course in the back of Iyengar‟s
Light on Yoga. In the early days of his practice he used to frequently visit the Sivananda
Ashram in Val-Morin, Quebec, and also underwent a Sivananda teacher training course.
However, he did not begin teaching until after he completed the Iyengar training
program. He mentioned that he has tried many other styles (Bikram, Ashtanga, Kripalu)
but “didn‟t like any of them”. In fact, he displayed considerable disdain and
condescension toward other styles of yoga. This is particularly the case for him and
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Ashtanga Yoga, which he mentioned on several instances as representing the antithesis of
Iyengar Yoga.
Forty-two year old IT2 has been practicing yoga for fourteen years and she began
teaching within her first year of practice. She holds an MA degree and works as a
psychotherapist. She does not have a physical background and told me that she “doesn‟t
particularly like the physical challenge”. In 1996, IT2 had just moved to a small
community in northern British Columbia and joined the yoga class at the local YMCA to
be able to meet people. She says she walked into her first yoga class there without any
idea of what yoga was. That first class was in the style of Integral Yoga (of Swami
Satchidananda). She attended the class regularly and when the teacher was absent the
YMCA asked her to fill in. This is how she started teaching. The YMCA, wanting to
develop a yoga program, sponsored her to take Vinyasa style training in Idaho with Erich
Schiffmann. The YMCA then associated itself with the Victoria Iyengar centre and
supported distance training. She said she really hated the Iyengar style at first but
thankfully really liked the senior Iyengar teacher in Victoria. She appreciated the focus
on bodily alignment and the therapeutic use of Iyengar Yoga. However she explained that
she has struggled with certain aspects of the style over time and after her first Iyengar
training went to Ashtanga. She still practices a little Anusara style (founded by John
Friend in 1997) in addition to her regular Iyengar practice, but she did mention that she
understands that a “commitment to one style allows you to go deeper” into the practice.
IT3 has a BFA in painting and has been practicing yoga for thirty years, sixteen of
those years practicing the Iyengar style. She practiced at the Sivananda centre in Toronto
before moving to Montreal twenty years ago. The sixty-three year old began this practice