Funkcija humora u djelima thomasa pynchona doktorski rad
ŽIVOTOPIS I POPIS JAVNO OBJAVLJENIH RADOVA AUTORA
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9. ŽIVOTOPIS I POPIS JAVNO OBJAVLJENIH RADOVA AUTORA Nikola Novaković rođen je u Zagrebu, 30.9.1985. Diplomirao je na Filozofskom fakultetu 2009. godine u Zagrebu te stekao zvanje profesora engleskog jezika i komparativne književnosti. «Zazornost u romanu Shirley Jackson We Have Always Lived in the Castle», Dosezi psihoanalize – Književnost, izvedbene umjetnosti, film i kultura (Leksikografski zavod Miroslav Krleža, Zagreb: 2015), str. 189-201. «Historiografska metafikcija u romanu Against the Day Thomasa Pynchona», Književna smotra, god. XLIV, sv. 163, 2012, br. 1, str. 67-74. «Autoreferencijalnost i identitet u Unutarnjem carstvu Davida Lyncha», Hrvatski filmski ljetopis, god. 17, 2011, br. 67, str. 103-108. «Autoreferencijalnost u djelima Edgara Allana Poea i Vladimira Nabokova, Riječ – časopis za slavensku filologiju, god. 16., sv. 2, 2010, str. 215-229. 1 Svi prijevodi citata iz djela Thomasa Pynchona su moji, osim u slučaju romana Inherent Vice, koji je u prijevodu Maje Tančik objavljen pod naslovom Skrivena mana. 2 Igor Perišić, Uvod u teorije smeha: kratak pregled teorije smeha od Platona do Propa (Beograd: Službeni glasnik 2010), str. 36. 3 Milivoj Solar, Teorija kniževnosti (Zagreb: Školska knjiga, 1980), str. 192. 4 Perišić, Uvod u teorije smeha, str. 36. 5 Vladimir Propp, Problemi komike i smeha, prev. Bogdan Kosanović (Novi Sad: Nišro Dnevnik, 1984), str. 19. 6 Perišić, Uvod u teorije smeha, str. 43. 7 M. H. Abrams, A Glossary of Literary Terms (Boston: Heinle & Heinle, 1999), str. 26-27. 8 Propp, Problemi komike i smeha, str. 75. 9 Usp. Linda Hutcheon, «Parody Without Ridicule: Observations on Modern Literary Parody», Canadian Review of Comparative Literature, 5 (1978) 2, str. 201. 10 Usp. Simon Dentith, Parody (London, New York: Routledge, 2000), str. 6. 11 Usp. Linda Hutcheon, The Politics of Postmodernism (London i New York: Routledge, 1989.), str. 93-94. 12 Propp, Problemi komike i smeha, str. 111. 13 Usp. Linda Hutcheon, Irony's Edge: The Theory and Politics of Irony (London i New York: Routledge, 1994), str. 13. 14 Perišić, Uvod u teorije smeha, str. 16. 15 Usp. Luigi Pirandello, Humorizam, prev. Vladimir Rismondo (Split: Mogućnosti, 1963), str. 18. 16 Usp. Perišić, Uvod u teorije smeha, str. 19. 17 Umberto Eco, «Pirandello Ridens», The Limits of Interpretation (Bloomington i Indianapolis: Indiana University Press, 1994), str. 164. 18 Perišić, Uvod u teorije smeha, str. 23. 19 Usp. Adrian Bardon, «The Philosophy of Humor», Comedy: A Geographic and Historical Guide, ur. Maurice Charney (Connecticut: Greenwood Press, 2005), str. 463. 20 Henri Bergson, Smijeh: esej o značenju komičnog, prev. Bosiljka Brlečić (Zagreb: Nakladni zavod Znanje, 1987), str. 10. 21 Usp. Propp, Problemi komike i smeha, str. 30. 22 Perišić, Uvod u teorije smeha, str. 45. 23 Usp. Bardon, «The Philosophy of Humor», str. 466. 24 Perišić, Uvod u teorije smeha, str. 47. 25 Perišić, Uvod u teorije smeha, str. 50. 26 Usp. Bardon, «The Philosophy of Humor», str. 469. 27 Usp. Bardon, «The Philosophy of Humor», str. 469. 28 Perišić, Uvod u teorije smeha, str. 51. 29 Usp. Elizabeth Jane Wall Hinds, «Thomas Pynchon, Wit, and the Work of the Supernatural», Rocky Mountain Review 54 (2000) 1, str. 28. 30 John Stark, Pynchon's Fictions: Thomas Pynchon and the Literature of Information (Atena i Ohio: Ohio University Press, 1980), str. 24. 