60
supply (for example, the price – from the consumer, or the value – from the
manufacturer) trying to be like and optimally compensate for their own, and later
commercially produce, getting from this, in addition to the possible income, the
joy of improvement in a variety of activities. Alas, adhering to Weber's views on
the profession, Grigoryev obliquely looks at the phenomenon of a hobby,
considering it to be something of an unrealized nature in the main profession.
Meanwhile, it is a way out of the main activities that is seen as a natural (even
physiological) way to avoid the biologically destructive re-specialization that
Fuller, Papanek write about and be more universal. Tracking this kind of activity
on the whole oikoumene level allows to determine the shortage of the internal
market and correlate it with the data on shortages of external demand, building
the RT process more purposefully and systematically.
Further, in this sense of hobbism, in the continuation of consideration of the
question of excluding re-specialization, it will be appropriate to raise the question
of the urgency of the profession of an organized person. Should one
person spend
one lifetime on one profession? After all, the experience of one profession can
supplement its alienity with a new experience, creating conditions for creativity in
the Koestlerian sense. The urgency of the presence in the profession and CPT is
not the subject of management for neoconomics, but is seen as a crisis factor, or
shock factor. But it is such that management is possible, based on the goal of re-
specialization. Actually, the question of the urgency of the profession is the
question of project work, but set at a larger time scale than was said about
projects by neoconomics (and not only by it) as business, administrative
or artistic
projects for the most part performed by one person or a group of individuals with
constant urgency, expediency, certainty and, so to speak, narrative (or narrative
security, in the neoconscious sense of this concept). When it comes to the
profession as a project, the extension of the scope of the
design review is directed
towards the issue of transhistorical continuity (referred to below in the
corresponding section) and, further, towards the universal scenario (in the fuller
sense) as the telezise (in the above papanet sense) of any project activity. That is,
the profession must have the properties of the meaningfulness of its
employment, regularity and finiteness. Although the latter, of course, is not an
imperative,
based on necessity, but a postulate of
opportunity, for the
question of
the managed (extra-shorter) urgency of the profession is the question of the