GLOSSARY
----- ----------- ^
A
Baki m ugham mejlisleri
135
B al-K abutar
136
A bulchap
131
B alaban
136
A fshari
131
B akhtiyari
136
A let
131
Bam
136
A letshunaslig
132
B arbat
136
Alt mizrab
132
B ardasht
136
Amiri
132
B arm ag
136
A rachalgi
132
Bas aletler
137
A raq
132
Bas tar
137
A razbari
132
Basic tone
137
A rganun
132
Basit
137
A ruz vezni
132
Bayati
137
Asas pilleler
133
Bayati-A jam
137
A shig-Gush
133
B ayati-Isfahan
137
Ashikh
133
Bayati-K urd
137
A shiran
133
B ayati-G ajar
137
A vaz
133
B ayati-R aje
137
A vazat
133
Bayati-Shiraz megami
137
A vazi-nagis
133
“Bayati-Shiraz“ mughami
138
Avazi K hosh Ulu mugham
133
“Bayati-Shiraz“ mugham
138
A vaze
133
notes
A vazekhan
133
Bayati-turk
138
Ayag etme
133
Beste-Nigar
138
A zerbaijan
133
Beytus-Sefa
138
A zerbaijan folk music basis
134
Bidad
139
Bogaz
139
Buselik
139
Buzurg
139
В
B ab-Tahir
135
c
Bagdadi
135
B ahr-nur
135
C hahargah megami
140
Bahr
135
C hahargah mughami
140
1 9 5
Exp
lan
ato
ry
mu
gham
dic
tio
nar
y
Ex
pla
na
tor
y
mu
gh
am
dic
tio
na
ry
ZANGULE. 1. The 9th of the main 12 mughams of classical music of
N ear East nations. 2. One of the ornamental and adornment tricks
used in Azerbaijan vocal music activity.
ZARBI M U G H A M . A zerbaijan original folk music form consisting
of the mugham performed the difficult and changeable rhythm on
the base of the free improvisation according to the rhythmic point
of the vocal part and the accurate and constant sized from the music
with the instrum ental escort, for example: “H eyrati”, “Shikeste”,
“M ensuriyye” , “K erem i” , “ M aan i” , “O vshari” , “A ra z b a ri” and
so on.
ZIL. The high-pitched tone.
ZIRAFKAND. The 7th of the m ain 12 mughams of classical music o f
N ear and Middle East nations.
ZIRKESH. The small section at the beginning of the dastgah “Shur”.
ZIRVE. 1. The top of the interval; 2. The top of the melody.
ZURNA. The wind instrum ent prepared from the wood. There are 7
holes in the front section and a hole in the back side of it, they are
usually closed or opened with the fingers in definite times during the
performances. Zurna had many kinds such as: “asefi zurna”, “arabi
zurna”, “ajami zurna”, “gaba zurna” , “shahabi zurna”, “jure zurna”
and so on.
ZU K HM ET. A mediator.
ZU M ZU M E. To sing the favorite music slowly. It is mostly used in the
process o f mastering the melody of the music.