31 Steven Weisenburger, «A Hand to Turn the Time: The Menippean Satires of Thomas Pynchon, and: Writing Pynchon: Strategies in Fictional Analysis (review)», Modern Fiction Studies, 36 (1990) 4, str. 581. 32 Usp. M. M. Bahtin, O romanu, preveo Aleksandar Badnjarević (Beograd: Nolit, 1989), str. 174. 33 Northrop Frye, Anatomija kritike, prev. Giga Gračan (Zagreb: Naprijed, 1979), str. 349. 34 Bahtin, O romanu, str. 176. 35 Frye, Anatomija kritike, str. 351. 36 Bahtin, O romanu, str. 176-177. 37 Charles Hollander, «Pynchon's Juvenilia and Against the Day», GRAAT 3 (2008), str. 39-40. 38 Thomas Pynchon, Voice of the Hamster, citirano u Luc Herman, «Early Pynchon», The Cambridge Companion to Thomas Pynchon, ur. Inger H. Dalsgaard, Luc Herman, Brian McHale (Cambridge: Cambridge University Press, 2012), str. 20. 39 Usp. Hollander, «Pynchon's Juvenilia and Against the Day», str. 43. 40 Bahtin, O romanu, str. 204. 41 Manfred Pütz, «The Art of the Acronym in Thomas Pynchon», Studies in the Novel, 23 (1991) 3, str. 374. 42 Usp. Pütz, «The Art of the Acronym in Thomas Pynchon», str. 374. 43 Pütz, «The Art of the Acronym in Thomas Pynchon», str. 375. 44 Usp. isto, str. 376. 45 Isto, str. 375. 46 Bič napravljen od kože nosoroga. 47 David Gillota, Belly Laughs: Body Humor in Contemporary American Literature and Film (Coral Gables: University of Miami, 2008), str. 11. 48 Gillota, Belly Laughs, str. 18. 49 Usp. Gillota, Belly Laughs, str. 110-111. 50 Usp. M. M. Bakhtin, Rabelais and His World (Bloomington: Indiana University Press, 1984), str. 21. 51 Usp. Dentith, Parody, str. 7. 52 Usp. Thomas Moore, The Style of Connectedness: Gravity's Rainbow and Thomas Pynchon (Columbia: University of Missouri, 1987), str. 36. 53 Usp. Jovanka Kalaba, «Parodic forms and their use in Thomas Pynchon's The Crying of Lot 49», Linguistics and Literature, 11 (2013) 2, str. 136. 54 Usp. Kalaba, «Parodic forms and their use in Thomas Pynchon's The Crying of Lot 49», str. 139. 55 Usp. Patrick Hurley, Pynchon Character Names: A Dictionary (North Carolina: McFarland, 2008), str. 115. 56 Usp. John A. Stoler, «Dicken's Use of Names in Hard Times», Literary Onomastic Studies, 12 (1985) 15, str. 154. 57 Usp. David Seed, Fictional Labyrinths of Thomas Pynchon (Iowa: University of Iowa Press, 1988), str. 75. 58 Usp. Hurley, Pynchon Character Names, str. 82. 59 Usp. Seed, Fictional Labyrinths of Thomas Pynchon, str. 75. 60 Usp. Drina Hočevar, «Pynchon's Maas: Subversion or Polyphonic Echoing and Mirroring of Myth», Myth and Subversion in the Contemporary Novel, ur. J. M. Losada Goya, M. G. Ochoa (Newcastle upon Tyne: Cambridge Scholars Publishing, 2012), str. 108. 61 Usp. Geoffrey Lord, «Mystery and History, Discovery and Recovery in Thomas Pynchon's The Crying of Lot 49 and Graham Swift's Waterland», Postmodernism and Notions of National Difference: A Comparison of Postmodern Fiction in Britain and America (Amsterdam i Atlanta: Rodopi, 1996), str. 80. 62 Usp. Emma V. Miller, «The Naming of Oedipa Maas: Feminizing the Divine Pursuit of Knowledge in Thomas Pynchon's The Crying of Lot 49», Orbit: Writing Around Pynchon 1 (2012) 1, str. 1. 63 Usp. Lord, «Mystery and History, Discovery and Recovery», str. 80-81. 64 Jacqueline Smetak, «Thomas Pynchon's Morality and Mercy in Vienna: Major Themes in an Early Work», Iowa Journal of Literary Studies 4 (1983), str. 65-66. 65 Gilles Deleuze i Félix Guattari, Kapitalizam i shizofrenija 2: Tisuću platoa, prev. Marko Gregorić (Zagreb: Sandorf & Mizantrop, 2013), str. 13. 