Microsoft Word II cild musiqi tarixi son 2017. doc

 

565 

ность  композитора. (Автор  разделов – кандидат  искусство-

ведения Г.Везирова). 

В одинадцатом разделе исследуется творчество дириже-

ра  и  композитора  Ниязи.  В  первой  главе  рассматривается 

жизнь и творчество Ниязи. Во второй – исследуется симфо-

нический  мугам  “Раст”,  в  третьей – опера  “Хосров  и  Ши-

рин”  и  балет  “Читра”,  в  четвертой – фортепианные  пьесы 

композитора, в пятой – основные особенности его исполни-

тельства,  в  шестой – связи  Ниязи  с  турецкой  музыкальной 

культурой. (Автор  раздела – кандидат  искусствоведения 

С.Агаева). 

Двенадцатый  раздел  посвящается  композитору  Сеиду 

Рустамову.  

В  первой  главе  описываются  жизнь  и  характеристика 

творчества  Сеида  Рустамова,  во  второй – песенное  творче-

ство,  в  третьей – музыкальные  комедии,  в  четвертой – ин-

струментальные произведения, в пятой и шестой рассматри-

ваются  его  дирижерская  и  педагогическая  деятельность,  в 

седьмой – С.Рустамов  и  народная  музыка  (Автор  раздела – 

доктор искусствоведения Ш.Гасанова). 

В последнем тринадцатом разделе представлено творче-

ство  А.Рзаевой.  Жизнь  и  творчество – в  первой  главе,  во 

второй – песенное творчество и сочинения в других жанрах 

(Автор раздела кандидат искусствоведения Х.Бабаева). 

Далее приводятся резюме на русском и английском язы-

ках,  сведения  об  авторах  и  использованная  литература  (на 

азербайджанском, русском и других языках). 

 

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SUMMARY 

 

The second volume of the “History of Azerbaijan music” is 

dedicated to the investigation of musical art of Azerbaijan at the 

beginning of the XX century. In the book there is noted the great 

role of the composer as an important phenomenon in the 

creation and construction of the new national musical culture. In 

the book there is presented composer’s school created at the 

beginning of the XX century on the basis of the centuries-old 

musical culture of Azerbaijan. 

The period of history of Azerbaijan music considered here is 

connected with the names of such great and famous composers 

as Uzeyir Hajybayli, Muslim Magomayev, Zulfugar Hajybayov, 

Asaf Zeynally, Afrasiyab Badalbayli, Said Rustamov, Niyazi 

and well-known Russian soviet composer M.P.Gliyer who 

worked in Baku that time. 

The second volume of the “History of Azerbaijan music” 

consists of a preface, an introduction, twelve sections and 

chapters. The first section is dedicated to the creation of the 

founder of opera in the East and Azerbaijan Uzeyir Hajybayli. In 

the first chapter there is considered the composer’s life and 

creation, in the second chapter the opera “Leyli and Majnun”, in 

the third – the musical comedy “Arshyn mal alan”, in the fourth – 

the opera “Koroghlu”, in the fifth – musical gazelles “Sansiz” 

(“Without you”), “Sevgili janan” (“Sweet-heart”), in the sixth – 

theoretical problems of the scientific creation of Uzeyir Hajy-

bayli such as sound system, mode theory, melody, rhythm, 

chorus, polyphony, harmonic style, European musical instru-

ments and oriental music, vocal performing etc. 

The following chapter is dedicated to the creation of new 

musical genres – operas and musical comedies in Azerbaijan 

music in the 20-30-es of the XX century, there are considered 

discussions dedicated to these genres. (The author of the first 

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section is academician of the Academy of Sciences of 

Azerbaijan, professor Z.Safarova).  

In the third section there is studied the creation of the 

composer Muslim Magomayev. (Author of this section is Ulkar 

Talybzade, PhD in music art.) 

In the first chapter there is considered the composer’s life 

and creation, in the second – the opera “Shah Ismayil”, in the 

third – the opera “Nargiz”.  

In the fourth section there is analysed the development of the 

national musical culture and given general, characteristics of this 

period. (The author is U.Talybzade). 

In the fifth section there is analysed composer Zulfugar 

Hajybayev’s creation (The author is J.Jabrailbayli). Composer’s 

life and creation is considered in the first chapter, musical 

comedies-in the second, the opera “Ashyg Garib” – in the third 

chapter. 

Then comes the VI section devoted to R.M.Gliyer. (Author 

of this section is Lala Kazymova, PhD in music art.) 

In the first chapter there is given general characteristics of 

composer’s creation. In the second chapter there is considered 

the opera “Shahsanam” and shown the role of the famous singer 

Sh. Mammadova in its creation. 

The following seventh section is dedicated to the develop-

ment of musical culture of Azerbaijan in the 1920-1930-es. In 

the eighth section there is considered the creation of the young 

composer Asaf Zeynally. (The author is R.Rzaguliyeva). 

In the first chapter there is considered composer’s life and 

creation, in the second vocal works, in the third – chamber 

works, in the fourth-symphonic works of the composer are 

analysed. 

The following ninth chapter is dedicated to Azerbaijan music 

culture of the 1930-40-es.). (Author of this section is Gula-

raVazirova, PhD in music art). 

Composer Afrasiyab Badalbayli’s creation is studied in the 

tenth section. (The author is G.Vazirova). 

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