1 9 2
GLOSSARY
Ex
pla
na
tor
y
mu
gh
am
dic
tio
na
ry
“C hahargah” mugham notes
C h ah ar m izrab
Chalgi aletleri fesilesi
C hanag
C hakavak
C hang
C hagana
C hoban Bayati
Classic
Com poser
C onductor
Connecting part
Culm iation
D
D a f
D eram ed
D astgah
D ashti
D ilkash
D ilruba
Diringi
D uet
D uettino
D ulogiya
D ugah
D u tar
E
Elegy (Ağı)
Ensemble
Ensemble of Azerbaijan
folk musical instruments
Eser
F
Fili
147
Folk musical instruments
147
Folk songs
147
Folklore
147
Folk-professional music
148
with oral tradition
G
G abri
149
G af
149
Gafgaz Humayunu
149
(Caucasus Humayun)
149
G anon
149
G anun
149
G ana, gina
149
G arabag mugham school
149
G arabag mugham meetings
150
“G arab ag singers”
150
G arabag shikastasi
151
G ardaniyye
151
G a ta r
151
G atar-B ayati
151
G aval
151
G aynatm a
151
Gemensiz
151
G erai
151
G erre
152
Geside
152
Gezishme
152
G hazal
152
G osha gafiye
152
G osha nagara
152
G ram ophone record
152
Gushe
153
Gulriz
153
141
141
141
141
141
141
141
142
142
142
142
142
142
143
143
143
143
143
144
144
144
144
144
144
144
145
145
145
146
1 9 6
H
Haji Dervishi
154
Haji Yuni
154
H arm ony
154
H asar
154
H ava
154
H eyrati
154
H azaj
154
Hesin
155
Heziz
155
Hijaz
155
Humayun
155
Humayun makam
156
“H um ayun” mugham notes
156
Huseyni
156
H uzzan
156
I
Iqa
157
Im provisation
157
Instrum ental mugham
157
Intonation
157
Isfahan (isfahani)
158
J
Jald m izrab
158
Jidayi
158
Jumle
158
К
Kabili
159
K am an
159
K am ancha
159
Kamil
159
K a r
159
K ereshm e
159
K ey-K hosrovani
159
Keshish oglu
159
K ar am i
159
K arim Abadi
159
K arkuki
160
K asm a shikasta
160
K hanande (Singer)
160
K oos
160
Khanande and sazende groupe 160
K harij
160
K harij Segah
160
K harrat G ullu’s school
160
K haveran
161
K hojasta
161
Khun
161
K urd Ovshari
161
K urd Shahnaz
161
K urdi
161
L
Lad
162
Ladtonallig
162
Lai barm ag
162
Lai perde
162
Lahn
162
Lyrics
162
M
M aani
163
M ahur
163
M ahur-hindi
163
M ahuri-M uheyyer
163
M akam
163
M akom
163
1 9 7
Exp
lan
ato
ry
mu
gha
m
dic
tio
nar
y
Ex
pla
na
tor
y
mu
gh
am
dic
tio
na
ry
M anend
M anende
M an an d e-H asar
M anandi-M ukhalif
M aye
M averennehr
M irze huseyn segah
M elody
Melizm
Mejlis
Mejlisi-uns
Mejlisi Feram ushan
M ejm eush-Shuera
M eglub
M ekhlut
M egam
M ensuriyye
Mesihi
M esnevi
M oalif
“M ugham -dastgahi” project
M ugham dastgah
“M ugham D unyasi” project
“M ugham encyclopaedia”
project
M ugham etudes
“M ugham Irs”
(“M ugham heritage”) project
M ugham projects
M ugham meetings
“M ugham m erkezi” project
M ugham competition
M ugham trio
Mugham Trio named after
Jabbar Garyagdi oglu
M ugham notes
M ugham opera
M ugham recordings
M uye
M uberrige
M ukhalif
172
M uheyyer
172
N
N agara
173
Nehoft
173
Ney
173
Ney-Davud
173
Nefir
173
N efir-Farang
173
Nehavend
173
Nekhjirkan
173
N ested
173
N eva
173
N evayi
174
N evayi-N ishapur
174
Niiriz
174
Nimruz
174
N ishapur
174
N ishapurek
174
N ishibi-Feraz
174
N ote
174
N ote lines
174
N ovruz-B ayati
175
N ovruz-B uzurg
175
N ovruzi-revende
175
Novruz seba
175
Novruz khara
175
Nushi bade
175
Nuzhe
175
О
Orchestra o f Azerbaijan folk 176
musical instruments
O rta m ahur
176
O rta segah
176
164
164
164
164
164
164
164
164
165
165
165
165
165
165
165
165
166
166
166
166
166
166
167
167
167