66 Justin St. Clair, «Binocular Disparity and Pynchon’s Panoramic Paradigm», Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide, ur. Jeffrey Severs i Christopher Leise (Newark: University of Delaware Press, 2011), str. 69. 67 Usp. Krzysztof Piekarski, Martin Kevorkian i Elisabeth McKetta, «Mapping, the Unmappable, and Pynchon’s Antitragic Vision», Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide, str. 57. 68 Deleuze i Guattari, Kapitalizam i shizofrenija 2, str. 16. 69 Deleuze i Guattari, Kapitalizam i shizofrenija 2, str. 34. 70 Edward Mendelson, «Encyclopedic Narrative: From Dante to Pynchon», MLN, 91 (1976) 6, str. 1268-1269. 71 Susan Strehle, «Actualism: Pynchon's Debt to Nabokov», Contemporary Literature, 24 (1983) 1, str. 44. 72 Usp. Linda Hutcheon, «Historiographic Metafiction: Parody and the Intertextuality of History», Intertextuality and Contemporary American Fiction, ur. Patrick O'Donnell, Robert Con Davis (Baltimore: Johns Hopkins University Press, 1989.), str. 3. 73 Patricia Waugh, Metafiction (London: Routledge, 1984), str. 2. 74 Usp. Hutcheon, «Historiographic Metafiction», str. 10. 75 Steven Weisenburger: «The End of History? Thomas Pynchon and the Uses of the Past», Twentieth Century Literature, 25 (1979) 1, str. 64. 76 Hutcheon, A Poetics of Postmodernism: History, Theory, Fiction (London: Routledge, 1988), str. 8. 77 Usp. Hutcheon, «Historiographic Metafiction», str. 12. 78 Elizabeth Jane Wall Hinds, «Visible Tracks: Historical Method and Thomas Pynchon's 'Vineland'», College Literature, 19 (1992) 1, str. 95. 79 Piekarski, Kevorkian i McKetta, «Mapping, the Unmappable, and Pynchon’s Antitragic Vision», str. 49. 80 Piekarski, Kevorkian i McKetta, «Mapping, the Unmappable, and Pynchon’s Antitragic Vision», str. 49. 81 Christopher Leise, «Introduction: Exceeding the Usual Three Dimensions: Collective Visions of the Unsuspected», Pynchon’sAgainst the Day: A Corrupted Pilgrim’s Guide, str. 1. 82 Piekarski, Kevorkian i McKetta, «Mapping, the Unmappable, and Pynchon’s Antitragic Vision», str. 53. 83 Brian McHale, «Genre as History: Pynchon’s Genre-Poaching», Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide, str. 18-19. 84 Usp. Piekarski, Kevorkian i McKetta, «Mapping, the Unmappable, and Pynchon’s Antitragic Vision», str. 60. 85 Usp. Leise, «Introduction», str. 4. 86 Clair, «Binocular Disparity and Pynchon’s Panoramic Paradigm», str. 73. 87 Elizabeth Wesseling, Writing History as a Prophet: Postmodernist Innovations of the Historical Novel, (Amsterdam i Philadelphia: John Benjamins, 1991), str. 162. 88 Wesseling, Writing History as a Prophet, str. 166. 89 Simon Critchley, O humoru, prev. Dragana Vulić-Budanko (Zagreb: Algoritam, 2007), str. 48. 90 Jared Smith, «All Maps Were Useless - Resisting Genre and Recovering Spirituality in Pynchon's Against the Day», Orbit: Writing Around Pynchon, 2 (2014) 2, str. 2. 91 Smith, «All Maps Were Useless», str. 9. 92 Isto. 93 Usp. Piekarski, Kevorkian i McKetta, «Mapping, the Unmappable, and Pynchon’s Antitragic Vision», str. 52. 94 Joseph Tabbi: «Strung into the Apollonian Dream: Pynchon's Psychology of Engineers», NOVEL: A Forum on Fiction, 25 (1992) 2, str. 169. 95 Weisenburger, «The End of History? », str. 58. 96 Usp. Hutcheon, A Poetics of Postmodernism, str. 17. 97 Giorgio Mobili, Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi (New York: Peter Lang Publishing, Inc., 2008), str. 84. 98 Cristopher Leise, «Introduction», str. 4. 99Mobili, Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi, str. 84. 100 Elizabeth J. Wall Hinds, «Elizabeth Jane Wall Hinds on the Connections between the 18th and 20th Centuries», Thomas Pynchon, ur. Harold Bloom (Broomall: Chelsea House Pub, 2003), str. 127. 