Azərbaycan Milli Elmlər Akademiyası Folklor İnstitutu İzahli muğam lüĞƏTİ
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- Bu səhifədəki naviqasiya:
- 1 8 9 Exp lan ato ry mu gha
- 1 9 1 Exp lan ato ry mu gham
Ex pla na tor y m ug h am dic tio na ry TAR. 1. The tau t string musical instrument. It has spread in Iran, Middle Asia, Dagestan and in other neighboring countries. But Azerbaijan ta r differs from Iranian ta r according to its structure, construction. D uring the second part o f the 19th century the famous representative o f A zerb aijan m usic a r t M irze Sadig A sad oglu changed th e construction of m usical instrum ent ta r on the base of scientific- acoustic principles. H e increased the number of strings in order to strength the voice of tar; tied the extra curtain (called zabol) in the top part o f the hand, he helped to use ta r mastery techniques; 2. Drum ; 3. String. TARZAN. The performer o f the instrum ent tar; a professional musician performing as a soloist or an accompanier. TABIL. A percussion musical instrument. TAKHNIS. Very high-pitched tone. TAGSIM . 1. The free im provisation on the main base; 2. Mugham or mugham p art in Turkish music. TERANE. Melody, song, tune. TARKIB. The second part in the m ugham “Shushtar”, the p art between “Shushtar” and “Uzzal” in the dastgah “H um ayun” . TASNIF. The little song with accurate and constant sizes performed between the parts of dastgah. TUTEK. The wind instrum ent prepared from the wood.
UD. The ancient stringed instrument performed with the m ediator by N ear E ast nations. It has spread in A rab countries, Turkey and Iran. During the centuries the instrument ud has been amended and its construction has been changed. The modern instrument ud is a m usical instrum ent with six strings. Five o f them are connected double, but the sixth is connected alone. The arrangement and order of the strings are very strange: the melodic strings are in the middle, but the bass strings are connected from sides. UN. Voice, sound, vocal voice. U ST M IZRAB. In the practice of tar mastery the method of touching the m ediator on the strings each time only from top to bottom. USH SH AG . The l sl of the main 12 mughams of classical music o f Near East nations; 2. One of the sections perform ed in the base o f the dastgah “R ast” . U ZZA L. The high-pitched tone part situated at the end o f m ugham after “K haveran” p art in the dastgah “Bayati-Shiraz” .
Ex pla na tor y mu gh am dic tio na ry VAMIG. The ancient percussion mugham. VILAYETI. One of the central parts performed in the dastgahs “R ast” and M ahur . ---
YEDI-HASAR. The section situated between “A rag” and “Ashig-gush” in the dastgah “Zabul Segah”. ё ё
Y ETİM SEG A H The m ugham perform ed in sad m ood on the base ivhary Segah . 1 9 0 ZABUL. 1. In A zerbaijan classical music: The p a rt situated between “S egah” and “Y ed i-H asar” in the dastgah “C h a h a rg a h ” ; 2. In Iranian music: a) The part situated between “Uzzal” and “Bayati- A jam ” in the dastgah “H um ayun”; b) The p art situated between “B adr” and “M ayeyi-Sagir” in the dastgah “C hahargah” . ZABUL SEGAH. The dastgah (system) connecting the following parts: “ M a y e y i-z a b u l” , “ M u y e” , “M a n e n d i m u k h a lif” , “ S e g a h ” , “ M a k h lu g ” , “ S h ik este y i-fars” , “M u re b b ig e ” , “A ra g ” , “Y edi- H asar” , “A shig-G ush” . ZAM IN-KHARA. (The literal meaning of the word is “rocky place”) 1. In A z e rb a ija n classical m usic: th e p a rt situ a te d betw een “M ansuriyye” and “R ak-H isar” in the dastgah “R ast”; the part situated between “Bayati-G ajar” and “M averannahr” in the dastgah “ R a s t” ; th e p a r t s itu a te d betw een “ M a n s u riy y e ” an d “M averannahr” in the dastgah “C hahargah”; 2. The part performed after “Samayi-Shams” in the mugham “Shur”. This mugham has a very plaintive, languishous and effective intonation. That is why in religious rituals the elegies are composed on the base of “Zamin- K h a ra ” . ZAM R. A wind musical instrument. ZANGI-SHUTUR. (The literal meaning o f the word is “tinkling”) 1. The part situated between “R ak” and “A rag” at the end o f the d astg ah “D u g ah ” ; 2. Before this p a r t was p erform ed betw een “A shiran” and “K ark u k i” in the dastgahs “R a st” , “C h ah arg ah ” and “N eva” . 1 9 1 Exp lan ato ry mu gham dic tio nar y Yüklə 1 Mb. Dostları ilə paylaş:
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