167
167
167
168
168
168
168
169
169
170
171
172
172
1 9 8
Ouvj
176
P
Pashref
177
Panjgah
177
Perde
177
Perde vurmag
177
Perfect hearing
177
Perform er
177
Per perestuk
177
Pervane
178
Pest
178
Pestkhan
178
Pishderam ed
178
Professional music with
178
oral tradition
R
R ak
179
R ast
179
R ast megam
179
R ast mugham family
180
R ast m ugham notes
180
R ast panjgah
180
Ravendi
180
R epoitoire
180
Rejez
180
R ehab
180
Rem el
180
R eng
181
R oot
181
Rubend
181
R uh-ul-arvah
181
R ubab
181
s
Santur
182
Saranj
182
Sazende
182
Segah mugham
182
Segah m ugham family
182
Segah mugham notes
183
Setar
183
Selmek
183
Semayi-Shams
183
Senj
183
Ses
183
Shah K hatai
183
Shah perde
183
Shahnaz
183
Shakhe
183
Shamakhi M ugham meetengs 183
Shahmakon
184
Shahdi Shahnaz
184
Shakki Shahnaz
184
Sharg concerts
184
Sharg gejeleri
185
Shikesteyi-Fars
185
Shikeste
185
Shirvan shikestesi
185
Shobe
185
Shur
185
“Shur” mugham notes
186
writings
Shur-Shahnaz
186
Shushter
186
“Shustar” mugham notes
187
Singing
187
Solo
187
Soloist
187
Song
187
Sumsu
187
Symphonic mugahm
187
1 9 9
Exp
lan
ato
ry
mu
gha
m
dic
tio
nar
y
MIRZE SAGID ASAD OGLU
SADIKHAN (TAR)
(1846-1902)
GURBAN BAKHSHALI
OGLU PRIMOV (TAR)
(1870-1965)
MIRZE FEREJ RZA OGLU RZAYEV (TAR)
(1847-1927)
2 0 3
MASHADI JAMIL
AMIRASLAN OGLU
AMIROV (TAR) (1875-1928)
-
Ш
LETIF HUSEYN OGLU
KARBALAYI (QARMON)
(1876-1944)
SHIRIN MASHADI
HUSEYN OGLU AKHUNDOV
(TAR) (1878-1927)
2 0 4
MAMMADKHAN MAMMADRIZ A
OGLU ВAKIKHANOV (TAR)
(1890-1957)
AMHEDKHAN MAMMADRIZA
TEYYUB НАЛ MAMMAD OGLU
OGLU BAKIKHANOV (TAR)
DEMIROV (GARMON)
(1892-1973)
(1908-1970)
MEHDİ JAVAD OGLU NEZERLI
(WIND INSTRUMENTS) (1892-1952)
2 0 5
BAHRAM YIASH AI)I SULEYMAN BEY
MANSUROV (TAR)
(1911-1985)
AM AC A EYVAZ OGLU
GULIYEV (TAR)
(1917-1998)
2 0 6
НАЛ MAMMAD OGLU
MAMMADOV (TAR)
(1920-1981)
MAMMADAGA
BAHRUZ MAMMAD OGLU
MAMMADHASAN OGLU
ZEYNALOV (BALABAN)
MURADOV (TAR)
(1926-1998)
(1921-1969)
EHSEN ALIABBAS OGLU DADASHOV (TAR)
(1924-1976)
2 0 7
HABIB ABDULHUSEYN OGLU BAYRAMOV (TAR)
(1926-1994)
ELMAN KARIM OGLU BEDELOV (KAMANCHEH)
(1929-1991)
2 0 8
RAFIG FERZI OGLU BABAYEV (PIANO)
(1936-1994)
ZAUR SULEYMAN OGLU ALIYEV (PIANO)
(1937-1950)
2 0 9
VAGIF AZIZ OGLU MUSTAFAZADEH (PIANO)
(1940-1979)
ADALAT SEFERELI OGLU
VAZIROV (KAMANCHEH)
(1951-2002)
2 1 0
The editor of publishing house:
Nigar Hasanova - D octor of philosophy on philology
Saadat Tahmirazgizi - D octor o f philosophy on philology
The editors of art:
Ellada Hüseynova -
D octor of philosophy on art criticism, associate professor
Leyla Mammado va Farajo va -
Doctor of philosophy on art criticism, professor
Painter:
Alina Jahangir ova
Design:
Irina Tishakova
Computer operator:
Fidan Nasir ova
Narmin Aliyeva
2 1 1
Introduction ...........................................................................................129
Explanatory mugham dictionary......................................................... 131
G lo s sa ry .................................................................................................. 195
N otable instrumental performers of Azerbaijan ........................... 203
( X IX -X X centuries)
CONTENTS_________________________
2 1 2
İZ A H L I M U Ğ A M L Ü Ğ Ə T İ
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