101 Pedro García-Caro, «'America was the only place...': American Exceptionalism and Geographic Politics», The Multiple Worlds of Pynchon’s Mason & Dixon: Eighteen Century Contexts, ur. E. J. Wall Hinds (Rochester: Camden House, 2005), str. 103. 102 García-Caro, «'America was the only place...'», str. 108. 103 Shawn Smith, Pynchon and History: Metahistorical Rhetoric and Postmodern Narrative Form in the Novels of Thomas Pynchon (New York i London: Routledge, 2005), str. 158. 104 Smith, Pynchon and History, str. 158. 105 Smith, Pynchon and History, str. 158. 106 Elizabeth Jane Wall Hinds, «Species in Mason & Dixon», Humans and Other Animals in Eighteenth-Century British Culture Representation, Hybridity, Ethics, ur. Frank Palmeri (Hampshire: Ashgate Publishing Limited, 2006), str. 196. 108 Wall Hinds, «Species in Mason & Dixon», str. 181. 109 Bahtin, O romanu, str. 193. 110 Usp. Bahtin, O romanu, str. 179. 111 Bahtin, O romanu, str. 177. 112 Smith, Pynchon and History, str. 151. 113 Joseph Conrad, The Heart of Darkness, The Selected Works of Joseph Conrad (London: Wordsworth Editions Limited, 2005), str. 1063. 114 Wall Hinds, «Species in Mason & Dixon», str. 198. 115 Usp. Wall Hinds, «Species in Mason & Dixon», str. 199. 117 Usp. Julie Christine Sears, «Black and White Rainbows and Blurry Lines», Thomas Pynchon: Reading from the Margins, ur. Niran Abbas (Madison i Teaneck: Fairleigh Dickinson University Press, 2003.), str. 117. 118 Sears, «Black and White Rainbows and Blurry Lines», str. 117. 119 Wall Hinds, «Species in Mason & Dixon», str. 199. 120 Elizabeth Campbell, «Metaphor and V.: Metaphysics in the Mirror», Pynchon Notes, br. 22-23, 1988, str. 60. 121 Usp. John Liner, «Utopia and Debt in Postmodernity; or, Time Management in Inherent Vice», Orbit: Writing Around Pynchon, 4 (2016) 1, str. 12-13. 122 Stipe Grgas, Ispisivanje prostora: čitanje suvremenog američkog romana (Zagreb: Naklada MD, 2000), str. 28. 123 Brian McHale, Constructing Postmodernism (London i New York: Routledge, 1992) str. 140. 124 Usp. David P. Rando, «Like the Odyssey, Only Different: Olympian Omnipotence versus Karmic Adjustment in Pynchon’s Vineland», Critique: Studies in Contemporary Fiction, 55 (2014) 1, str. 10. 125 Liner, «Utopia and Debt in Postmodernity», str. 25. 126 Mladen M. Jakovljević, «Heterotopija u Pinčonovim romanima V. i Duga gravitacije», Zbornik za jezike i književnosti Filozofskog fakulteta u Novom Sadu, Knjiga II (2012), str. 375. 127 Usp. Foucault, «O drugim prostorima», str. 10. 128 Usp. Brian Edwards, «Mixing media: Film as metaphor in Pynchon's Gravity's Rainbow», AJAS, 1 (1982) 3, str. 1-15. 129 Jakovljević, «Heterotopija u Pinčonovim romanima V. i Duga gravitacije», str. 378. 130 Usp. Foucault, «O drugim prostorima», str. 11. 131 Usp. Foucault, «O drugim prostorima», str. 13. 132 Isto. 133 Usp. Liner, «Utopia and Debt in Postmodernity», str. 32. 134 Jakovljević, «Heterotopija u Pinčonovim romanima V. i Duga gravitacije», str. 385-386. 135 Usp. Liner, «Utopia and Debt in Postmodernisty», str. 11. 136 Usp. Kathryn Hume, «Attenuated Realities: Pynchon's Trajectory from V. to Inherent Vice», Orbit: Writing Around Pynchon, 2 (2013) 1, str. 13. 137 Liner, «Utopia and Debt in Postmodernity», str. 17. 138 Liner, «Utopia and Debt in Postmodernity», str. 35. 139 Usp. John G. Melton, Jerome Clark, Aidan A. Kelly, New Age Encyclopedia (Detroit: Gale Research, 1990), str. 182. 140 Usp. Christopher K. Coffman, «Bogomilism, Orphism, Shamanism: The Spiritual and Spatial Grounds of Pynchon’s Ecological Ethic», Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide, str. 91. 141 Liner, «Utopia and Debt in Postmodernity», str. 40. 142 Liner, «Utopia and Debt in Postmodernity», str. 40. 143 Usp. Hume, «Attenuated Realities», str. 17. 144 Hume, «Attenuated Realities», str. 17. 145 Liner, «Utopia and Debt in Postmodernity», str. 45. 146 Kalaba, «Parodic forms and their use in Thomas Pynchon's The Crying of Lot 49», str. 137. 147 Usp. Paolo Simonetti, «A Mystery’s Redemption:Thomas Pynchon and the Inherent Vice of Detective Fiction», Thomas Pynchon and the (De)vices of Global (Post)modernity, ur. Zofia Kolbuszewska (Lublin: Wydawnictwo KUL, 2012.), str. 287-296. 148 Vidi Kathryn Hume i Thomas J. Knight, «Orpheus and the Orphic Voice in Gravity’s Rainbow», Philological Quarterly, 64 (1985) 3, str. 299-315, David Seed, Fictional Labyrinths of Thomas Pynchon (Iowa City: University of Iowa Press, 1988.); Charles Hohmann, Angel and Rocket: Pynchon's Gravity's Rainbow and The Duino Elegies (Norderstedt: Books on Demand, 2009.), Christopher K. Coffman, «Bogomilism, Orphism, Shamanism: The Spiritual and Spatial Grounds of Pynchon’s Ecological Ethic», Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide, str. 91-114. 149 Liner, «Utopia and Debt in Postmodernity», str. 45-46. 150 Liner, «Utopia and Debt in Postmodernity», str. 46. 151 Liner, «Utopia and Debt in Postmodernity», str. 10. 152 Isto. 153 Stipe Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», Književna smotra, godište XLVI, 172 (2014) 2, str. 30. 154 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 29. 155 Sascha Pöhlmann, «'I Just Look At Books': Reading the Monetary Metareality of Bleeding Edge», Orbit: Writing Around Pynchon, 4 (2016) 1, str. 18. 156 Usp. William Day, «Countering Entropy in The Crying of Lot 49 with Reader Involvement: Remedios Varo as a Role Model for Oedipa Maas», Pynchon Notes, (2009) 56/57, str. 30-45. 157 Usp. Jacques Derrida, Sablasti Marxa: Stanje duga, rad tugovanja i nova Internacionala (Zagreb: Hrvatska sveučilišna naklada, 2002) 158 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 31. 159 Pöhlmann, «'I Just Look At Books'», str. 5-6. 160 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 37. 161 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 32. 162 Usp. Pöhlmann, «'I Just Look At Books'», str. 21. 163 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 32. 164 Usp. Pöhlmann, «'I Just Look At Books'», str. 12-13. 165 Usp. isto, str. 13-14. 166 Usp. Pöhlmann, «'I Just Look At Books'», str. 15. 167 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 36. 168 Pöhlmann, «'I Just Look At Books'», str. 7. 169 Usp. M. Keith Booker, «Vineland and Dystopian Fiction», Pynchon Notes, (1992) 30/31, str. 6. 170 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 38. 171 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 37. 172 Kevin L. Ferguson, Eighties People: New Lives in the American Imagination (London: Palgrave MacMillan, 2016), str. 91. 173 Booker, «Vineland and Dystopian Fiction», str. 20. 174 Usp. Bahtin, O romanu, str. 177. 175 Pöhlmann, «'I Just Look At Books'», str. 30. 176 Grgas, «Pynchon na oštrici noža tehnologije i ekonomije», str. 37. 177 Luc Herman i Steven C. Weisenburger, Gravity's Rainbow, Domination, and Freedom (Atena i London: University of Georgia Press, 2013), str. 7. 178 Abrams, A Glossary of Literary Terms, str. 275. 179 Stark, Pynchon's Fictions, str. 26. Yüklə 354,26 Kb. Dostları ilə paylaş:
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